James McMenamin News

Reasons to be Pretty by Neil LaBute concludes Philadelphia Theatre Company's 2011-2012 season tonight May 25 through June 24 at PTC's home at the Suzanne Roberts Theatre (Broad and Lombard Streets). Directed byMaria Mileaf, the ensemble cast features Paul Felder, James McMenamin, Genevieve Perrier, and Elizabeth Stanley.

Following an acclaimed season which included the world premiere of Paul Weitz's Lonely, I'm Not and a critically lauded second staging of Paula Vogel's Pulitzer Prize-winner, How I Learned To Drive, Second Stage Theatre (Carole Rothman, Artistic Director) has just announced two of the four mainstage productions in the company's upcoming 34th season. For subscription or ticket information, please call the Second Stage Box Office at 212-246-4422 or visit the company's website, www.2ST.com. All productions are staged at Second Stage's Tony Kiser Theatre, 305 West 43rd Street (just west of Eighth Avenue).

Second Stage Theatre (Carole Rothman, Artistic Director) kicks off the 10th anniversary of its Uptown Series with the world premiere of The Bad Guys, written by Alena Smith and directed by Hal Brooks. The Bad Guys will feature Michael Braun (War Horse), Roe Hartrampf (Unnatural Acts), James McMenamin (Suicide, Incorporated), Tobias Segal (The Miracle Worker) and Raviv Ullman (Russian Transport). Previews begin on May 22nd and opening night is Monday, June 4th.

Second Stage Theatre will kick off the 10th anniversary of its Uptown Series with the world premiere of The Bad Guys, written by Alena Smith and directed by Hal Brooks. The Bad Guys will feature Michael Braun (War Horse), Roe Hartrampf (Unnatural Acts), James McMenamin (Suicide, Incorporated), Tobias Segal (The Miracle Worker) and Raviv Ullman (Russian Transport). Previews begin on May 22nd and opening night is Monday, June 4th.

Reasons to be Pretty by Neil LaBute concludes Philadelphia theatre Company's 2011-2012 season on May 25-June 24 at PTC's home at the Suzanne Roberts Theatre (Broad and Lombard Streets). Directed byMaria Mileaf, the ensemble cast features Paul Felder, James McMenamin, Genevieve Perrier, and Elizabeth Stanley.

Last night before a crowd of 200 theatre makers and theatre lovers, theatreWashington announced the nominees for the 28th Helen Hayes Awards. The National Theatre's Helen Hayes Gallery set the scene for the announcement of nominees in 26 categories for artistic excellence and the announcement of the recipient of the 2012 John Aniello Award for Outstanding Emerging Theatre Company. The Helen Hayes Awards is one of the most prestigious honors for artists and theatre companies in Washington's vibrant theatre scene.

Thornton Wilder's classic Our Town has been a part of my American cultural mindset since high school, practically all my life. And, of course, being a New Englander, it is not very hard to put myself into Grover's Corners, New Hampshire, even though the time period for the play 1901-1913 is about 30 + years before my existence. People are people and daily life was pretty much the same; things - except cars replacing horse and buggy - didn't really start changing until the middle of the 20th century. Now in this spaced out, high tech, faster-than-the-speed-of-light world we live in, it's nice to look back and see how it once was and reflect on what it maybe should be. On the Broad stage through February 12 only, David Cromer's fascinating staging puts his audience smack dab in the middle of the town and makes us believe we have time-traveled back to this simpler but just as psychologically complicated era. How inexpensive things cost, how people trusted one another, and how they amused themselves by reading, attending choir practice or actually conversing with one another instead of being glued to the TV set or sidetracked by other low quality, insignificant perversions! But there were some who just could not cope, like Mr. Stimson, the alcoholic choir director, who ended up committing suicide. We've all known people like him. So, the play is timeless. And somehow contemporary dress for the actors is not a hindrance to our accepting who and where they are, as it makes them like us, as we all fit together into one big macrocosm.

Thornton Wilder's classic Our Town has been a part of my American cultural mindset since high school, practically all my life. And, of course, being a New Englander, it is not very hard to put myself into Grover's Corners, New Hampshire, even though the time period for the play 1901-1913 is about 30 + years before my existence. People are people and daily life was pretty much the same; things - except cars replacing horse and buggy - didn't really start changing until the middle of the 20th century. Now in this spaced out, high tech, faster-than-the-speed-of-light world we live in, it's nice to look back and see how it once was and reflect on what it maybe should be. On the Broad stage through February 12 only, David Cromer's fascinating staging puts his audience smack dab in the middle of the town and makes us believe we have time-traveled back to this simpler but just as psychologically complicated era. How inexpensive things cost, how people trusted one another, and how they amused themselves by reading, attending choir practice or actually conversing with one another instead of being glued to the TV set or sidetracked by other low quality, insignificant perversions! But there were some who just could not cope, like Mr. Stimson, the alcoholic choir director, who ended up committing suicide. We've all known people like him. So, the play is timeless. And somehow contemporary dress for the actors is not a hindrance to our accepting who and where they are, as it makes them like us, as we all fit together into one big macrocosm.

Roundabout Theatre Company's production of Suicide, Incorporated, a new play by Andrew Hinderaker, directed by Jonathan Berry, officially opened last night, November 2nd.

Previews begin tonight for Roundabout Underground's (Todd Haimes, Artistic Director) Suicide, Incorporated, a new play by Andrew Hinderaker directed by Jonathan Berry.

Ted Sod, Roundabout's Education Dramaturg, interviewed director Jonathan Berry to discuss the play.

Previews began last week for Roundabout Underground's (Todd Haimes, Artistic Director) Suicide, Incorporated, a new play by Andrew Hinderaker directed by Jonathan Berry. Suicide, Incorporated features Mike DiSalvo (Officer), Gabriel Ebert (Jason), Corey Hawkins (Perry), James McMenamin (Norm), Toby Leonard Moore (Scott), Jake O'Connor (Tommy).

Previews begin tonight for Roundabout Underground's (Todd Haimes, Artistic Director) Suicide, Incorporated, a new play by Andrew Hinderaker directed by Jonathan Berry.

Previews begin tonight for Roundabout Underground's (Todd Haimes, Artistic Director) Suicide, Incorporated, a new play by Andrew Hinderaker directed by Jonathan Berry. Suicide, Incorporated features Mike DiSalvo (Officer), Gabriel Ebert (Jason), Corey Hawkins (Perry), James McMenamin (Norm), Toby Leonard Moore (Scott), Jake O'Connor (Tommy).

BroadwayWorld brings you photo coverage from the press meet & greet of Roundabout Theatre Company's upcoming production of SUICIDE, INCORPORATE.

Roundabout Theatre Company has announced the full cast of Andrew Hinderaker's new play Suicide, Incorporated, directed by Jonathan Berry. The cast will feature Mike DiSalvo (Officer), Gabriel Ebert (Jason), Corey Hawkins (Perry), James McMenamin (Norm), Toby Leonard Moore (Scott), Jake O'Connor (Tommy).

The Cape Cod Theatre Project brings together playwrights of new American plays with professional directors and actors each July for staged readings with the goal of contributing to the legacy of American Theater.

Arena Stage at the Mead Center for American Theater continues its inaugural season this spring with an unparalleled tribute to one of the nation's greatest living playwrights, Edward Albee. The company has mounted a two-month festival featuring 30 events, making nearly every one of his plays available in performance spaces throughout the Mead Center.

Arena Stage at the Mead Center for American Theater continues its inaugural season this spring with an unparalleled tribute to one of the nation's greatest living playwrights, Edward Albee.