Photos: Inside Rehearsal For THAT IS NOW WHO I AM at Royal Court Theatre
by Stephi Wild
- May 19, 2022
Priyanga Burford, Jake Davies and Siena Kelly have been cast in That Is Not Who I Am by Dave Davidson, directed by Royal Court Theatre Associate Director Lucy Morrison. The production will run from Friday 10 June 2022 to Saturday 16 July 2022 with press night on Thursday 16 June 2022, 7pm.
BWW Review: FORCE MAJEURE, Donmar Warehouse
by Gary Naylor
- Jan 11, 2022
Skiing on stage? That's not the only slippery slope in this clever adaptation of the 2014 Swedish movie about failing fathers and the, gulp, crisis of masculinity.
Photos: First Look at FORCE MAJEURE at the Donmar Warehouse
by Stephi Wild
- Jan 6, 2022
With Love and Other Acts of Violence currently running at the theatre, following the completion of essential building works, Michael Longhurst, Artistic Director, and Henny Finch, Executive Director of the Donmar Warehouse, today announce the full cast for Tim Price’s new stage adaptation of Ruben Östlund’s award-winning comedy film Force Majeure.
Photos: Inside Rehearsals for FORCE MAJEURE at The Donmar Warehouse
by Chloe Rabinowitz
- Nov 30, 2021
The Donmar Warehouse will present Ruben Östlund’s comedy film Force Majeure starring Rory Kinnear (Tomas), Nathalie Armin (Charlotte), Holly Cattle (Female Skier), Raffaello Degruttola (Photographer/Man/Cleaner), Siena Kelly (Jenny), Lyndsey Marshal (Ebba), Kwami Odoom (Brady/Male Skier), Sule Rimi (Mats) and Arthur Wilson (Receptionist).
Photos: Go Inside Rehearsals for CAT ON A HOT TIN ROOF Opening at Curve
by Chloe Rabinowitz
- Aug 19, 2021
CAT ON A HOT TIN ROOF will open at Curve on 3 September, before touring to Liverpool Playhouse 22 September – 2 October, Marlowe Theatre 6 – 9 October, The New Wolsey Theatre Ipswich 12 – 16 October, Theatr Clwyd 19 – 23 October, concluding at Mast Mayflower Studios Southampton 26 – 30 October.
MUGABE & ME Will Be Performed at York Theatre Royal Next Month
by Stephi Wild
- Aug 9, 2021
The autobiographical play about growing up in 1980's Zimbabwe following independence opens at York Theatre Royal on 14 September, with previews from 9 September, until 18 September, with tour dates for 2022 to be announced.
Full Cast Announced for CAT ON A HOT TIN ROOF at Leicester's Curve Theatre
by Chloe Rabinowitz
- Aug 3, 2021
Leicester’s Curve theatre, Liverpool Everyman & Playhouse and English Touring Theatre revealed the full company for the upcoming co-production of Tennessee Williams’ Cat on a Hot Tin Roof, directed by Anthony Almeida, which will open at Curve on 3 September, and then tour venues across England and Wales.
BWW Review: TEENAGE DICK, Donmar Warehouse
by Anthony Walker-Cook
- Dec 12, 2019
It's a case of rather ironic programming that the press night for Mike Lew's Teenage Dick at the Donmar Warehouse was on the 12 December, the day of the General Election in the UK. An adaptation of Shakespeare's Richard III, Lew's new play is a meditation on the nature of power transposed to an American high school. Commissioned by The Apothetae, a theatre company dedicated to plays that discuss disability, and with direction by Michael Longhurst, Lew retells Shakespeare with a needed urgency, providing an arch reminder that the voices of the disabled have often been ignored, terrorised or shouted down from the earliest possibility.
Donmar Warehouse Announces Full Casting For TEENAGE DICK
by Stephi Wild
- Oct 24, 2019
The Donmar Warehouse announces the full cast for Teenage Dick, Mike Lew's darkly comic take on Shakespeare's Richard III, directed by Donmar Artistic Director Michael Longhurst. Joining previously announced cast Daniel Monks and Susan Wokoma are Callum Adams, Alice Hewkin, Siena Kelly and Ruth Madeley.
BWW Review: DESCRIBE THE NIGHT, Hampstead Theatre
by Marianka Swain
- May 10, 2018
American playwright Rajiv Joseph's latest certainly doesn't lack for ambition, spanning 90 years, three countries, and mixing history and fiction in its form to make a point about, well, mixing history and fiction. Storytelling through to the pertinent “fake news” abounds, but this near-three-hour show is ultimately more compelling in its ideas than in its drama.
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