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Review: DANCING AT LUGHNASA, National Theatre

Review: DANCING AT LUGHNASA, National Theatre

by Gary Naylor — April 19, 2023

Josie Rourke's new production has much about it to admire, but has little to say on the changes in Ireland since the play's first incarnation on the South Bank in 1990

Erich Bergen Returns to CHICAGO Next Week

Erich Bergen Returns to CHICAGO Next Week

by Stephi Wild — April 5, 2023

The Broadway company of the Tony Award-winning, record-breaking hit musical Chicago will welcome back Erich Bergen in the role of “Billy Flynn” beginning Monday, April 10, 2023 through Sunday, June 4, 2023.

Review: Oh Goddess, Bellini's NORMA Returns to the Met

Review: Oh Goddess, Bellini's NORMA Returns to the Met

by Richard Sasanow — March 10, 2023

You’ve got to admit that the Met had a lot of guts to dedicate this season’s performances of Vincenzo Bellini’s NORMA (libretto by Felice Romani) to the memory of Maria Callas on the 100th anniversary of her birth.

Sonya Yoncheva to Star in Bellini's NORMA at the Met in February

Sonya Yoncheva to Star in Bellini's NORMA at the Met in February

by Chloe Rabinowitz — January 23, 2023

After her highly acclaimed performances as Fedora earlier this month, soprano Sonya Yoncheva will return on February 28 for her Met role debut as the fearless title priestess of Bellini’s scorching bel canto drama Norma.

Photos/Video: Inside Rehearsal For LEMONS LEMONS LEMONS LEMONS LEMONS

Photos/Video: Inside Rehearsal For LEMONS LEMONS LEMONS LEMONS LEMONS

by Stephi Wild — January 5, 2023

Rehearsal photos and a new video are released today for the West End premiere of Sam Steiner’s Lemons Lemons Lemons Lemons Lemons starring Jenna Coleman (The Serpent, BBC One; All My Sons, The Old Vic) and Aidan Turner (The Suspect, ITV; The Lieutenant of Inishmore, West End).

Review: AS YOU LIKE IT, @sohoplace

Review: AS YOU LIKE IT, @sohoplace

by Cindy Marcolina — December 15, 2022

Presented in the round with the inclusion of closed-captioning at every performance and a few BSL-signing characters, it’s probably the most accessible, most gender-fluid show currently running in London.


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