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Review Roundup: Critics Sound Off On CARMEN at The Met Opera

Review Roundup: Critics Sound Off On CARMEN at The Met Opera

by Joshua Wright — January 2, 2024

What did critics think of The Met's new production of Carmen? In her highly anticipated Met debut, Cracknell reinvigorates the classic story of deadly passion with a staging that moves the action to modern day and explores themes that could not be more relevant today: gendered violence, abusive labo

Review: THE SOUND OF MUSIC at Lyric Opera Of Kansas City

Review: THE SOUND OF MUSIC at Lyric Opera Of Kansas City

by Alan Portner — November 9, 2023

Now being performed at the Kauffman Center and concluding this weekend is a wonderful rendition by the Lyric Opera of Kansas City of Rodgers and Hammerstein’s final composition together, “The Sound of Music”  This production is as good as it gets.

Review: Met Revival of BALLO IN MASCHERA Opens in Alden Production

Review: Met Revival of BALLO IN MASCHERA Opens in Alden Production

by Richard Sasanow — October 23, 2023

One of the troubles of being a major institution like the Met is that when they produce a new production of a major opera--and Verdi’s UN BALLO IN MASCHERA, which opened in revival the other night, certainly falls into that category--it’s an expensive undertaking.

Review: THE FLYING DUTCHMAN at Metropolitan Opera

Review: THE FLYING DUTCHMAN at Metropolitan Opera

by Peter Danish — June 2, 2023

Thomas Guggeis, the young German conductor making his Met debut, is Kapellmeister at the Staatsoper Berlin and the designated Generalmusikdirektor of the Oper Frankfurt; pretty impressive for one who has yet to hit his 30th birthday!   His Met debut was justly anticipated, as across Europe he is k

Sonya Yoncheva to Star in Bellini's NORMA at the Met in February

Sonya Yoncheva to Star in Bellini's NORMA at the Met in February

by Chloe Rabinowitz — January 23, 2023

After her highly acclaimed performances as Fedora earlier this month, soprano Sonya Yoncheva will return on February 28 for her Met role debut as the fearless title priestess of Bellini’s scorching bel canto drama Norma.

Review: DON CARLO Returns to the Met, This Time in Italian

Review: DON CARLO Returns to the Met, This Time in Italian

by Richard Sasanow — November 13, 2022

Last season, the company gave its first presentation of the French version (that’s the one called DON CARLOS, with a final S to his first name), in the five-act version that lasted almost 5 hours.


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