Todd Cerveris News

Mint Theater Company will return to live performances in 2022 with a new production of The Daughter-in-Law by D.H. Lawrence, first produced by the Mint in 2003.

BroadwayWorld talks to Giovanna Sardelli, the irrepressible director of TheatreWorks Silicon Valley's 'It's a Wonderful Life: A Live Radio Play' running December 1 to 26 at the Lucie Stern Theatre in Palo Alto.

Yours Unfaithfully by Miles Malleson directed by Jonathan Bank is available on demand through June 14th only! Part of  the Mint Theater Company's Silver Lining Streaming Series of on-demand streaming of the three-camera archival recordings (filmed in HD!).

Mint Theater Company will conclude the highly popular Silver Lining Streaming Series with the on-demand streaming of the three-camera archival recording (filmed in HD!) of The Fatal Weakness by George Kelly, beginning Monday May 17th, and continuing through June 27th.

Mint Theater Company will continue the highly popular Silver Lining Streaming Series with the on-demand streaming of the two-camera archival recording (filmed in HD!) of A Picture of Autumn by N.C Hunter, directed by Gus Kaikkonen beginning Monday April 19th, and continuing through June 13th.

Mint Theater Company will continue the Silver Lining Streaming Series with the on-demand streaming of the three-camera archival recording (filmed in HD!) of Yours Unfaithfully by Miles Malleson directed by Jonathan Bank beginning Monday, March 22nd, and continuing through May 16th.

Today (January 15) in live streaming: Adam Pascal in concert, Blue Ridge ​by Abby Rosebrock, and more!

Mint Theater Company will kick off its Silver Lining Streaming Series today with the on-demand streaming of the HD recording of Days To Come by Lillian Hellman (The Little Foxes, Watch on the Rhine, Toys in the Attic, The Children's Hour), directed by J.R. Sullivan, beginning January 4th and continuing through February 21st. 

Mint Theater Company Artistic Director Jonathan Bank today announced the line-up for Mint’s popular Streaming Series for 2021, featuring HD recordings of past productions: Days To Come by Lillian Hellman, directed by J.R. Sullivan (will begin airing January 4th and continue through February 21st); plus much more!

The Eleventh Annual Running of the Red Bulls Gala Benefit took place on Monday June 3rd, at 6pm, celebrating the company's 16th Season and honoring director Daniel Sullivan, actor Condola Rashad, and the American Theatre Wing with the 2019 Matador Awards for Excellence in Classical Theater. Proceeds from the evening will support all of Red Bull Theater's programs including its Off-Broadway productions of The White Devil and Mac Beth, Revelation Readings series, and its Shakespeare in Schools initiative.

With the exception of those specifically dedicated to making it their mission, there isn't a theatre company in New York whose output contains such a high percentage of productions by women playwrights as The Mint.

Fellowship for Performing Arts announced today an extension for the revival of Robert Bolt's Tony Award-winning play, A MAN FOR ALL SEASONS, a Machiavellian political-religious drama ripped from today's headlines. A MAN FOR ALL SEASONS began previews on January 11, 2019, at The Acorn Theatre at Theatre Row (410 W. 42nd Street, New York, NY 10036) and officially opened on January 23. Originally set to close on February 24, the play will now run through March 3, 2019.

Fellowship for Performing Arts' revival of Robert Bolt's Tony Award-winning play, A MAN FOR ALL SEASONS, a Machiavellian political-religious drama ripped from today's headlines, opened just last night, January 23, 2019, at The Acorn Theatre at Theatre Row (410 W. 42nd Street, New York, NY 10036).

As the sixth annual New Works Now new play festival commences, Northern Stage is thrilled to announce its third Off-Broadway production, Only Yesterday by Hollywood writer Bob Stevens, and bring another world premiere to the main stage, Venus Rising by local playwright Marisa Smith.

Fellowship for Performing Arts' revival of Robert Bolt's Tony Award-winning play, A MAN FOR ALL SEASONS, a Machiavellian political-religious drama ripped from today's headlines, begins previews tonight, January 11, 2019, at The Acorn Theatre at Theatre Row (410 W. 42nd Street, New York, NY 10036). A MAN FOR ALL SEASONS will officially open on January 23 for a limited run through February 24, 2019.

Fellowship for Performing Arts announced today its productions for late 2018 and early 2019, marking the company's fourth full season in New York. The season will be headlined by the return of FPA's signature production of C.S. LEWIS' THE SCREWTAPE LETTERS and a revival of Robert Bolt's Tony Award-winning play, A MAN FOR ALL SEASONS, a Machiavellian political-religious drama ripped from today's headlines. All productions and a reading series will take place at The Acorn Theatre at Theatre Row

J.T. Rogers' Oslo, winner of the 2017 Tony Award for Best Play, and Sarah Ruhl's Dear Elizabeth play in rotating repertory live on stage at the Barrette Center for the Arts in White River Junction, VT. Oslo plays September 19 - October 21 and Dear Elizabeth, October 4 - 28. For tickets and information, call (802) 296-7000 or visit northernstage.org. Tickets start at $19 for students and $34 for adults.

J.T. Rogers' Oslo, winner of the 2017 Tony Award for Best Play, and Sarah Ruhl's Dear Elizabeth play in rotating repertory live on stage at the Barrette Center for the Arts in White River Junction, VT. Oslo plays September 19 - October 21 and Dear Elizabeth, October 4 - 28. For tickets and information, call (802) 296-7000 or visit northernstage.org. Tickets start at $19 for students and $34 for adults.

J.T. Rogers' Oslo, winner of the 2017 Tony Award for Best Play, and Sarah Ruhl's Dear Elizabeth play in rotating repertory live on stage at the Barrette Center for the Arts in White River Junction, VT. Oslo plays September 19 - October 21 and Dear Elizabeth, October 4 - 28. For tickets and information, call (802) 296-7000 or visit northernstage.org. Tickets start at $19 for students and $34 for adults.

Perhaps if Clifford Odets' landmark pro-union drama, WAITING FOR LEFTY, hadn't opened the year before, Lillian Hellman's 1936 labor drama, DAYS TO COME, the sophomore Broadway effort of the playwright who made a huge name for herself two years earlier with THE CHILDREN'S HOUR, might have been better received.