Mark Arends News

A charming adaptation of Herman Melville’s masterpiece, Sebastian Armesto’s Moby Dick mixes music and drama in an effective, atmospheric production that never gets lost at sea, no matter how daunting a task it is to stage the novel.

Simple8 has announced casting for the critically acclaimed and multi-award-winning stage adaptation of Herman Melville's leviathan masterpiece, Moby Dick.

Talawa Theatre Company announces an enhanced senior leadership team as the company gears up plans for its 2021 season, and 35th anniversary year.

Nora is the perfect wife and mother. She is dutiful, beautiful and everything is always in its right place. But when a secret from her past comes back to haunt her, her life rapidly unravels. Over the course of three days, Nora must fight to protect herself and her family or risk losing everything. Nora: A Doll's House is now playing at the Young Vic (66 The Cut).

Nora is the perfect wife and mother. She is dutiful, beautiful and everything is always in its right place. But when a secret from her past comes back to haunt her, her life rapidly unravels. Over the course of three days, Nora must fight to protect herself and her family or risk losing everything.

Nora: A Doll's House comes to the Young Vic beginning 6 February!

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a new Tony Kushner adaptation to an epic musical and Shakespeare sitcom, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

Artistic Director of the Young Vic Kwame Kwei-Armah today announces complete casting for Nora: A Doll's House. Anna Russell-Martin (Cyrano De Bergerac, A Christmas Carol Citizens Theatre) reprises her role from the critically-acclaimed Citizens Theatre production, and is joined by Mark Arends (MotherFatherSon; Fatherland Lyric Hammersmith), Natalie Klamar (Wilderness Hampstead Theatre; Richard II Almeida), Luke Norris (Poldark; Blue/Orange, A View from the Bridge Young Vic), Amaka Okafor (The Son Kiln/West End; I'm Not Running, Macbeth National Theatre) and Zephryn Taitte (Call The Midwife; Bitter Wheat Garrick Theatre).

Following the announcement of The Lovely Bones, A Christmas Carol and Everyman rock 'n' roll panto The Snow Queen earlier this year, the Liverpool Everyman & Playhouse has revealed its full programme for Autumn Winter 2018. Book adaptations, comedians, music, familiar faces and new collaborations to join their in-house productions for the season.

This bold new production, by Scott Graham, Karl Hyde and Simon Stephens, focusing on contemporary fatherhood in all its complexities and contradictions, premiered at the Royal Exchange Theatre as part of Manchester International Festival. Fatherland will open in May at the Lyric Hammersmith and will be a part of the 2018 LIFT festival.

Tonight marks the opening of the world premiere of Old Fools by Tristan Bernays, a surprising, touching and often humorous tale about a couple, one of whom is living with Alzheimer's, and their enduring efforts to hold their relationship together through the years.

Casting is announced for the world premiere of Old Fools by Tristan Bernays, a surprising, touching and often humorous tale about a couple, one of whom is living with Alzheimer's, and their enduring efforts to hold their relationship together through the years.

As part of its programme for families, The Old Vic is pleased to present The Missing Light, an enchanting puppetry show for ages 7+ about hopes, dreams and true friendship, created by Mark Arends for Make Mend and Do.

'You're never too old for hopes and dreams… there's always time for plans and schemes.'

As part of its programme for families, The Old Vic will present The Missing Light, an enchanting puppetry show for ages 7+ about hopes, dreams and true friendship, created by Mark Arends for Make Mend and Do. The production will run for 12 performances only, 23 Mar - 4 Apr 2017.

The famous story of the Prince of Denmark follows Hamlet on his murderous quest to avenge the death of his father. The enduring appeal of Shakespeare's tragedy is the writer's skill in retaining mystery about the eponymous protagonist. He is an enigma and audiences' perceptions of him always vary.

Following performances across Europe, including Gdansk Shakespeare Festival; Mercury Theatre Colchester; Craiova International Festival; Park Theatre, London; four theatres in Spain; Neuss Globe Shakespeare Festival; and Kronborg Castle, Elsinore Hamletscenen, Flute Theatre and English Touring Theatre today announces that their production of Hamlet, adapted by Kelly Hunter, transfers to the Trafalgar Studios for a limited run this December.  As well as adapting, Hunter directs Mark Arends (Hamlet), Finlay Cormack (Laertes), David Fielder (Polonius/ Gravedigger), Tom Mannion (Claudius), Katy Stevens (Gertrude) and Francesca Zoutewelle (Ophelia). The production opens on 8 December, with previews from 6 December, and runs until 31 December.

The Old Vic today announced further programming, casting and dates for the 2016-17 season, both on and off the main stage. The 50th anniversary production of Rosencrantz and Guildenstern are Dead by Tom Stoppard will open on 7 March, starring Daniel Radcliffe and Joshua McGuire.

A new entertainment by Michael Wynne, The Star, will mark Liverpool Playhouse's 150th anniversary this Christmas in honour of its origins as a Music Hall venue. Directed by Philip Wilson, the production will feature Michael Starke. At the Everyman Associate Director Nick Bagnall's effervescent take on The Two Gentlemen of Verona sets the action in a colourful and musical 1960s. Desmond Barrit will appear alongside Maggie Steed as Mrs Malaprop in Sheridan's elegant comedy of manners The Rivals at the Playhouse.

The Old Vic today announces Artistic Director Matthew Warchus' second season, continuing a wide-ranging programme that includes world premieres, new writing, musicals, classic revivals and The Old Vic Variety Nights. There will also be a new strand of children's programming to engage the next generation of theatregoers, demonstrating Matthew's 'something for everyone' approach.