Marc Kudisch News

Today we are continuing BroadwayWorld’s ongoing interview series with the stars and creative team of NBC’s hit musical drama series SMASH with a Broadway/Hollywood leading man who first made his mark on the stage creating a role in the Tony Award-winning TITANIC after having appeared in BLOOD BROTHERS and CAROUSEL and who has since starred in productions as diverse as SWEET SMELL OF SUCCESS, DIRTY ROTTEN SCOUNDRELS, NEXT TO NORMAL, SHREK and many more - the jovial and multi-talented Brian d'Arcy James. Discussing all aspects of his role on SMASH as well as cluing us in on what we can expect from Monday’s highly awaited season finale, d'Arcy James and I also take a look back at his career onstage thus far and he shares fond recollections of working on TITANIC, SWEET SMELL, SHREK, NEXT TO NORMAL, TIME STANDS STILL and THE WILD PARTY Off-Broadway as well as offers his observations of his collaborators and co-stars in each endeavor. Plus, Brian also reveals his other current TV project: his character arc on Showtime’s dramedy THE BIG C, starring his TIME STANDS STILL co-star Laura Linney and previous John Benjamin Hickey, that begins this Sunday and continues through the rest of this month. Additionally, we also discuss his upcoming 54 Below concerts June 26-30 - as well as his thoughtful and candid opinions on some of his favorite songwriters and his own songs. Plus, comments on his film roles in HBO's GAME CHANGE, FRIENDS WITH KIDS, an upcoming short film - and much, much more! (more...)

In a correlative column to this weekend’s extensive and exclusive InDepth InterView, tonight we are shining a special solo spotlight on the vast multitude of talents possessed by one of Broadway’s brightest stars - known best to theatre fans for his tremendous turns in Maury Yeston’s TITANIC, Andrew Lippa’s THE WILD PARTY, the original musicals SWEET SMELL OF SUCCESS, SHREK and NEXT TO NORMAL as well as original dramas such as TIME STANDS STILL - who now can now regularly be seen on NBC’s hit music drama series SMASH, and, starting this Sunday in a three-episode arc on Showtime‘s THE BIG C with fellow Broadway notable Tammy Blanchard - the one and only Brian D’arcy James. While you will have to wait until tomorrow for the career-spanning conversation that covers his experiences working on those thrilling original musicals as well as reflections on collaborating with the starry array of cast members and creatives on the Steven Spielberg-produced SMASH and what lays ahead for Season Two, now is an absolutely ideal opportunuity to reacclimatize ourselves. Just what can’t Brian d’Arcy James do? As this spell-binding collection of clips prove - everything; and then some. (more...)

“It’s always gorgeous when you sing,” and so the same goes for NBC’s musical drama series SMASH. This week’s penultimate episode of the first season order of fifteen gave us a long-awaited real look at the actual production of the musical-within-the-show live onstage in the form of the first Boston preview in the out-of-town tryout of BOMBSHELL. Up until this point, we have only been provided with sporadic glimpses into the mind’s eye of the director of the show as he stages and rehearses the various song sequences. With last night’s “Previews” episode we got our third major iteration of “Let Me Be Your Star” - following the full-out song at the conclusion of the pilot episode and the subsequent ballad opening number version shown in Episode 2 - with Rebecca Duvall (guest star Uma Thurman) belting it out to mixed results. Mixed results is the kindest way to say that the volatile and kooky movie star character simply does not work in any way as Marilyn Monroe in the bio-musical about her life being created - not physically, tonally and certainly not musically. Croaking out the sumptuous and richly melodic Marc Shaiman/Scott Wittman gems that have been specifically created for SMASH‘s BOMBSHELL - songs dutifully doled out in sparingly small doses of one or two each week - is near-sacrilege when one ponders the talent even on the very same stage; Ivy (Megan Hilty) or Karen (Katharine McPhee) could both kill the role, as wee have seen. So, who will ultimately make it to the stage that now, in the eleventh hour, the star of the show has walked? Of course, the sure-to-be action, drama and music-filled finale to Season One arrives next Monday at the same SMASH place and same SMASH channel - will the Marilyn musical be a bomb or a smash? Will the show even go on at all given the unforeseen obstacles? A lot remains to be answered, but the fever pitch fans and viewers have been yearning for has definitely entered, stage right. Next week we will see who truly sparkles, who really shines - and who ends up exploding. (more...)

