Review: THE BALLAD OF HATTIE AND JAMES, Kiln Theatre
by Franco Milazzo
- Apr 19, 2024
Somewhere in King’s Cross, a middle-aged woman sits at a piano and plays an original piece with surprising fluency. There begins Samuel Adamson’s tumultuous tale of two teenage musical prodigies whose lives become thoroughly entangled.
Waterperry Opera Festival Returns This August
by Stephi Wild
- Apr 9, 2024
Waterperry Opera Festival, the acclaimed celebration of opera and classical music, has announced its return for its annual ten-day event from August 9th to August 18th, 2024.
Princeton University Concerts Reveals 2024-25 Season Lineup
by Stephi Wild
- Apr 5, 2024
Princeton University Concerts (PUC)’s 2024-25 season offers more opportunities than ever before to listen your way to the world’s most celebrated musicians, among friends. Learn more about the season lineup here!
PUCCINI, BUSONI, OFFENBACH and ROSSINI Announced Among the Attractions of Theatro Sao Pedro's 2024 Season
by Claudio Erlichman
- Mar 12, 2024
The lyrical season will feature 12 titles, such as Turandot, by Busoni, Gianni Schicchi, by Puccini, Le Comte Ory, by Rossini, among others. The program also includes ballets, cinema and music, and concerts in a year in which São Pedro establishes partnerships with the Cinemateca, the São Paulo Companhia de Dança and guest orchestras.
Review: BEN & IMO, Swan Theatre, Stratford-upon-Avon
by Kat Mokrynski
- Mar 11, 2024
Written by Mark Ravenhill and directed by Erica Whyman, Ben & Imo tells the story of the composition of Benjamin Britten’s (Samuel Barnett) Gloriana with musical assistant Imogen Holst (Victoria Yeates) over a period of nine months in the coast town of Aldeburgh. The play is based on Ravenhill’s BBC Radio 3 presentation, Imo and Ben.
Review: TURNING THE SCREW, King's Head Theatre
by Cindy Marcolina
- Feb 17, 2024
English composer Benjamin Britten is writing The Turn of the Screw. Based on a novella by Henry James, it follows the worries of a young governess sent to the countryside to take care of a pair of children. As Britten is building his melodies, the government is working hard to shut down the influence of what they call “high profile homosexuals’’ (think John Gielgud and friends).
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