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Review: MAN AND BOY, National Theatre

If anyone still thought Terence Rattigan a staid drawing room playwright, his 1963 play Man and Boy ought to put an end to that. Anthony Lau’s version doesn’t always elevate the source material to its full potential, but it presents a case for giving the text another look.

Photos: MAN AND BOY Rehearsals at The National Theatre

You can now get a first look at rehearsal photos of The National Theatre's Man and Boy, Terence Rattigan's tale of fatherhood and corruption, marking Director Anthony Lau’s (The Crucible) National Theatre debut.

Cast Set For MAN AND BOY at the National Theatre

The National Theatre has announced full casting for Man and Boy,  Terence Rattigan's tale of fatherhood and corruption, marking Director Anthony Lau's (The Crucible) National Theatre debut.

Review: IN PRAISE OF LOVE, Orange Tree Theatre

Terence Rattigan's work remains a stalwart of the British stage. Richmond's Orange Tree Theatre has a particular fondness for his lesser revived work; lighter, frothier plays such as French Without Tears and While the Sun Shines. In Praise of Love, Rattigan’s poignant penultimate play, is a different proposition. 

Theatres To Dim Lights In Honour Of John Gale OBE

Following the sad news of the passing of much-loved impresario John Gale, West End theatres and Chichester Festival Theatre will dim their lights for 2 minutes at 7pm on Wednesday 14 May, in his memory. 

Review: SUMMER 1954, Richmond Theatre

Director James Dacre presents these two short dramas by Terence Rattigan under the banner title Summer 1954, the date when the action is set. An unusual pairing of these unshowy productions convey the intellectually astute and emotionally searing spirit of Rattigan’s writing.

Critics' Choice: Cheryl Markosky's Best Shows of 2024

Grand dame Sian Phillips stealing the show, Adam Cooper giving an unexpected twirl and smaller theatre spaces punching above their weight. These are some of BroadwayWorld reviewer Cheryl Markosky's favourite theatre moments of 2024.

Review: SUMMER 1954, Theatre Royal Bath

Siân Phillips steals the evening in Theatre Royal Bath's twin-bill tribute to Terence Rattigan's one-act plays: lesser-known Table Number Seven, and The Browning Version ­– hailed by critics as 'a 70-minute masterpiece' when first performed at London's Phoenix Theatre in 1948.

Terence Rattigan's SUMMER 1954 Opens at Theatre Royal Bath in October Prior to a UK Tour

Multiple award winners Siân Phillips, Nathaniel Parker and Lolita Chakrabarti lead an ensemble cast directed by James Dacre performing Terence Rattigan’s most personal one act masterpieces Table Number Seven (from Separate Tables) and The Browning Version, which are paired for the first time to capture one quietly momentous evening seventy years ago. Together, they present Rattigan as one of the great twentieth century chroniclers of the paradoxes of the human heart. 

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