'The Showtune Mosh Pit' for March 23, 2011
by Paul W. Thompson
- Mar 23, 2011
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. A benefit for Japanese disaster relief, the Paramount Theatre's season, Donny and Marie for Christmas, Porchlight and Billy Stritch at Mayne Stage, 'A Chorus Line,' 'Always, Patsy Cline' and other suburban productions, 'The Magic Flute' in English, more....
Catalyst Ranch to Host Cabaret Fundraiser for Japan Relief Fund, 3/27
by Caryn Robbins
- Mar 22, 2011
In light of recent tragedies in Japan, Catalyst Ranch (Chicago's premiere unique meeting and event space) in association with Porchlight Music Theatre (Chicago's premiere music theatre) brings together some of the best talent from the Chicago theatre scene for a ONE NIGHT ONLY cabaret to benefit Japanese disaster relief funds. One hundred percent of the proceeds will be donated to the American Red Cross of Greater Chicago in their efforts to support Japan in this time of need.
The Gift launches 2010 Season With ONE FLEW OVER THE CUCKOO'S NEST
by BWW
News Desk
- May 9, 2010
One Flew Over the Cuckoo's Nest runs March 11th - May 9th at The Gift Theatre. The play is written by Dale Wasserman and based on the novel by Ken Kesey. The show is directed by Ensemble Member John Kelly Connolly, and assistant directed by Bridget Esterhuizen.
The Gift launches 2010 Season With ONE FLEW OVER THE CUCKOO'S NEST
by BWW News Desk
- Mar 11, 2010
One Flew Over the Cuckoo's Nest runs March 11th - May 9th at The Gift Theatre. The play is written by Dale Wasserman and based on the novel by Ken Kesey. The show is directed by Ensemble Member John Kelly Connolly, and assistant directed by Bridget Esterhuizen.
The Gift launches 2010 Season With ONE FLEW OVER THE CUCKOO'S NEST
by Gabrielle Sierra
- Feb 11, 2010
One Flew Over the Cuckoo's Nest runs March 11th - May 9th at The Gift Theatre. The play is written by Dale Wasserman and based on the novel by Ken Kesey. The show is directed by Ensemble Member John Kelly Connolly, and assistant directed by Bridget Esterhuizen.
Photo Flash: Opening night reception for Miss Saigon
by Steve Leary
- Jan 11, 2009
Set in 1975 in the days before Saigon's fall to Communist forces at the end of the Vietnam War, Miss Saigon is the epic love-story of an American GI, Chris, played by Kevin Vortmann, and a young Vietnamese woman, Kim, played by Melinda Chua Smith
Drury Lane Oakbrook Presents 'Miss Saigon'
by Chicago News Desk
- Dec 16, 2008
The touching Broadway musical and international sensation Miss Saigon, previews December 31, opens January 8 and runs through March 8, 2009 at Drury Lane Oakbrook, 100 Drury Lane, Oakbrook Terrace, IL. Set in 1975 in the days before Saigon's fall to Communist forces at the end of the Vietnam War, Miss Saigon is the epic love-story of an American GI, Chris, played by Kevin Vortmann, and a young Vietnamese woman, Kim, played Melinda Chua Smith (who starred in the Broadway, German and both national touring companies of Miss Saigon) and Katie Boren during matinee performances.
Drury Lane Oakbrook Presents 'Miss Saigon'
by Steve Leary
- Dec 3, 2008
The touching Broadway musical and international sensation Miss Saigon, previews December 31, opens January 8 and runs through March 8, 2009 at Drury Lane Oakbrook, 100 Drury Lane, Oakbrook Terrace, IL. Set in 1975 in the days before Saigon's fall to Communist forces at the end of the Vietnam War, Miss Saigon is the epic love-story of an American GI, Chris, played by Kevin Vortmann, and a young Vietnamese woman, Kim, played Melinda Chua Smith (who starred in the Broadway, German and both national touring companies of Miss Saigon) and Katie Boren during matinee performances.
Stage Door Chicago: Phantom
by Michael J. Roberts
- Oct 20, 2007
Phantom, with Book by Arthur Kopit and Music & Lyrics by Maury Yeston is the latest undertaking of Porchlight Music Theatre.
Based on the novel 'The Phantom of the Opera' by Gaston Leroux, Phantom's lead actor's Lara Filip and Peter Oyloe with Director L. Walter Stearns speak to Michael Roberts about the production.
|
|