Sally Ann Triplett News

The stars of Piaf - which should have been performed at Nottingham Playhouse and Leeds Playhouse this spring - have come together for an exclusive performance of Hymne a L'Amour. The piece, initiated by Director Adam Penford and Musical Director Alex Parker, gives audiences an exclusive taste of what to expect from the postponed production.

Need something new to listen to or read? Check out this week's list of new and upcoming releases!

Nottingham Playhouse and Leeds Playhouse have announced more of the casting for their upcoming co-production, Piaf. It includes the news that Sally Ann Triplett is set to reunite with friend Jenna Russell for their first performance together since 1987, in the West End premiere of Sondheim's seminal musical, Follies.

From the very beginning, when David waves his handkerchief between the curtain, to the final all-cast harmonization of the a?oeYou Mattera?? reprise, Becoming Nancy pulls you in and won't let you go.

The new musical. Becoming Nancy, is currently playing at Alliance Theatre! Get a first look at the show in these all new photos!

Rehearsals are underway for The Alliance Theatre's upcoming world premiere musical, BECOMING NANCY.  Get a peek inside the rehearsal room!

Today's top stories: Vanessa Carlton begins in Beautiful, and more!

The Alliance Theatre in Atlanta announced today casting for its upcoming world premiere BECOMING NANCY. Based on the best-selling British novel by Terry Ronald, this new musical is directed and choreographed by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Hairspray), with a book by Elliot Davis (Peter Pan, Loserville), and a score by the songwriting team of George Stiles (Music) and Anthony Drewe (Lyrics) (Mary Poppins, Peter Pan, Honk!). BECOMING NANCY will open the Alliance Theatre's 51st season on its newly renovated Coca-Cola Stage, September 6 - October 6, 2019. Opening Night is Wednesday, September 18.

Classic Stage Company announces two events in conjunction with Tony Award-winner John Doyle's production of Marc Blitzstein's 1937 play in music The Cradle Will Rock. On May 14, legendary former New York Times labor reporter Steven Greenhouse, author of the forthcoming Beaten Down, Worked Up: The Past, Present, and Future of American Labor (Alfred A. Knopf, August 2019),and Kate Shindle, president of Actors' Equity Association, will discuss the history and current state of labor and union movements in relation to Cradle's timely and timeless themes. 

Classic Stage Company announces two exciting and illuminating events in conjunction with Tony Award-winner John Doyle's production of Marc Blitzstein's 1937 play in music The Cradle Will Rock.

Classic Stage Company presents Marc Blitzstein's allegorical play in music The Cradle Will Rock, directed by John Doyle, March 21 - May 19, 2019.

In June of 1937, the United States government padlocked New York's Maxine Elliot Theatre and sent security guards to prevent the performance of a new musical, but the unknown leading lady Olive Stanton courageously fought her fears and led an act of defiance that made headlines the morning after opening night.

In the spirit of Classic Stage Company's new production of The Cradle Will Rock, Marc Blitzstein's historic pro-labor American play in music (March 21 - May 19), CSC is implementing a policy through which members of any union will receive $25 rush tickets to the show. In order to redeem these tickets, patrons must show their union ID at the box office the day of the performance they would like to attend, pending availability. This will be in addition to CSC's regular and student rush policies.

Classic Stage Company presents Marc Blitzstein's allegorical play in music The Cradle Will Rock, directed by John Doyle, March 21 - May 19, 2019. A Depression-era indictment of rampant capitalism told almost entirely in song, The Cradle Will Rock maintains a twinkle in its eye while bearing sharp fangs. The 1937 premiere of this story of American class tensions-directed by Orson Welles-was famously shut down on the eve of opening night by federal authorities over so-called 'budget cuts,' commonly considered a thin veil for fears of the play's pro-labor stance. The artists involved rebelliously circumvented its cancellation, making for one of the most memorable stories in 20th century theater history. While Blitzstein's libretto is very much a product of its own 1930s political context, The Cradle Will Rock pulses with immediacy in an era of expanding economic inequality and policy for purchase. CSC's 2018-2019 season began with The Resistible Rise of Arturo Ui, Bertolt Brecht's allegory about the rise of fascism via a charismatic tyrant; this spring, it closes with an all-American Brecht-and-Weill-inspired work, which carries a message of defiance built into its very title.

The York Theatre Company as part of its acclaimed Developmental Reading Series will present a staged reading of the new musical In the Theatre with book by Joan Ross Sorkin (The Black Swan) and music and lyrics by Steven Fisher (The Little Dancer). In the Theatre will play two performances only on Tuesday, February 12, 2019 at 2:30 p.m. and 7:00 p.m. at The York Theatre Company at Saint Peter's.

Andrea Wolff's I Can't Trace Time, a passionate and whimsical musical memoir, will play a show at downtown's alt-cabaret, Pangea, on Feb. 22nd, 2019 at 7pm. With a signature mixture of pop and Broadway played only by Music Director/Pianist Jude Obermuller and with an appearance by Special Guest, Sean Harkness, I Can't Trace Time features a master entertainer who has been widely lauded for her strong comic timing, offbeat and compelling characterizations and superb taste in music.

Obie-Award winning performance group, The Secret City, announces their third annual Winter Solstice celebration, Today, December 22nd at 7pm. Special guest performers include Sally Ann Triplett (Sweeney Todd), Elizabeth Marvel (King Lear, House of Cards, Homeland), Leah Coloff (This Tree) and Rhiannon Catalyst (mixed media performance artist). Expect a night of art, music, community, joy and spectacle in the beautiful sanctuary of the historic Judson Memorial Church, in celebration of the darkest night of the year, the 'return' of the light in the night sky and the beginning of winter. Founder Chris Wells will emcee the event.

Obie-Award winning performance group, The Secret City, announces their third annual Winter Solstice celebration, Saturday, December 22nd at 7pm. Special guest performers include Sally Ann Triplett (Sweeney Todd), Elizabeth Marvel (King Lear, House of Cards, Homeland), Leah Coloff (This Tree) and Rhiannon Catalyst (mixed media performance artist). Expect a night of art, music, community, joy and spectacle in the beautiful sanctuary of the historic Judson Memorial Church, in celebration of the darkest night of the year, the 'return' of the light in the night sky and the beginning of winter. Founder Chris Wells will emcee the event.

Andrea Wolff's I Can't Trace Time, a passionate and whimsical musical memoir, will play one more show in December, moving to the Laurie Beechman Theatre on 12/10 at 6pm. With a signature mixture of pop and Broadway and an ensemble led by Music Director Jude Obermuller, I Can't Trace Time features a master entertainer who has been widely lauded for her strong comic timing, offbeat and compelling characterizations and superb taste in music. Special Guest Artist, guitarist Sean Harkness will appear. The show is directed by 2018 MAC and Bistro Award winning writer-actor, Dan Ruth. The Laurie Beechman Theatre is at 407 W.42nd Street, in the rear and downstairs at the West Bank Cafe. Tickets may be purchased online at: https://web.ovationtix.com/trs/pr/1001723.

Award-winning five-star hit musical, Everybody's Talking About Jamie, held a special VIP invitation-only screening just last week, in advance of public screenings on November 7, 11 and 14 in cinemas nationwide.