Teddy Lytle News

Ego Actus presents a site specific, Equity Showcase Code production of Bitten, a new play by Penny Jackson, directed by Joan Kane† on the second floor of Quinn's Bar, 353 w44th St near 9th Av, in New York City. All tickets $10 cash at the door.

what do you mean, an uproarious 'play without a play,' starts with Chris onstage, frantically creating a play, word for word. Our young playwright takes the audience and his colleagues (a bevy of the theatre's usual characters - from the penny-pinching producer to the know-it-all-intern) on a surreal, unapologetic journey through the creative process. Get ready... the audience may become part of the action as well.

The Seeing Place Theater presents Shakespeare's Hamlet and Stoppard's 'Rosencrantz and Guildenstern Are Dead' in true repertory.

what do you mean, an uproarious 'play without a play,' starts with Chris onstage, frantically creating a play, word for word. Our young playwright takes the audience and his colleagues (a bevy of the theatre's usual characters - from the penny-pinching producer to the know-it-all-intern) on a surreal, unapologetic journey through the creative process. Get ready... the audience may become part of the action as well.

Ego Actus (Bruce A! Kraemer and Joan Kane producers) presents I Know What Boys Want, a new drama by award winning playwright Penny Jackson opening March 28th at the WorkShop Theater. Joan Kane directs. The cast features Sara Hogrefe*, Dara O' Brien* (The Seagull at Classic Stage), Janice Amano, Kimberly Diamond, Lauren D. Salvo, Liam Rhodes*, Teddy Lytle and Nick Vennekotter. (*Members of Actors' Equity)

The Seeing Place Theater, known for intensely intimate ensemble work, announces an Off-Broadway extension for their critically acclaimed production of John Patrick Shanley's Danny and the Deep Blue Sea, a brutal and romantic story of 'Beauty and the Beast in the Bronx.' Due to overwhelming audience response and glowing critical praise, this production is getting a limited one-week extension in New York City.

Beginning August 15th, The Harbor Stage Company launches the third and final chapter of its critically acclaimed inaugural season with David Rabe's tragic farce Sticks and Bones. The production marks the Cape Cod premiere of the much lauded, rarely produced play, a searing dark comedy whose Broadway production earned the 1972 Tony Award for Best Play. The New York Times calls the play "a poet's vision of the disaster of moral bankruptcy."

The Seeing Place Theater, known for intensely intimate ensemble work, announces casting for Harold Pinter's The Lover, a 'bizarre theatrical evening' of lust, cunning, and costumes) paired with John Patrick Shanley's Danny and the Deep Blue Sea, a brutal and romantic story of 'Beauty and the Beast in the Bronx.' Both shows are running in true repertory: same cast, design concept, and creative team, for 2 total hours of compelling programming.

The Seeing Place Theater, known for intensely intimate ensemble work, announces casting for Harold Pinter's The Lover, a 'bizarre theatrical evening' of lust, cunning, and costumes) paired with John Patrick Shanley's Danny and the Deep Blue Sea, a brutal and romantic story of 'Beauty and the Beast in the Bronx.' Both shows are running in true repertory: same cast, design concept, and creative team, for 2 total hours of compelling programming.

Fresh from a string of sold out performances of their critically acclaimed Hedda Gabler, the newly minted Harbor Stage Company launches the second production of their inaugural season, Young Jean Lee's meditation on religion and ritual, Church. Helmed by founding member Brenda Withers, the piece reflects the upstart company's affinity for the most daring scripts and compelling voices on the contemporary theatrical landscape. The show runs July 18 through August 11, 2012.

In 1929, Patrick Hamilton wrote the groundbreaking play Rope, in which two undergraduates plot and execute the murder of an innocent classmate as an exercise in intellectual superiority. The killers place the body in a chest and then host a cocktail party, serving food and drink from the make-shift coffin to guests, including the boy's family. As the evening progresses and liquor is poured, the young killers become increasingly bold until the action spirals out of control toward its unsettling yet satisfying finale. This highly physical, energetic production transplants the play from London to New York, just before the crash of '29, providing a Jazz Age backdrop for Hamilton's gripping thriller.

The Queens Players presents THEATRE DU GRAND-GUIGNOL: TALES OF HORROR AND FEAR October 14-17, 20-24, and 27-31 at 8PM with a matinee October 30 at 3:30PM. For more information or to purchase tickets, visit www.thequeensplayers.com or call 718-392-0722. Tickets are $15 in advance and $18 at the door.

The Queens Players presents THEATRE DU GRAND-GUIGNOL: TALES OF HORROR AND FEAR October 14-17, 20-24, and 27-31 at 8PM with a matinee October 30 at 3:30PM. For more information or to purchase tickets, visit www.thequeensplayers.com or call 718-392-0722. Tickets are $15 in advance and $18 at the door.