Courtney Bryan's first stage work, SUDDENLY LAST SUMMER, a new opera based on Tennessee Williams's play, will have its world premiere at the Fisher Center at Bard, directed by Tony-nominated Daniel Fish.
NEW YORK CITY CENTER announced programing for the 2026 –2027 Season—the largest in the institution’s history. It will include Encores! productions of Kiss of the Spider Woman, Hallelujah Baby, You're a Good Man, Charlie Brown, and more.
The Fisher Center at Bard has revealed its SummerScape 2026’s Spiegeltent programming, June 26 – August 15. Expanding the Fisher Center’s engagement with a vast range of artists, this year features 14 Spiegeltent debut performances.
Works & Process, Dance Reflections by Van Cleef & Arpels, and Guggenheim New York will present Early Works by Lucinda Childs, a pivotal figure in postmodern dance. The performance will feature a collection of her groundbreaking early works.
Dixon Place will present the prestigious Bessies award ceremony, recognizing outstanding dance and performance artists, on January 20. This event highlights the achievements in dance and provides a platform for artists to be acknowledged.
Gibney Company is launching an unprecedented five-year artistic partnership with Lucina Childs, naming her Resident Choreographer of Gibney Company from 2026 through 2030-a rare long-term residency rooted in continuity, rigor, and inquiry.
The Joyce Theater Foundation will present the world premiere of Sons of Echo, an ambitious new venture from international ballet star Daniil Simkin that gathers five exceptional male principals.
Throughout spring 2026, Works & Process will present a full slate of dynamic programs at Guggenheim New York, along with a special Martha Graham Dance Company performance at the Peggy Guggenheim Collection in Venice on May 8, coinciding with the opening of the Venice Biennale.
The Joyce Theater Foundation has revealed its programming for the Spring/Summer 2026 season in the newly named Tino & Rajika Puri Auditorium at The Joyce Theater.
Guild Hall will present Gibney Company, one of New York City's leading contemporary dance ensembles, in its East Hampton debut on Friday, July 11, 2025.
The Joyce Theater Foundation has unveiled the Fall 2025/Winter 2026 season: a ineup that brings together legendary choreographers, next-generation visionaries, and more.
The Southbank Centre has announced an exciting dance programme. The programme brings together different artforms across the Summer, taking over the 11-acre site by the River Thames with Dance Your Way Home.
Green Space has announced a diverse roster of artists for its signature program Take Root, featuring work by our 2024-2025 D.I.G. Residency Artists, May 15th - 18th at 8pm.
NYU Skirball will present Ethan Philbrick's The Conquest of Bread, a free May Day Special Event, on Thursday, May 1 at 7:30 pm. The world premiere choral work is inspired by Russian anarchist and philosopher Peter Kropotkin's 1892 critique of capitalism.
Gibney Company, New York City’s dynamic creation-based repertory company known for its rigorous physicality and responsive, humanistic storytelling, will return to The Joyce Theater in May.
Kaatsbaan Cultural Park will present a NEW WORK PREVIEW from Gibney Company in Tivoli, NY. Learn more and see how to attend the preview performance here!
]The Martha Graham Dance Center has announced that it will relocate the dance organization's headquarters to 1501 Broadway in January 2026, securing a new and expanded home in Times Square for the renowned Martha Graham Dance Company as it celebrates its 100th anniversary.
La MaMa will present Coffeehouse Chronicles #178: Dancenoise taking place on Saturday, February 8, 2025 at 3PM at Ellen Stewart Theatre @ La MaMa (66 East 4th Street, New York, NY 10003).
Linda Shelton, Executive Director of The Joyce Theater Foundation, has announced the calendar of performances from renowned U.S. and international dance companies slated for The Joyce Theater's Spring/Summer ‘25 Season.
Monica Kobayashi, an overachiever juggling her role as a ballet dancer, finance consultant, and more, struggles to secure an artist visa while facing immense societal and familial pressure from her more-than-typical Asian parents.
