More than 400 opera aficionados and performers – including opera stars Alice Coote, Jennifer Rowley and Laurent Naouri – were among those who attended the 13th Annual OPERA NEWS Awards at The Plaza Hotel last night.
The Center for Contemporary Opera has announced its season of five operas, including two world premieres and three U.
The Merola Opera Program presents Conrad Susa's Transformations, led by conductor Neal Goren and director Roy Rallo, in two performances Today, July 21 at 7:30 pm and Saturday, July 23 at 2 pm at the San Francisco Conservatory of Music in San Francisco.
(San Francisco, June 9, 2016) The Merola Opera Program presents Conrad Susa's Transformations, led by conductor Neal Goren and director Roy Rallo, in two performances Thursday, July 21 at 7:30 pm and Saturday, July 23 at 2 pm at the San Francisco Conservatory of Music in San Francisco.
What happens when a good-looking, double-crossing cross-dresser meets her match(es) in beautiful costumes designed by leading French artist Annette Messager ("a bold messenger of feminist art," The New York Times)? The very French La Double Coquette, Ensemble Amarillis' charming update of an o
What happens when a good-looking, double-crossing cross-dresser meets her match(es) in beautiful costumes designed by leading French artist Annette Messager ("a bold messenger of feminist art," The New York Times)? The very French La Double Coquette, Ensemble Amarillis' charming update of an o
BroadwayWorld has just received the official word that Gotham Chamber Opera is ceasing operations and will be closing.
Gotham Chamber Opera announces Edward Barnes as the company's new Executive Director, effective June 1, 2015.
Through it's grant-making to thousands of nonprofits each year, the National Endowment for the Arts (NEA) promotes opportunities for people in communities across America to experience the arts and exercise their creativity.
Gotham Chamber Opera announces its 15th Anniversary Season, which will begin in the fall of 2015 with a 15th Anniversary Celebration Concert (date and venue tba).
Gotham Chamber Opera presents the final production of the 2014/2015 season, The Tempest Songbook, comprised of incidental music for The Tempest composed in 1695 and attributed to Henry Purcell and Kaija Saariaho's 2004 Tempest Songbook for soprano, baritone and period instrument ensemble, in its U.
Tickets are now on sale for Gotham Chamber Opera's final production of the 2014/2015 season, The Tempest Songbook, comprised of incidental music for The Tempest composed in 1695 and attributed to Henry Purcell and Kaija Saariaho's 2004 Tempest Songbook for soprano, baritone and period instrument ens
Gotham Chamber Opera announces the revival of the 2010 production El gato con botas (Puss in Boots) from December 6-14, 2014 at El Teatro at El Museo del Barrio, 1230 Fifth Avenue at 104th Street, NYC.
Gotham Chamber Opera announces the final production of the 2014/2015 season, The Tempest Songbook, comprised of incidental music for The Tempest composed in 1695 and attributed to Henry Purcell, and Kaija Saariaho's 2004 Tempest Songbook for soprano, baritone and period instrument ensemble, in its U
Gotham Chamber Opera, in collaboration with the Gerald W.
Gotham Chamber Opera, in collaboration with the Gerald W.
Gotham Chamber Opera, in collaboration with the Gerald W.
Gotham Chamber Opera announces the 2014/2015 season, which begins with Alexandre bis/Comedy on the Bridge, both by Bohuslav Martinu, from October 14 - 18, 2014, followed by the revival of Gotham's 2010 production El gato con botas (Puss in Boots) in December at El Museo del Barrio.
Gotham Chamber Opera and the Jarvis & Constance Doctorow Family Foundation have announced that David Hertzberg will be the inaugural winner of the Catherine Doctorow Prize for Music, a competitive prize awarded to a composer to support the creation of a new concert work for voice and chamber ensembl
When New York's Gotham Chamber Opera--in collaboration with the Gerald Lynch Theatre at John Jay College--presented Toshio Hosokawa's THE RAVEN in its US premiere last week, as part of the NY Philharmonic Biennial, the composer could not have wished for a production that made a better case for it.
