Mr. Murphy News
Latest News on Mr. Murphy
Reliance MediaWorks Taps Hollywood VFX Vet George Murphy as Chief Creative Officer by Movies News Desk - Apr 08, 2013
Reliance MediaWorks (www.RelianceMediaWorks.com) is proud to announce that Academy Award-winning VFX Supervisor, George Murphy, will join their in-house team. Filling the position of Chief Creative Officer, Mr. Murphy is known within the entertainment industry for his visual effects work on iconic movies like Jurassic Park, Planet of the Apes, Forrest Gump (for which he received a Best Visual Effects Oscar), King Kong, Starship Troopers, and The Matrix: Reloaded & Revolutions, among others. As a seasoned expert in Hollywood visual effects, Mr. Murphy's broad experience and accomplishments are sure to prove a perfect match for the creative future of Reliance MediaWorks (RMW). (more...)
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Elina Garanca Makes New York Recital Debut with Kevin Murphy, 4/6 by BWW News Desk - Feb 26, 2013
Mezzo-soprano El?na Garan?a makes her New York recital debut in Carnegie Hall's Stern Auditorium / Perelman Stage with pianist Kevin Murphy on Saturday, April 6 at 7:00 p.m. The program features lieder by Robert Schumann, Alban Berg, and Richard Strauss, including Schumann's Frauenliebe und -leben and Berg's 'Sieben fruhe Lieder.' Complete program details are below. (more...)
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BWW Reviews: THE DROWSY CHAPERONE is an Entertaining (Albeit Superficial) 'Romp' by Barrett Johnson - Aug 10, 2012
There's a question that I know we've all been wrestling with for a long time now. A question that was answered in New York in 2006 when THE DROWSY CHAPERONE first premiered on Broadway, and a question that the Broadway Rose Theater Company has finally allowed Portland to answer as well. Can a 1920s Jazz-Age musical in all its spectacle and glory be performed in an elderly man's apartment? Finally. And the answer is yes. (more...)
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SOUND OFF: GLEE's Graduates Say Goodbye by Pat Cerasaro - May 23, 2012
The Boss to the Beatles to Madonna to Rod Stewart, GLEE's emotional and invigorating season finale was pretty much everything a gleek could have asked for in a grand send-off to the original crew of McKinley High's New Directions - at least insofar as we have seen them thus far - as the musical dramedy series ends its third season and heads into uncertain new terrain with Season Four and the purportedly revolutionary new dual-show concept GLEE mastermind Ryan Murphy and company plan to incorporate while bringing in guest stars Sarah Jessica Parker and Kate Hudson and THE GLEE PROJECT winners. As seen in "Goodbye", the future looks quite uncertain for many of the McKinley graduates - Rachel (Lea Michele) may have gotten into NYADA at the eleventh hour and arrived on Broadway to fulfill her theatre dreams, but Finn (Cory Monteith) and Kurt did not get into their performing arts academies of their choice. So, what now? So, too, will Quinn (Dianna Agron) assumedly head for the East Coast and Princeton, while Santana (Naya Rivera) will apparently be joining Rachel in New York - but, to do what? The future is evidently more promising for some than for others, but what we will see play out is infuriatingly indeterminable at this stage of the game. Anticipation is building, in any event - and GLEE continues to entice. What's next for the rest of the glee club we will have to wait until next season to witness, but we can rest assured that Blaine (Darren Criss), Sam (Chord Overstreet), Joe (Samuel Larsen), Sugar (Vanessa Lengies) and Artie (Kevin McHale) will be around, with the fates of some of the original glee clubbers who graduated a little less cut and dry as far as their character's trajectories are concerned - particularly Puck (Mark Salling), Mike (Harry Shum, Jr.), Tina (Jenna Ushkowitz) and Mercedes (Amber Riley). And, as for Mr. Shu (Matt Morrison), Sue Sylvester (Jane Lynch), Coach Beiste (Dot-Marie Jones) and Emma (Jayma Mays)? We will definitely be seeing much more of them in September. While we can always rely on GLEE to provide us with outrageous jokes, outlandish characterizations, unexpected dramatic and thematic twists and turns, shockingly touching domestic drama and many incredibly heartwarming moments and socially progressive messages, the music - more importantly, the musical numbers - is what makes GLEE stand out from every other serial television series before or since and why the show will unquestionably be remembered as something revolutionary and indisputably idiosyncratic in the scheme of TV history. (more...)
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CEO/Executive Producer Lou Spisto to Depart The Old Globe by BWW News Desk - Oct 17, 2011
Today, The Old Globe and CEO/Executive Producer Lou Spisto announced that Mr. Spisto is leaving The Old Globe to work independently as a producer. Mr. Spisto was appointed Executive Director in October of 2002 and assumed the position of Executive Producer in January of 2008. (more...)
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Old Globe CEO Lou Spisto Leaves to Produce Independently by BWW News Desk - Oct 17, 2011
Today, The Old Globe and CEO/Executive Producer Lou Spisto announced that Mr. Spisto is leaving The Old Globe to work independently as a producer. Mr. Spisto was appointed Executive Director in October of 2002 and assumed the position of Executive Producer in January of 2008. (more...)
