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PRAZER, ZEZÉ!: Musical to Premiere in São Paulo Celebrates the Life of Zezé Motta

Prazer, Zezé! O Musical celebrates the remarkable six-decade career of Zezé Motta. Created by Toni Brandão and directed by Débora Dubois, the production blends theater and live music to trace Motta’s journey from her early years to her groundbreaking achievements in film, television, and on stage. Featuring Larissa Noel in the title role, alongside an ensemble cast and live band, the musical revisits defining moments, key collaborations, and iconic songs associated with the artist. More than a biographical tribute, the show offers a powerful reflection on identity, race, resilience, and artistic expression in Brazil’s cultural landscape.

Student Blog: All The World’s A Stage- But Not For Everybody

It’s a nice thought to think of theater as for everybody, a universal language we all can speak through sound, emotion, and visuals. Theater has an inherently political nature that can push, or prevent, its viewership. 

THE MEETING Opens Tomorrow At Thymele Arts

Theatre Unleashed returns to the Hollywood Fringe Festival this June with The Meeting, a powerful new play by acclaimed playwright Brian James Polak that imagines a not-so-distant dystopia in which all forms of artistic expression are banned.

THE MEETING Comes to Hollywood Fringe Festival

 The Meeting, a new work by accomplished playwright Brian James Polak, produced by veteran company Theatre Unleashed will be presented at Thymele Arts in Los Angeles.

Diversionary Theatre Reveals New Staff in Leadership Positions

Diversionary Theatre has announced that Stephen Brotebeck will be serving as Interim Artistic Director while a national search is conducted for Diversionary’s next Artistic Director after former Executive Artistic Director Matt M. Morrow took on a new role of Artistic Director of Walnut Creek’s Center Rep. 

Professor María José Contreras Lorenzini Brings Multidisciplinary Approach to Columbia University School of the Arts

Associate Professor María José Contreras Lorenzini likes to quote Brazilian theatre practitioner and political activist Augusto Boal when speaking about dramaturgy. “For me, theatre is the rehearsal of revolution,” she said right off the bat in our interview. “How can artistic assembly be a training for the unpredictable and dangerous times we are living in?”

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