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Review: GENTLEMAN JACK, Sadler's Wells

Review: GENTLEMAN JACK, Sadler's Wells

by Franco Milazzo — May 21, 2026

At this point in the history of humanity, a ballet translated from screen to stage or built around a real person is more likely to raise eyebrows than expectations.

Review: BROKEN LOVE at San Francisco Ballet

Review: BROKEN LOVE at San Francisco Ballet

by Jim Munson — April 10, 2025

What did our critic think of BROKEN LOVE at San Francisco Ballet? BroadwayWorld reviews the program of two contrasting ballets that runs through April 18th at the War Memorial Opera House.

Review: THE CRUCIBLE at Eisenhower Theater

Review: THE CRUCIBLE at Eisenhower Theater

by Mary Lincer — May 25, 2023

What did our critic think of THE CRUCIBLE at Eisenhower Theater? Choreographer Helen Pickett does in her ballet The Crucible just exactly what Arthur Miller attempted in his 1953 play, her source.

Scottish Ballet Brings A STREETCAR NAMED DESIRE to Kirkwall

Scottish Ballet Brings A STREETCAR NAMED DESIRE to Kirkwall

by Stephi Wild — May 23, 2023

Following the hugely successful mainland tour of A Streetcar Named Desire, and an exciting US premiere tour of The Crucible, Scottish Ballet will take the full production of Streetcar to Kirkwall, as part of the St Magnus Festival, and then to Stornoway on Lewis.

MOMIX's ALICE! Inaugurates TPAC's 2022-23 International Dance Series This Weekend

MOMIX's ALICE! Inaugurates TPAC's 2022-23 International Dance Series This Weekend

by Jeffrey Ellis — January 26, 2023

Moses Pendleton, the founder and artistic director of MOMIX – the celebrated dance company that inaugurates Tennessee Performing Arts Center’s 2022-23 International Dance Series this weekend – readily admits that he’s had a lifelong affinity for Lewis Carroll and his fanciful tale of a young

Review: BALLET HISPÁNICO: DOÑA PERÓN at Kennedy Center

Review: BALLET HISPÁNICO: DOÑA PERÓN at Kennedy Center

by Roger Catlin — December 4, 2022

If you're going to do a history of Eva Perón based entirely on movement, you'd be sure to include that iconic pose of the Argentine First Lady hands aloft at the radio microphones before adoring thousands.


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