Photo Flash: Walnut Street Theatre Opens IN THE HEIGHTS Tonight
by BWW News Desk
- Sep 11, 2013
Walnut Street Theatre opens its landmark 205th season with the groundbreaking 21st century musical IN THE HEIGHTS. Directed by Bruce Lumpkin, with choreography by Michelle Gaudette, this exhilarating musical about chasing your dreams and finding your true home, opens tonight, September 11th, and runs through October 20th on the WST Mainstage. BroadwayWorld has a first look at the cast in action below!
Photo Flash: First Look at Walnut Street Theatre's IN THE HEIGHTS
by BWW News Desk
- Sep 7, 2013
Walnut Street Theatre opens its landmark 205th season with the groundbreaking 21st century musical IN THE HEIGHTS. Directed by Bruce Lumpkin, with choreography by Michelle Gaudette, this exhilarating musical about chasing your dreams and finding your true home is currently in previews and opens on September 11th, running through October 20th on the WST Mainstage. BroadwayWorld has a first look at the cast in action below!
Walnut Street Theatre Opens 205th Season with IN THE HEIGHTS Tonight
by BWW News Desk
- Sep 3, 2013
Walnut Street Theatre opens its landmark 205th season with the groundbreaking 21st century musical IN THE HEIGHTS. Directed by Bruce Lumpkin, with choreography by Michelle Gaudette, this exhilarating musical about chasing your dreams and finding your true home begins previews tonight, September 3rd, opens on September 11th and runs through October 20th on the WST Mainstage.
Walnut Street Theatre Opens 205th Season with IN THE HEIGHTS, 9/3
by Christina Mancuso
- Aug 7, 2013
Walnut Street Theatre opens its landmark 205th season with the groundbreaking 21st century musical IN THE HEIGHTS. Directed by Bruce Lumpkin, with choreography by Michelle Gaudette, this exhilarating musical about chasing your dreams and finding your true home begins previews on September 3rd, opens on September 11th and runsthrough October 20th on the WST Mainstage.
BWW Reviews: TUTS' Amazing MAN OF LA MANCHA Reaches the Unreachable Star
by David Clarke
- Mar 1, 2013
The Spanish Inquisition was a harrowing and dark time in history. It has been the fodder for countless novels, plays, and books. Yet, I never had much faith that a musical would be a good medium to explore that horrific era. I figured I wouldn't enjoy the 1965 musical adaptation of Miguel de Cervantes Don Quixote. Certainly some of the classics appeal to me, but the darker, rawer, more edgy musicals are the ones that I really love. Never in my wildest dreams did I ever think upon seeing MAN OF LA MANCHA for the first time that it would find a place in the Parthenon of my favorite musicals. However, Theatre Under the Stars' (TUTS) marvelous production has ensured that this gem of a show will forever have a safe and warm spot in my heart.
STAGE TUBE: Sneak Peek - MAN OF LA MANCHA at TUTS
by Stage Tube
- Feb 6, 2013
Theatre Under The Stars (TUTS) presents the five-time Tony Award winning masterpiece Man of La Mancha, running Feb. 26 - March 10 at the Hobby Center for The Performing Arts. Click below to watch a trailer for the show!
Austin Miller Leads TUTS' Urban Cowboy: The Musical 7/14-19
by BWW
News Desk
- Jul 14, 2011
Theatre Under The Stars (TUTS) is excited to announce the cast selected to lead the TUTS and Houston debut of the Houston-inspired Urban Cowboy: The Musical, scheduled to play July 14 - 19 at Miller Outdoor Theatre (6000 Hermann Park Drive).
Austin Miller Leads TUTS' Urban Cowboy: The Musical 7/14-19
by Gabrielle Sierra
- Jun 22, 2011
Theatre Under The Stars (TUTS) is excited to announce the cast selected to lead the TUTS and Houston debut of the Houston-inspired Urban Cowboy: The Musical, scheduled to play July 14 - 19 at Miller Outdoor Theatre (6000 Hermann Park Drive).
THE THREEPENNY OPERA Opens At International City Theater
by BWW News Desk
- Feb 20, 2009
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
THE THREEPENNY OPERA Opens At International City Theater
by Gabrielle Sierra
- Jan 20, 2009
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
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