Results for “Rattlestick Playwrights Theater”
Roger Q. Mason's new play BILL, a sequel to Lavender Men, will receive a developmental reading at Open Jar Studios in New York as part of PlayPenn's New Play Development Conference.
Hunter College will present a reading of Kev Berry's ON A SMALL STRIP OF LAND ON THE GREAT SOUTH BAY, an experimental work exploring the Long Island Serial Killer case, directed by Mike Donahue at the Loewe Theater.
A new revival of Tennessee Williams' Cat on a Hot Tin Roof is set to come to Broadway next year, directed by Tony Award winner Sam Gold. Learn more here!
Newport NewWorks Musical Theater Festival will return this summer, featuring three new musicals, including STUPID. A genius new musical by Benjamin Scheuer and Simon Scheuer, and more.
The Rattlestick Theater building, located at 224 Waverly Place, will be renamed The Terrence McNally Theater after the late Tony Award-winning playwright. Learn more here!
WAM Theatre will welcome five new members to its Board of Directors, expanding a dynamic leadership body dedicated to bold artistic expression and social impact.
Playwright, television writer, and showrunner Halley Feiffer has been named the Mentor Playwright for Cycle 2 of the Terrence McNally Recovery Commissions, a signature program supporting playwrights in recovery from substance use conditions.
The cast and creative team has been announced for the World Premiere of Circle Forward, a new play by Deb Hiett, directed by Neel Keller. Learn more about the production here!
The Green Room 42 will present Trevor Strader in 'Trapped'. BEEP BEEP! The craziest true story about the guy who got trapped under the Megabus is returning to The Green Room 42 for two nights.
A new play titled The Big Bad has been announced from Divine Riot and Healing TREE. The production is being produced by Cassidy Layton and Marissa Ghavami, with Ren Dara Santiago writing and co-producing.
Westport Country Playhouse will present a Script in Hand reading of the boundary-breaking, Obie Award-winning play, “What the Constitution Means to Me,“ written by Heidi Schreck, directed by Amanda Charlton, and starring Nina Hellman, Jeremy Shamos, and Jocelyn Shek, on Monday, December 1, at 7 p.m.
Samuel D. Hunter’s plays have quietly shaped contemporary American drama. Known for their compassionate look at working-class lives in his native Idaho, Hunter’s works explore faith, loneliness, community, and redemption with remarkable empathy. Hunter (finally) just made his Broadway debut in 2025 with Little Bear Ridge Road, now running at the Booth Theatre.
In partnership with the UCSD MFA Playwriting Program, the commission supports Cygnet's commitment to new theatrical works, written by groundbreaking local and nationally recognized playwrights.
IndieSpace has announced Brooklyn Art Haus, Dixon Place, Green Space, Inspiration Point, IRT Theater, New Perspectives Studio, Noosphere Arts (Noo Arts), QED Astoria, St. Lydia's, and The Little Victory Theatre as recipients of this year's The Little Venue That Could Program.
IndieSpace has revealed their fall slate of events and grant programs for indie theater artists. See the full lineup here and learn more about the programming!
A Play About David Mamet Writing a Play About Harvey Weinstein is soon coming to The Judith O. Rubin Theater at Playwrights Horizons as a reading to benefit the New York Civil Liberties Union. The woman behind the concept is playwright Mathilde Dratwa and in a recent interview she explained the play's origins.
Off-Broadway's Keen Company has revealed its new leadership for its 26th Season. Learn more about Keen Company's new leadership changes and upcoming season here!
New York Theatre Workshop has revealed the individuals selected for the 2025/26 Season 2050 Administrative and Artistic Fellowships. Learn more about the artists here!
Lindenhurst’s South Shore Theatre Experience will present Where We’re Born, Lucy Thurber’s gripping and intimate drama exploring identity, class, and sexual politics.
At the beginning of 2025 IndieSpace, an organization established to disrupt the ongoing displacement of small theaters and to create a new model for equitable funding for the indie theater community, took a small but intentional pause-to breathe, to listen, and to realign their direction as an organization.
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