Pearl Lang News

Eliot Feld's KIDS DANCE, called 'a New York City treasure' by The New York Times, makes its annual visit to The Joyce for six performances, June 8-11.   The remarkably poised, scrupulously schooled, and impeccably rehearsed whiz-kids, numbering 60, ages 11-17, will delight audiences young and old with Feld classics Meshugana Dance and The Jig is Up, along with two Feld works created especially for Kids Dance: Upside Dance and the new Pointing, a premiere for four young ladies en pointe.  And, continuing his commitment to expanding the repertory with works created expressly for youngsters, Feld will present two new dances: The Wild Current by Laura Careless set to a collage of music that ranges from Debussy to the Native Jazz Quartet, and ?It's The Effort That Counts a collaboration by Conner Bormann, Riley O'Flynn, and Stephanie Terasaki, in which the rhythms are provided by a metronome.

Eliot Feld's KIDS DANCE, called 'a New York City treasure' by The New York Times, makes its annual visit to The Joyce for six performances, June 8-11.   The remarkably poised, scrupulously schooled, and impeccably rehearsed whiz-kids, numbering 60, ages 11-17, will delight audiences young and old with Feld classics Meshugana Dance and The Jig is Up, along with two Feld works created especially for Kids Dance: Upside Dance and the new Pointing, a premiere for four young ladies en pointe. 

On Friday, June 9th, 2017, 5-7pm — a Special Book Event for “CREATE! How Extraordinary People Live To Create and Create To Live” — a new book by best-selling author, Ronald Rand — will be held at The Drama Book Shop, 250 West 40 Street in New York City. 

Eliot Feld remains committed to creating a repertory of dances created especially for young dancers.  For the June 8-11 season of Kids Dance, Feld will premiere one new ballet.  There will also be one new dance by Laura Careless, and a second new work by a trio of young choreographers who are graduates of or seniors at Juilliard: Conner Bormann, Riley O'Flynn, Stephanie Terasaki. 

Dance Theatre of Harlem (Virginia Johnson, Artistic Director; Anna Glass, Executive Director), is thrilled to announce that its 2017 hometown season will kick off on April 19 with a live performance by Grammy Award-winning recording artist India.Ariewith students from the Dance Theatre of Harlem School performing the world premiere of High Above, featuring choreography by DTH resident choreographer Robert Garland.

CUNY Dance Initiative and John Jay College present the World Premiere of Rites of Passage on September 24, 2016 at 8pm at the Gerald W. Lynch Theater, 524 W. 59th Street, NYC, in celebration of Hispanic Heritage Month.

CUNY Dance Initiative and John Jay College present the World Premiere of Rites of Passage on September 24, 2016 at 8pm at the Gerald W. Lynch Theater, 524 W. 59th Street, NYC, in celebration of Hispanic Heritage Month.   Admission is $30 ($25 for CUNY students, faculty and staff and $10 for John Jay College students, faculty and staff). Tickets are available at dzul.eventbrite.com.

CUNY Dance Initiative and John Jay College present the World Premiere of Rites of Passage on September 24, 2016 at 8pm at the Gerald W. Lynch Theater, 524 W. 59th Street, NYC, in celebration of Hispanic Heritage Month.

Opening night on August 1st 2016 of a shared week at the Joyce presented by the venerable American Dance Festival got the six-day run off to an auspicious start. Provincial Dances Theatre, a company from Russia, treated dancegoers to two mesmerizing contemporary works by Tatiana Baganova that will also be on the boards August 2nd and 3rd. From August 4th to 6th, the Miami-based Rosie Herrera Dance Theatre will complete the season.

Three men engage in acrobatic entanglements that transform from free-moving sculptural configurations to crumpled masses of bodies that roll all over the floor of a darkly lit fog filled stage. Resembling an improv-ed floor-work exercise full of incongruously musical acrobatic manipulations, this indulgent routine - replete with lingering touches and mashing of bodies into each other - revealed little about its performers and even less about itself the longer it went on.

