Jim Findlay News

The Cofounders and Board of Directors of Mount Tremper Arts (MTA) have announced that Crystal Wei has been named Executive Director. Wei will lead the Catskills-based creative laboratory and performance space as it enters its second decade.

NYU Skirball's 2017-18 season will feature over 45 unique presentations by some of the world's leading provocateurs, artists and activists, performing unconventional and often controversial works in varied spaces throughout the Skirball Center - turning the lobby, dressing rooms, hallways and backstage areas into centers of creativity.

The OBIE-winning HERE presents CULTUREMART 2017, taking place tonight, March 15, through March 25.

After a sold-out 2016 run at HERE Arts Center, STEVE OF TOMORROW, created by David Commander and Rob Ramirez, returns for an exclusive run at The Collapsable Hole (55 Bethune Street, between Washington and West Streets).

After a sold-out 2016 run at HERE Arts Center, STEVE OF TOMORROW, created by David Commander and Rob Ramirez, returns for an exclusive run at The Collapsable Hole (55 Bethune Street, between Washington and West Streets).

OBERON, the American Repertory Theater's (A.R.T.) second stage and club theater venue, presents A Ride on the Irish Cream, written and created by Erin Markey and directed by Jordan Fein. Performances begin today, February 28 and run through Saturday, March 4 at OBERON, 2 Arrow St, Cambridge.

SF Opera Lab presents composer Ted Hearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning's WikiLeaks release and called 'some of the most expressive socially engaged music in recent memory-from any genre' by Pitchfork. Previously performed in New York City and Los Angeles, the six performances of The Source this weekend, February 24-26, and March 1-3, 2017 at the Dianne and Tad Taube Atrium Theater open Season Two of San Francisco Opera's SF Opera Lab programming. Scroll down for a first look at the production!

WaterTower Theatre Artistic Director Joanie Schultz today announced casting and creative details for The 24-Hour Plays.

SF Opera Lab presents composer Ted Hearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning's WikiLeaksrelease and called 'some of the most expressive socially engaged music in recent memory-from any genre" by Pitchfork. Previously performed in New York City and Los Angeles, the six performances of The Source on February 24-26 and March 1-3, 2017 at the Dianne and Tad Taube Atrium Theater open Season Two of San Francisco Opera's SF Opera Lab programming.

The OBIE-winning HERE proudly presents CULTUREMART 2017, taking place March 15 - 25.  In this annual festival, CULTUREMART, process becomes the focus, offering a first look at live performance in various stages of development from the boundary-breaking artists in the HERE Artist Residency Program (HARP) as they journey to mainstage production.

OBERON, the American Repertory Theater's (A.R.T.) second stage and club theater venue, presents A Ride on the Irish Cream, written and created by Erin Markey and directed by Jordan Fein. Performances begin on Tuesday, February 28 and run through Saturday, March 4 at OBERON, 2 Arrow St, Cambridge.

WaterTower Theatre Artistic Director Joanie Schultz today announced casting and creative details for The 24-Hour Plays.

SF Opera Lab presents composer Ted Hearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning's WikiLeaksrelease and called 'some of the most expressive socially engaged music in recent memory-from any genre" by Pitchfork. Previously performed in New York City and Los Angeles, the six performances of The Source on February 24-26 and March 1-3, 2017 at the Dianne and Tad Taube Atrium Theater open Season Two of San Francisco Opera's SF Opera Lab programming.

SF Opera Lab presents composer Ted Hearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning's WikiLeaks release and called 'some of the most expressive socially engaged music in recent memory-from any genre" by Pitchfork.

PlayMakers Repertory Company will present a workshop production of"De Profundis," an original work being developed and directed by explosive theatre-makers Brian Mertes and Jim Findlay.

PlayMakers Repertory Company will present a workshop production of"De Profundis," an original work being developed and directed by explosive theatre-makers Brian Mertes and Jim Findlay.

Part noise concert, part Burroughs' reading tour, Decoder 2017: The Soft Machine is the latest work conceived and directed by OBIE winner Mallory Catlett ("This was the End"). Using material from The Nova Trilogy, (a 60's intergalactic space odyssey written by cutting up text and randomly reassembling it for a mind bending effect), Catlett creates a contemporary cut-up of sound, word, and image generated live by cassette tape DJ and sound artist G Lucas Crane. Together with legendary downtown artist and Obie, Bessie and Lucille Lortel award winner, Jim Findlay ("Botanica,' 'Dream of the Red Chamber') they act as both fictional characters and real-time systems operators. Along with Crane, the interactive design is completed by Keith Skretch (video) and Ryan Holsopple (interaction).

LA Opera's 2016/17 season will continue with the west coast premiere of The Source, opening on October 19.

LA Opera's 2016/17 season will continue with the west coast premiere of The Source, opening on October 19. In this penetrating multimedia work, Brooklyn-based composer Ted Hearne, librettist Mark Doten, director Daniel Fish and production designer Jim Findlay dive into the media hysteria responsible for the many faces of Chelsea Manning, the U.S. Army private who infamously leaked hundreds of thousands of classified documents to WikiLeaks.

I attended the world premiere of THE HUNGER, a new operatic work by Donnacha Dennehy in collaboration with the group Alarm Will Sound, and co-produced by Opera Theatre of St. Louis this weekend, and I was blown away by how affecting and compelling this 90 minute piece is. It's a multi-media exercise that attempts to convey a sense of the seven year famine that Ireland suffered through from 1845 - 1852. It was a time of starvation and widespread disease that saw many families emigrate to other countries, cutting the overall population by a nearly a quarter. This production at the Touhill (September 17, 2016) is both harrowing and invigorating in equal measure, and an absolute must-see for people interested in modern opera.