On next week's episode of SMASH, viewers will finally get their first look at 'Bombshell," the Marilyn Monroe musical at the heart of NBC's new musical drama. The show will open for a test run in Boston. In the episode entitled "Previews", the writing team of Tom (Christian Borle) and Julia (Debra Messing) scramble to fix the show when the first preview falls short, and Frank (Brian d'Arcy James) must adjust to the unwelcome return of Michael Swift (Will Chase) to his life. Dev (Raza Jaffrey) seeks reconciliation with Karen (Katharine McPhee), but explosive information about Ivy (Megan Hilty) lurks just beneath the surface. Check out 'Gotta Be a Smash' from the episode below! (more...)

"Submissions Only," Broadway's favorite behind-the-scenes sitcom, wraps its second season today with an all-star guest line-up like none before. Guest stars for Episode 8 include Jesse Tyler Ferguson, Nick Jonas, Harvey Fierstein, Kerry Butler, Jackie Hoffman, Lin-Manuel Miranda, Celia Keenan-Bolger, Lea DeLaria, John McDaniel, Molly Ranson and cast members from the Disney Broadway hit, Newsies. Click below to watch the highly anticipated Season 2 finale! (more...)

Submissions Only, Broadway's favorite behind-the-scenes sitcom, has collaborated with creative studio dirty sugar in the production of promotional images, just in time for the release of the Season Finale on April 27th. Check out the finished product below, along with special behand-the-scenes shots from the shoot! (more...)

“Submissions Only,” Broadway’s favorite behind-the-scenes sitcom, will wrap its second season this Friday, April 27 with an all-star guest line-up like none before. Guest stars for Episode 8 include Jesse Tyler Ferguson, Nick Jonas, Harvey Fierstein, Kerry Butler, Jackie Hoffman, Lin-Manuel Miranda, Celia Keenan-Bolger, Lea DeLaria, John McDaniel, Molly Ranson and cast members from the Disney Broadway hit, Newsies. Tune in this Friday for the episode, which will air right here on BroadwayWorld, and click below to watch a preview of what's to come. (more...)

This week on SMASH the show hit its peak insofar as synergy of story, plot, character and music - especially the music. Karen (Katharine McPhee) offered up a touching Snow Patrol cover, “Light Up”, but the big musical moments of the show stand alongside the finest on the series so far - at least. Yes, “1001 Nights” and “Second Hand White Baby Grand” were the most captivating musical sequences on the show since the pilot’s “National Pastime” and “Let Me Be Your Star”, seamlessly weaving together the disparate elements of the series and amplifying the emotion into a heightened, exuberant expression of the character’s deepest feelings, thoughts, hopes and wishes - exactly what the best numbers always do in the finest Broadway musicals, which SMASH is ostensibly about, more or less. The eleven episodes leading up to “Publicity” have prepared us perfectly well for the potential plights and victories about to be experienced by the colorful cast of characters as we enter the final triptych of Season One - with this one being a definite standout. Helmed by pilot director Michael Mayer and written by creator Theresa Rebeck, “Publicity” is surefire proof that SMASH has developed into a rewarding experience for the attentive viewers among us - the “1001 Nights” sequence alone so rife with detail pertaining to the entire arc of the character’s journey on the show so far; and so much more - and a consistently compelling viewing experience for those seeking out great song sequences done up in a grand style. While the barebones “Second Hand White Baby Grand” was outfitted with merely rehearsal accoutrement, Ivy Lynn (Megan Hilty) made her big bid for the role of Marilyn Monroe in the musical-within-the-show and elicited every sentimental, sad, sweet and mournful note of perhaps the finest Marc Shaiman/Scott Wittman original ballad yet to appear on the series. Yes, “1001 Nights” was the most extravagant entertainment experience presented thus far on SMASH - as promised by show stars Megan Hilty and Anjelica Huston weeks ago to me themselves - but the heart and soul of the series has always remained in the big ballads - look no further than the pilot’s “Beautiful” and aforementioned duet finale coup de tele-theatre - and “Second Hand White Baby Grand” was a stunning moment allowing a soul-barred Marilyn just as the characters begin to find their own new levels of intimacy in their various entanglements - romantic, familial, professional, personal and otherwise. “Publicity” proved SMASH is set to hit high gear for the Boston tryout of BOMBSHELL that will close out the first season over the course of the next three weeks. (more...)

This Friday, April 27, "Submissions Only" will air its episode 2 season finale, featuring previously announced guest star Jesse Tyler Ferguson (Modern Family, The 25th Annual Putnam County Spelling Bee, On The Town), right here on BroadwayWorld. While epsiode scoop is expected tomorrow, today, BroadwayWorld is excited to reveal that the boys of Newsies will also appear in the episode doing what they do best - dancing and singing. Stay tuned for more on Submissions Only - including the finale trailer - tomorrow right here! (more...)

