Steve Schalchlin News

The Pearl Theatre Company and Gingold Theatre Group is currently presenting Shaw's Major Barbara, running through December 14, 2014. When the charming weapons-manufacturer Andrew Undershaft goes toe-to-toe with his passionate daughter Barbara, a Major in the Salvation Army, over his 'ill-gotten' fortune, it leads to the wager of the century. She is determined to save his soul-he is determined to open her eyes to a wider world. Their confrontation will knock their entire family's moral compass up, down, and sideways, never to be the same again.

Urban Stages (Frances Hill, Founding Artistic Director), in association with producer/director/lyricist and Director of Musical Programming Peter Napolitano, today announced the line-up for their sixth series of musical evenings entitled WINTER RHYTHMS 2014, beginning Tuesday, December 2nd and continuing through Sunday, December 14th at Urban Stages Theatre (259 West 30th Street, just East of 8th Avenue).

Gingold Theatrical Group's PROJECT SHAW, under the leadership of Founding Artistic Director David Staller, presented its 97th production, Henrik Ibsen's farce League of Youth, last night, October 27 at 7pm, at Symphony Space's Leonard Nimoy Thalia Theatre (2895 Broadway at 95th St.).

Barrington Stage Company, under the leadership of Artistic Director Julianne Boyd and Managing Director Tristan Wilson, welcomes the return of Drama Desk Award-winner Jim Brochu in his new show Character Man, following his wildly successful run of Zero Hour in 2011. A musical valentine celebrating the Golden Age of the American Musical, Character Man will be presented at BSC's St. Germain Stage at the Sydelle and Lee Blatt Performing Arts Center from tonight, September 18 through 28. The press opening is Saturday, September 20 at 7:30pm.

Barrington Stage Company, under the leadership of Artistic Director Julianne Boyd and Managing Director Tristan Wilson, announces the return of Drama Desk Award-winner Jim Brochu in his new show Character Man, following his wildly successful run of Zero Hour in 2011. A musical valentine celebrating the Golden Age of the American Musical, Character Man will be presented at BSC's St. Germain Stage at the Sydelle and Lee Blatt Performing Arts Center from September 18 through 28. The press opening is Saturday, September 20 at 7:30pm.

THE LAST SESSION first opened in 1997 at the 47th Street Theatre. Sitting in one of those audiences was Rob Harris, who was so moved by the show that he made a vow to produce it himself one day. His dream become a reality in 2012, when he produced THE LAST SESSION in London. Now, fans of the musical and those who have never heard of it before can revel in the magic that moved Rob Harris in 1997.

Brochu won multiple awards for 'Zero Hour' and returned this year with an autobiographical tribute to character actors, 'Character Man'.

Urban Stages Frances Hill, Founding Artistic Director and producer Peter Napolitano, announced the final week of the World Premiere engagement of Character Man. Jim Brochu's new musical memoir at Urban Stages Theatre (259 West 30th Street). This limited run will continue through April 6th only. Robert Bartley directs, with musical direction by Carl Haan. The Final Post-Show Talk will take place on Wednesday, April 2nd with Special Guest Karen Mason (Mamma Mia, Sunset Boulevard, Hairspray), moderated by Peter Filichia.

Sometimes you can stumble into stirring, soul-enriching cabaret in the unlikeliest places. Like at an Episcopal Church in Bay Ridge, Brooklyn, for example. On March 1 at Christ Church (Ridge Boulevard between 73rd and 74th Streets), one of New York cabaret's best and most-respected female singers Julie Reyburn, and her Musical Director Mark Janas (producer of the award-winning SALON, the open-mic held on Sunday nights at Manhattan's Etcetera, Etcetera Restaurant), resurrected Fate Is Kind, Reyburn's 2000 debut cabaret show, which earned her MAC and Bistro awards for “Best Female Debut,' and which is a magical work of cabaret art.

Urban Stages Frances Hill, Founding Artistic Director and producer Peter Napolitano present the World Premiere of Character Man. Jim Brochu's new musical memoir now at Urban Stages Theatre (259 West 30th Street), with opening night set for Today March 5th. This limited run will continue through March 30th only. Robert Bartley directs, with musical direction by Carl Haan.

Urban Stages Frances Hill, Founding Artistic Director and producer Peter Napolitano present the World Premiere of Character Man. Jim Brochu's new musical memoir now at Urban Stages Theatre (259 West 30th Street), with opening night set for Wednesday March 5th. This limited run will continue through March 30th only. Robert Bartley directs, with musical direction by Carl Haan.

