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THE COTTAGE Returns to Queens Theatre, 11/07-16

THE COTTAGE Returns to Queens Theatre, 11/07-16

by BWW News Desk — November 7, 2014

Queens Theatre (QT) is pleased to announce its production of Sandy Rustin's THE COTTAGE, a romantic comedy directed by Adam Dannheisser (Rock of Ages, resident director/performer).

THE COTTAGE Returns to Queens Theatre, 11/07-16

THE COTTAGE Returns to Queens Theatre, 11/07-16

by Sally Henry Fuller — October 18, 2014

Queens Theatre (QT) is pleased to announce its production of Sandy Rustin's THE COTTAGE, a romantic comedy directed by Adam Dannheisser (Rock of Ages, resident director/performer).

THE COTTAGE Plays Astoria Performing Arts Center, Now thru 11/23

THE COTTAGE Plays Astoria Performing Arts Center, Now thru 11/23

by BWW News Desk — November 7, 2013

The Award-Winning Astoria Performing Arts Center (APAC) has announced the world premiere production of a (mostly) non-violent, romantic comedy by Sandy Rustin's (Rated P [For Parenthood]) THE COTTAGE directed by Adam Dannheisser (Rock of Ages, resident director/performer).

THE COTTAGE to Play Astoria Performing Arts Center, 11/7-23

THE COTTAGE to Play Astoria Performing Arts Center, 11/7-23

by BWW News Desk — October 2, 2013

The Award-Winning Astoria Performing Arts Center (APAC) has announced the world premiere production of a (mostly) non-violent, romantic comedy by Sandy Rustin's (Rated P [For Parenthood]) THE COTTAGE directed by Adam Dannheisser (Rock of Ages, resident director/performer).

Review - Iron Curtain: You Gotta Have Serdtse

by Ben Peltz — November 17, 2011

Known primarily for their excellent work with the Prospect Theatre Company (of which she is Producing Artistic Director and he is Resident Writer), the husband and wife team of director/bookwriter Cara Reichel and composer/lyricist/bookwriter Peter Mills are responsible for some of the most exciting

Review - Godspell: In The Vernacular

by Ben Peltz — November 15, 2011

Just like Pope Paul VI figured when The Vatican told followers to go ahead and celebrate mass in the vernacular, John-Michael Tebelak figured that if the musical he penned with Stephen Schwartz, based on the Gospel According to St.


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