Interview: How to Make a Cad—BUTTERFLY's Pinkerton—Appealing, According to Jonathan Tetelman
It’s a big season at the Met for tenor Jonathan Tetelman—born in Chile, raised in New Jersey—and he’s taking every advantage of it. He’s come to town with a reputation as a Puccini specialist (not that there’s anything wrong with that). How does he feel about that? “Well, I basically built my voice on Puccini repertoire. I’ve taken it as a gift because he’s a great writer for my voice.” His debut at the Met in March was in LA RONDINE but he’s looking forward to showing off more of his dramatic chops with Pinkerton in MADAMA BUTTERFLY, starting this week, because there’s more 'there' there.