Northern Stage Presents The Wizard of Oz, Closes 1/2/2011
by BWW News Desk
- Jan 2, 2011
One of the most beloved stories of all time comes to life in White River Junction when Northern Stage, the region's professional theater, stages L. Frank Baum's The Wizard of Oz from December 8 - January 2.
Northern Stage Presents The Wizard of Oz 12/8-1/2/2011
by BWW
News Desk
- Dec 8, 2010
One of the most beloved stories of all time comes to life in White River Junction when Northern Stage, the region's professional theater, stages L. Frank Baum's The Wizard of Oz from December 8 - January 2.
Northern Stage Presents The Wizard of Oz 12/8-1/2/2011
by Gabrielle Sierra
- Nov 29, 2010
One of the most beloved stories of all time comes to life in White River Junction when Northern Stage, the region's professional theater, stages L. Frank Baum's The Wizard of Oz from December 8 - January 2.
Nicole Ligerman a Success @ Sterling's
by Don Grigware
- Aug 17, 2010
On Sunday August 15 funny girl Nicole Ligerman presented her cabaret show The Bitch with the Dog Ruined My Life: Memoirs of a Non-genue to a packed house at Sterling's Upstairs @ Vitello's. Ligerman is most assuredly not an ingenue, but a character lady, and like her idol Barbra Streisand, she struggles and suffers to show the world that she's the greatest star. Her patter was delightful, especially the opening where she sang to a photo on top of the piano, a la Judy Garland on film to Clark Gable: 'You Made Me Love You'. When she turned the photograph around to face the audience, it was of Margaret Hamilton as the Wicked Witch from The Wizard of Oz. Ligerman proceeded to explain that she isn't crazy about the film, but indeed loves Hamilton, after which she sang a song she claimed was cut from Oz 'I'm a Bitch'. It was a very funny moment, and, of course, afterwards she pointed out that she had been kidding, that the song was never associated with Oz.
Kohl, Marcus et al. Join Patinkin, Baldwin, Opel in PARADISE FOUND; Rehearsals Start 5th April; Opens 19th May
by Jessica Lewis
- Apr 5, 2010
Rehearsals begin today, Monday, April 5 for the World Premiere production of PARADISE FOUND, a new musical under the combined direction of Theater legend and 21-time Tony Award winner Harold Prince (the original productions of Cabaret, Sweeney Todd, A Little Night Music, The Phantom of the Opera, Company, Follies, Evita) and 5-time Tony Award winner Susan Stroman (Crazy For You, Show Boat, The Producers, Contact). This is their first collaboration since the landmark, Tony Award-winning revival of Show Boat. Following the New York rehearsal period, the production will open at London's acclaimed Menier Chocolate Factory with performances running May 19 through June 26.
Review - Goldilocks: Lousy Title, Fun Show
by Kristin Salaky
- Sep 13, 2008
It's my firm belief that if composer Leroy Anderson, lyricist Joan Ford and bookwriter/lyricists Walter & Jean Kerr had named their brash and funny 1958 musical comedy about the love/hate relationship between a silent movie director and his reluctant star anything other than Goldilocks, it might not only have had a longer run than its five months on Broadway, but would have been a popular choice among regional and amateur theatres as well. With a good collection of snazzy tunes and well-crafted lyrics (most notably the semi-standard torcher, 'I Never Know When To Say When') and a book loaded with guffaws and wise-cracks (originally quipped by stars Elaine Stritch and Don Ameche), Goldilocks is a solid example of a show that, if not exactly a musical theatre triumph, provided a fun night out for audiences in an era when affordable ticket prices meant that not every Broadway production had to be a huge event.
Review - The Country Girl & Sharon McNight at The Metropolitan Room
by Michael Dale
- May 4, 2008
I mean it with the most sincere amount of respect and admiration for both gentlemen when I write that Peter Gallagher seems to have morphed into Jerry Orbach. At least in his portrayal of Bernie Dodd, the hard-driving Broadway director convinced that when the star of his new play suddenly leaves for a Hollywood gig he can get a great turn out of the washed-up alcoholic actor whose performances twIce Thrilled him many years ago. He's the best part of Mike Nichols' new production of Clifford Odets' The Country Girl (which has undergone some text tweaking by Jon Robin Baitz). His tough, but passionate mannerisms and gruff speaking voice bring out a sense of urgency to the proceedings as he convinces a skeptical producer (Chip Zien), a reluctant actor and his long-suffering wife that his high-stakes risk can pay off big. By the end of the evening I was half expecting the man to send his star on stage with an exhilarated, 'Think of musical comedy!'
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