BWW Review: Kirsten Childs' THE BUBBLY BLACK GIRL SHEDS HER CHAMELEON SKIN Tackles Racial Identity Issues
Connoisseurs of American musical theatre wishing to make a point about the genre's ability to dramatize even the most unlikely of subjects often cite examples like SWEENEY TODD's vengeful barber on a killing spree or THE PAJAMA GAME's labor/management dispute, but bookwriter/lyricist/composer Kirste