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Review: THE LIMIT, Royal Opera House

A play about the limits of language ought to easily translate into a ballet. Words naturally count for less and speech is no longer the primary means of communicating emotions. But does Sam Steiner’s indie darling Lemons Lemons Lemons Lemons Lemons make the leap into dance?

Review: DANCING AT LUGHNASA, National Theatre

Josie Rourke's new production has much about it to admire, but has little to say on the changes in Ireland since the play's first incarnation on the South Bank in 1990

Ryan Calais Cameron's RETROGRADE Leads Our Top Ten Shows for April

April has some truly exciting theatre in store. From Ryan Calais Cameron's new play about Sidney Poitier to a revival of Brian Friel's Olivier Award-winning play and one of Noël Coward's darkly comic masterpieces, BroadwayWorld has some brilliant recommendations for your theatrical delectation.

Review: LEMONS LEMONS LEMONS LEMONS LEMONS, Harold Pinter Theatre

First performed in 2015, Sam Steiner’s Lemons, Lemons, Lemons, Lemons, Lemons is an intriguing idea; a love story played out under a new law that restricts every person to 140 words a day. There is a lot of potential, but it remains an idea, not a fully-formed conclusion.

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