Urban Stages Founding Artistic Director Frances Hill and producer Peter Napolitano present the World Premiere of Character Man as part of its 30th Anniversary season. Jim Brochu's new musical memoir just opened Off-Broadway at Urban Stages Theatre (259 West 30th Street) Wednesday March 5th. This limited run, in previews now, will continue through March 30th only. Robert Bartley directs, with musical direction by Carl Haan. Character Man will have scenic & video design by Patrick Brennan, lighting design by Meghan Santelli and sound design by Sean Hagerty. BroadwayWorld brings you photos from opening night below!

Urban Stages Founding Artistic Director Frances Hill and producer Peter Napolitano present the World Premiere of Character Man as part of its 30th Anniversary season. Jim Brochu's new musical memoir begins an Off-Broadway run at Urban Stages Theatre (259 West 30th Street) tonight, February 28th, with opening night set for Wednesday March 5th. This limited run will continue through March 30th only. Robert Bartley directs, with musical direction by Carl Haan. Character Man will have scenic & video design by Patrick Brennan, lighting design by Meghan Santelli and sound design by Sean Hagerty.

Following her acclaimed concert 'Catch the Light,' 54 Below just featured a new show featuring the stunning Michele Lee making a rare appearance in New York. Ms. Lee's new concert boasted an eclectic songbook, with classics she popularized as well songs from those magical composers, lyricists, and artists with whom she has worked and shared stages in every medium. Check out photos from her concert below!

Urban Stages Founding Artistic Director Frances Hill and producer Peter Napolitano present the World Premiere of Character Man as part of its 30th Anniversary season. Jim Brochu's new musical memoir begins an Off-Broadway run at Urban Stages Theatre (259 West 30th Street) February 28th, with opening night set for Wednesday March 5th. This limited run will continue through March 30th only. Robert Bartley directs, with musical direction by Carl Haan. Character Man will have scenic & video design by Patrick Brennan, lighting design by Meghan Santelli and sound design by Sean Hagerty.

As a cabaret reviewer, my role is to observe, muse, opine, critique, judge, and otherwise hobnob with all the thoughts in my fevered brain during and after a show. I don't believe it's appropriate for reviewers to promote specific shows—especially before they've reviewed them—so I don't write a “Pick of the Week or Month” column or advise readers on what or whom they should see. But here I'll break my own policy and urge you to go to the Metropolitan Room on Wednesday night, January 15 to see the shows of Steve Schalchlin (7pm) and Jim Brochu (9pm). Believe me, you'll thank me.

Last December, after I posted my list of the Best Cabaret Performers of 2012, I followed up my original 'listmania' with a column that served as a way to include some 'honorable mentions,' basically a recognition of other memorable shows and performances of songs that were striking, unique, and/or original that year. The column received a positive response so I thought I'd wheel it out again this year. So as the hours tick away on 2013 and we anticipate the coming of a new year, here is an addendum to the 2013 New York Cabaret Performers of the Year--a totally random list of 30 Honorable Mentions of the 'Best' and 'Most' in Cabaret for 2013 . . . mainly because I can and it's fun. Enjoy and Happy New Year!

If you're wondering whether or not 2013 was a fantastic year for the cabaret art form in New York, all you have to do is scan the amazing list of nominees for this year's BroadwayWorld New York Cabaret Awards and you'll know it was one of the best ever. So now it's time for all you cabaret performers and fans to vote for the best singers, musicians, songs, and shows of the year. Voting will continue until Sunday night January 5 and the winners will be announced later that week. We hope that all the winners will be able to perform in the Award show on Sunday night February 23 at Joe's Pub.

While it was billed as a presentation celebrating the release of his 13-song CD, Tales From the Bonus Round, and his 60th birthday, Steven Schalchlin's recent show at the Metropolitan Room was so much more than that. It was also one about fear, fortitude, anxiety, anguish, compassion, courage, and love, all expressed in poetic and often clever lyrics and melodies ranging from uplifting gospel to Billy Joel-sounding mid-tempo pop to sensitive ballads, many colored with musical theater undertones. At their core, most of the songs conveyed what Schalchlin has thought, felt and experienced since early 1993, when he was diagnosed with AIDS, launched one of the first internet diaries/blogs (in early 1996), stared death in the face on a daily basis, took an experimental AIDS drug (Crixivan), and ultimately regained his health and career. When you listen to his songs, it's not hard to believe Schalchlin when he claims that during those scary days writing music and the “healing properties of piano vibrations” also helped save his life, and the 17 years since are what he calls his “Bonus Round.”

Hodges and Hodges attended an historic night at the Nourse Theatre in San Francisco as droves of people came out to celebrate the 35th anniversary season of the San Francisco Gay Men's Chorus. The world premiere, with words and music by Tony nominated Andrew Lippa soared.