"Submissions Only" is in full production for Episode 8 of its second season, and BroadwayWorld was invited inside the shoot with special guest star Jesse Tyler Ferguson! Details of the episode are under wraps, but it promises to deliver special surprises featuring additional returning guest stars Beth Leavel as Penny's mother, Val, and Rick Elice as her step father, Don Martin, with more to be announced soon! (more...)

Signature Theatre closes out its 2011/12 season sporting funky legwarmers and wielding neon glow sticks with the Washington premiere of the musical comedy hit Xanadu. Beginning performances on May 6th, Xanadu will be transforming Signature’s MAX Theatre into one big disco-ball heaven – complete with satin shorts and roller skates! Nominated for four Tony Awards® (including “Best Musical”), the musical features a Book by Douglas Carter Beane, with Music and Lyrics by Jeff Lynne and John Farrar. Xanadu will play at Signature from May 6, 2012 through July 1, 2012. Tickets are now on sale. (more...)

"Submissions Only," Broadway's favorite behind-the-scenes sitcom's newest episode is here with special guest stars Adam Pascal (Rent, Aida), Mary Beth Peil ("Dawson's Creek," Follies) and more appearing in Episode 7! Click Below to Watch! (more...)

"Submissions Only," Broadway's favorite behind-the-scenes sitcom, will continue in its second season this month with special guest stars Adam Pascal (Rent, Aida), Mary Beth Peil ("Dawson's Creek," Follies) and more appearing in Episode 7, which will air Friday, March 30 exclusively on BroadwayWorld! Can't wait until Friday? Click below for a first look at the episode's trailer! (more...)

Sporadically shedding its former skin as a mainly musical endeavor, last night’s “The Coup” episode of NBC’s musical dramedy series SMASH stepped outside the box and presented a drama-focused show heavy on the plot and light on the musical numbers - with surprisingly strong results, believe it or not. As has become abundantly apparent, in the seven episodes up until this point, SMASH seems to have excelled in its musical sequences which floated high, flying, adored (like Eva Peron in EVITA) above everything else; enlivening the proceedings where the story fell short - usually, with Ivy (Megan Hilty) dominating the Marilyn Monroe show-within-the-show songs and Karen (Katharine McPhee) making the very most of an impressive mélange of pop covers - but, as penned by Scott Burkhardt and directed by GLEE veteran Paris Barclay, “The Coup” showed that SMASH has legs and can sustain a character/plot-focused story from time to time, too. And, anyway, it’s hard to complain too much about a lack of songs when we were presented with perhaps the most unique and stylized pop musical number to date in the form of the Top 40-ready Ryan Tedder-written potential Marilyn burlesque routine - that is, if Derek (Jack Davenport) takes the show-within-the-show in an entirely new direction and leaves Tom (Christian Borle) and Julia (Debra Messing) by the wayside. That potential prospect seems highly unlikely, though - to say the very, very least. Speaking of high, “The Coup” flew the coop as far as daring to do what many may have thought unlikely or impossible - namely, weaving in almost seamless, fully-integrated musical sequences such as Ivy & company’s down and dirty bowling alley cover song set to the funky 60s sounds of Sly & The Family Stone's “Dance To The Music”, or, (almost) effortlessly managing to make a contemporary song in a musical theatre milieu actually function (more or less) and come alive in the form of the sexy and titillating "Touch Me". Yes, “The Coup” stylistically diverged from what has come before on SMASH, but the more risks taken, the more rewards reaped. Definitely don't count all the eggs in the SMASH basket before they're hatched! (more...)

Jason Danieley, Marc Kudisch, and Mary Testa have joined the New York Philharmonic’s presentation of Anywhere I Wander: The Frank Loesser Songbook, Monday, March 26, 2012, at 7:30 p.m. (more...)

Signature Theatre will present the world premiere of Really Really by Paul Downs Colaizzo. (more...)

Signature Theatre is offering a special “20 for $20” ticket special to see the world premiere of the Generation Me tragic comedy Really Really by Paul Downs Colaizzo. (more...)