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SOUND OFF: A Helluva GLEE Finale by Pat Cerasaro - May 25, 2011
Today marks the last episode review of the second season of Fox's hit musical dramedy series GLEE and I'm sure that many will agree with me that last night's show was as good a Season Two send-off as could have possibly been expected from Ryan Murphy, Brad Falchuk, Ian Brennan and company given what has gone on this year so far. Besides the sights and sounds of the dramatic NYC wrap-up, the Broadway babies amongst the gleeks were treated to the extended returns of fan favorite Jonathan Groff and new cast member Cheyenne Jackson, in addition to a characteristically fabulous cameo by Broadway legend Patti LuPone - and the grand return of international singing sensation - as well as a participant in this column; in addition to Mr. Groff, yesterday (and, coming up: Mr. Jackson) - the big-voiced-diva known as Charice. While original songs dominated the episode, we were also treated to a mash-up of Madonna's 'I Love New York' and the Leonard Bernstein/Betty Comden/Adolph Green ON THE TOWN anthem 'New York, New York' (and a sample of the Kander & Ebb version elsewhere in the episode, 'for good' measure), in addition to one of the musical highlights of not only this episode, but all of Season Two - a song which was incidentally premiered in this very column on BroadwayWorld last week: Lea Michele and Chris Colfer putting their own spin on the WICKED curtain song 'For Good' on the very stage of the Gershwin Theater where the Broadway smash plays eight times a week - and has since 2004 - right where fellow GLEE guest stars Kristin Chenoweth and Idina Menzel first sang it. While the musical quotient on GLEE is always appreciably entertaining - with few exceptions - this season has been significantly more expansive and varied in its storytelling style, so the question of the season undoubtedly is: was it all wrapped up satisfactorily? Well, we'll just have to stack it all up side-by-side-by-side-by-side and see, now, won't we? But, one thing is crystal clear: GLEE in NYC was all it was cracked up - and built up - to be. The big pay-off. Finally. Or, make that more to the point: finale. (more...)
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Broadway Review Roundup: WONDERLAND - All the Reviews! by BWW - Apr 18, 2011
A new spin on the classic story of Alice and her Looking-Glass world, WONDERLAND is about a modern-day woman who goes on a life-changing adventure far below the streets of New York City, where a colorful cast of strange but familiar characters help her rediscover what's really important. So, what did the critics think? Let's find out... (more...)
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Emma Thompson, Gregory Murphy Battle Over EFFIE Script by BWW News Desk - Feb 07, 2011
According to a report by the Hollywood Reporter, stage and screen star Emma Thompson is currently in the center of a conflict with playwright Gregory Murphy over who should be credited with writing the script for her upcoming film, EFFIE. Producers of the movie recently took the issue to New York court to confrim that Thompson's movie script does not violate copyright of Murphy's play, THE COUNTESS. (more...)
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Murphy Returns to 'Broadway Across America' by BWW News Desk - Aug 17, 2010
Sixteen years after opening the Northwest office of what is now Broadway Across America - Seattle, Drew Murphy returns to Seattle as Vice President, Broadway Across America, West Coast, directing business for the Broadway series in Seattle, Portland, OR and Costa Mesa, CA. Before assuming this position, Mr. Murphy served as President of Broadway Across America - Boston, where he programmed more than 15 weeks of productions each year and oversaw operations of three major theatres, including the Boston Opera House. (more...)
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New Frank Wildhorn Musical Premieres in Japan by BWW News Desk - Jun 05, 2008
The Japanese premiere of RUDOLF: THE LAST KISS, a musical composed by Frank Wildhorn, written by Jack Murphy, directed by Amon Miyamoto and produced by Toho. Co., Ltd. opened to an enthusiastic audience at the prestigious Imperial Theatre on Wednesday, May 6 in Tokyo. (more...)
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Photo Preview: Off-Broadway's Sessions by BWW News Desk - May 30, 2007
Algonquin Theater Productions and Ten Grand Productions, Inc. will present the world-premiere production of Sessions, a new musical by Albert Tapper, for a 12-week limited engagement at Off-Broadway's Peter Jay Sharp Theater (more...)
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New Therapy Musical 'Sessions' Begins May 30 by BWW News Desk - May 29, 2007
Algonquin Theater Productions and Ten Grand Productions, Inc. will present the world-premiere production of Sessions, a new musical by Albert Tapper, for a 12-week limited engagement at Off-Broadway's Peter Jay Sharp Theater (more...)
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Bodnar, Ford, Rapier, Etc. Set for New Musical Sessions by BWW News Desk - May 01, 2007
Algonquin Theater Productions and Ten Grand Productions, Inc. will present the world-premiere production of Sessions, a new musical by Albert Tapper, for a 12-week limited engagement at Off-Broadway's Peter Jay Sharp Theater (more...)
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