LES CONTES D'HOFFMANN (The Tales of Hoffmann) to Open The Met's 2024–25 Live in HD season
Offenbach's fantastical final work, Les Contes d'Hoffmann (The Tales of Hoffmann), will open the Metropolitan Opera's 2024–25 Live in HD season.
Offenbach's fantastical final work, Les Contes d'Hoffmann (The Tales of Hoffmann), will open the Metropolitan Opera's 2024–25 Live in HD season.
Puccini’s passionate love story La Rondine will make a rare appearance in the Metropolitan Opera’s 2023–24 Live in HD season.
The first night of the Met’s revival of Puccini’s LA RONDINE (THE SWALLOW) was filled with surprises of one sort or another, under the baton of that smart conductor, Speranza Scappucci.
The Metropolitan Opera’s first new staging of Verdi’s La Forza del Destino in nearly 30 years will be transmitted as part of the 2023–24 Live in HD season.
Much was made of the fact that it’s been almost 20 years since Verdi’s LA FORZA DEL DESTINO was last seen at the Met.
Critics have now weighed in on The Met's new production of La Forza Del Destino.
The Met kicks off the holiday season with Julie Taymor’s family-friendly production of Mozart’s The Magic Flute.
Get ready for the opening of The Met: Live in HD 2023–24 season with a live transmission of Jake Heggie's Dead Man Walking.
It’s rather surprising, really, for the audience to embrace a contemporary piece like DEAD MAN WALKING, no matter how easily it falls upon the ears, considering the subject matter.
xThe reviews are in for the premiere production of the new Met season, Dead Man Walking.
The Young People’s Chorus of New York City , fresh off an international tour that included five gold medal wins - three as World Champions - at the World Choir Games, will make its Metropolitan Opera debut when it performs in the company premiere of Jake Heggie’s masterpiece Dead Man Walking on
The Metropolitan Opera somehow managed to upstage itself on Thursday, when it offered audiences a spectacular recital by Norwegian soprano Lisa Davidsen, with her excellent musical partner James Baillieu, on piano, 12 days before the company’s official opening night (the Jake Heggie-Terrence McNal
Beginning Wednesday, July 26, the Metropolitan Opera will present Summer Encores of past performances from its acclaimed Live in HD series of cinema presentations.
Of all the theatre directors that the Met has marshalled into its forces, Simon McBurney--who brought his version of Mozart’s DIE ZAUBERFLOTE (THE MAGIC FLUTE) to the Met on Friday in his house debut--may be the most successful in melding music and theatre, storytelling and visual elements.
While I’ve always been bothered by the cruelties and misogyny of the main character, Mozart’s DON GIOVANNI has (musically) been my favorite of the composer’s operas, though either casting or design has been a regular issue in bringing off the work at its best.
Verdi’s exuberant final opera, Falstaff, brought down the house with laughter and applause at its opening on Sunday, 12th March, and audiences around the world are invited to experience the production live in cinemas on Saturday 1st April.
Combine a supreme farceur with a stentorian voice that thrills and you get baritone Michael Volle’s portrayal of the title role in Verdi’s FALSTAFF, which breezed into town late last week for a limited run at the Met.
On the second night of the new season, the Met went for Mozart, with his early success, IDOMENEO, in a fluid and elegant performance, but it was hardly 'business as usual.
Is there another Shakespearean drama filled with as many quotable quotes as “Hamlet” (even when they’re used out of context and given a foreign meaning)? But “To be or not to be” is surely the most referenced and, certainly, in the new operatic HAMLET currently at the Met by Brett Dean and
Dallas Theater Center brings the well-known, beloved story of The Sound of Music to Wyly Theatre for a short while longer.