Today we are continuing BroadwayWorld’s extensive coverage of NBC’s hit musical drama series SMASH with a new entry in our ever-expanding collection of interviews with the cast, creative team and guest stars of the Broadway-based show - don’t forget to check out the previous InDepth InterView with songwriters Marc Shaiman and Scott Wittman, as well (available here) - by talking to the leading lady of the show-within-the-show on SMASH itself all about her role on the series; the blonde bombshell of BOMBSHELL, Megan Hilty. In this candid conversation, Hilty and I discuss portraying a musical Marilyn Monroe and the volatile Broadway star playing her, Ivy Lynn, as well as her own personal experiences working on SMASH as we look ahead to the upcoming episodes which will feature the biggest musical sequence on the series so far and will also include guest appearances by Norbert Leo Butz, Marc Kudisch, Uma Thurman and more as BOMBSHELL heads towards its long-awaited big Boston tryout for the season finale. Additionally, Hilty and I take a look back at her prior musical theatre appearances, winning hearts the country over in her starring roles in WICKED and 9-TO-5 on Broadway, in LA and on tour - both under the direction of master director Joe Mantello - and, also, take a look ahead to the forthcoming Encores! GENTLEMEN PREFER BLONDES, which she will be headlining later this Spring. Plus, Hilty shares her experiences working with this week’s SMASH guest star and Tony-winning legend Bernadette Peters and reflects on her forthcoming Disney animated film in the TINKER BELL series that features another dynamic diva, her SMASH co-star and fellow participant in this column, Oscar-winner Anjelica Huston (our interview coming up next week) - as well as touching on DOROTHY OF OZ (co-starring Lea Michele), her new animated TV project for Nickelodeon - ROBOTS & MONSTERS - and first news of a solo album coming soon. All of that and much, much more! (more...)

When a big Broadway star like Bernadette Peters makes her way onto a national TV program, Broadway babies await it with abated breath. Yet, when a big Broadway star like Bernadette Peters appears on an actual musical TV series like SMASH, Broadway babies have reason to throw an all-out bacchanal - and, last night, they most certainly had a reason cause celebre. While GLEE has spoiled us with a plethora of guest stars from Broadway and Hollywood over the course of its three seasons - Kristin Chenoweth, Idina Menzel, Carol Burnett and Patti LuPone among them - the presence of two-time Tony Award-winner Peters - to say nothing of the forthcoming appearances by Norbert Leo Butz and Marc Kudisch - is a gift from the theatrical gods that instantly makes SMASH must-see-TV for the theatrically attuned among us (which, let’s be honest, is most of us). Playing Ivy Lynn’s blithely selfish and calculating former star of a mother, Leigh, Peters wrought every last ounce of bravado out of her bravura performance recreation of “Everything’s Coming Up Roses” from GYPSY - a show she famously starred in under the direction of Sam Mendes earlier this century - and made her thorny scenes with Megan Hilty blossom; her overall star turn giving the entire affair a cold, brusque but all-too-believable bloom - ice in veins all too tangibly real to feel. The tension was certainly thick for the first workshop performance of the show-within-the-show on SMASH, as well, but Hilty still managed to set fire to her scenes and songs - and McPhee shows considerable promise with her burgeoning pop music career (and next week’s Ryan Tedder-composed “Touch Me” sequence seems certain to deliver on the sultry, sexy siren of song front as McPhee comes closer to getting the role of Marilyn). And, speaking of songs knocked out of the park for the umpteenth time by this all-star musical team responsible for SMASH, besides the slowed down grand slam ballad version of “Let Me Be Your Star” - given a bluesy Broadway belt only the very best, like Hilty, could possibly provide - we were also treated to a striking and wholly stylistically unique new Marilyn Monroe/Joe DiMaggio song in the form of the arresting “On Lexington & 52nd Street”, another homerun to tick off on the perfect scorecard for songwriters Marc Shaiman and Scott Wittman on SMASH so far; Will Chase’s best (and, apparently, last) showcase. Film noir with a pulsating, almost atonal, steely and terse tinge, this is the sort of character number that seamlessly presents plot development and character exposition simultaneously in a purely, thrillingly theatrical manner and the type of dramatic and musical merging of storytelling SMASH excels at most of all, time after time after time after time. While “Everything’s Coming Up Roses” was a strong cover of a classic Broadway barn-burner on account of Peters, “On Lexington & 52nd Street” expertly showcased the type of entertainment entity SMASH can ultimately be at its very best, firing on all axels - and how utterly enthralling in its layers of meta-narratives the real-life/showbiz soap saga that make it all come together it can fascinatingly be. Additionally, the workshop musical montage was the best example yet of how excitingly combustible and hot SMASH can really be when the boiler at its core is at full blast as it was sporadically last night in the appropriately titled “The Workshop” episode - almost always fueled by the simply spectacular songs for the show-within-the-show. (more...)

The Town Hall (123 West 43 Street) today announced that Tony Award-winning actress Beth Leavel will perform in THE BROADWAY MUSICALS OF 1950 on Monday, March 19th at 8pm. This concert is part of the 12th season of The Town Hall’s acclaimed Broadway By The Year® series, which is created, written and hosted by Scott Siegel for The Town Hall. (more...)