We all know that Eliot Feld – who might be New York City's most accomplished man in dance – has a love for calisthenics, vernacular twists and grooves, and folklore. But since closing his ballet company in 2003, his work has been primarily with students who cannot understand the dry wit inherent to his choreography. The effect is decidedly discombobulating. One wishes that Mr. Feld would either up the ante in his work – there were no pirouettes or turns, though there was plenty of batterie, which tends to be more difficult – or further develop the artistry of his charges.

Like sand through the hourglass, so is the choreography of Jacqulyn Buglisi. No one can argue that Ms. Buglisi knows how to craft beautifully lush movement. Her dances are ephemeral yet timeless, like a conjured dream held in stasis. But in the wrong hands, this ravishing quality becomes smothering. Luckily Ms. Buglisi formed her original company with Terese Capucilli, Christine Dakin, and Donlin Foreman. At the time they were filling a void left in the wake of Martha Graham's death. More than this, they were four of the most talented dancers on the planet coming into their own as creators while using their own incomparable bodies as tools of deliverance; how could the results be anything less than spectacular? Though one wonders, was it the work or the performers? We found out on June 7th, 2016 at The Ailey Citigroup Theatre during the gala performance of Buglisi Dance Theatre's 23rd Season.

The Martha Graham Dance Company announces the promotion of five Company members for the 2016-17 season. Abdiel Jacobsen and Xin Ying have been promoted to Principal Dancer, and Charlotte Landreau, Lloyd Mayor, and Lorenzo Pagano have been promoted to Soloist. 

In celebration of his career as dancer, choreographer, actor, writer and educator, From the Horse's Mouth will dedicate its next theater/dance performance event to Gus Solomons jr, a pioneer and dance legend whose life-long accomplishments exemplify a storied career spanning more than 60 years.

In celebration of his career as dancer, choreographer, actor, writer and educator, From the Horse's Mouth will dedicate its next theater/dance performance event to Gus Solomons jr, a pioneer and dance legend whose life-long accomplishments exemplify a storied career spanning more than 60 years.

Maher Benham and Coyote Dancers announce three evenings of works choreographed by Ms. Benham, and dedicated to her company's beloved teacher, mentor, and friend Dudley Williams (1938-2015).   The evening will feature the world premiere of Ms. Benham's 'A Song for Dudley,' along with Coyote repertory works, including 'Eight for Martha,' dedicated to Martha Graham, October 23-25 at the Martha Graham Studio Theatre.  The Coyote resident ensemble of 16 dancers will be joined by a distinguished roster of guests, most either past or current members of the Martha Graham Dance Company.   Presented by Maher Benham and Coyote Dancers in collaboration with Deborah Zall and Classic Contemporary Dance Heritage, Ltd.

Maher Benham and Coyote Dancers announce three evenings of works choreographed by Ms. Benham, and dedicated to her company's beloved teacher, mentor, and friend Dudley Williams (1938-2015).   The evening will feature the world premiere of Ms. Benham's 'A Song for Dudley,' along with Coyote repertory works, including 'Eight for Martha,' dedicated to Martha Graham, October 23-25 at the Martha Graham Studio Theatre.  The Coyote resident ensemble of 16 dancers will be joined by distinguished guests Carlos Fittante, Lucy Postell, Jon Warren (musician), and Deborah Zall.   Presented by Maher Benham and Coyote Dancers in collaboration with Deborah Zall and Classic Contemporary Dance Heritage, Ltd.

Maher Benham and Coyote Dancers announce three evenings of works choreographed by Ms. Benham, and dedicated to her company's beloved teacher, mentor, and friend Dudley Williams (1938-2015).   The evening will feature the world premiere of Ms. Benham's 'A Song for Dudley,' along with Coyote repertory works, including 'Eight for Martha,' dedicated to Martha Graham, October 23-25 at the Martha Graham Studio Theatre.  The Coyote resident ensemble of 16 dancers will be joined by a distinguished roster of guests, most either past or current members of the Martha Graham Dance Company.   Presented by Maher Benham and Coyote Dancers in collaboration with Deborah Zall and Classic Contemporary Dance Heritage, Ltd.

Dzul Dance presents the World Premiere of Javier Dzul's 'PIXOM' (Maya for 'Spirit'), based on Mayan fables for children, inspired by ancient tales of the Aluxes, Kizin and Ixtabay.