Results for “New York Philharmonic”
The San Francisco Conservatory of Music announced three faculty appointments: Joseph Pereira of the LA Philharmonic, Tim Keeler of Chanticleer, and Michael Cox of SF Opera and Ballet Orchestras.
I talk with legendary conductor Thomas Wilkins, who has worked with the Hollywood Bowl for over twenty years, in addition to a truly staggering, award-winning career conducting and guest conducting a who’s who’s list of orchestras.
George Street Playhouse will present Good Witch Bad Witch, featuring Broadway’s former Glinda and Elphaba, Alli Mauzey and Dee Roscioli, with musical direction by Evan Zevada.
Felipe Tristán has been appointed Interim Music Director of the San Antonio Philharmonic, becoming the first Mexican-American conductor to lead the orchestra in its 87-year history.
After starring this summer in South Pacific at the MUNY (in the same role he won the Tony Award for on Broadway) and The Light in the Piazza at Opera Theatre of Saint Louis, Paulo Szot is in concert at the intimate Blue Strawberry for two nights.
There are performances of Bruckner’s Eighth Symphony that impress through sheer scale. There are others that astonish through architectural clarity. And then there are the rare evenings that somehow manage both.
The Board of the Finnish National Opera and Ballet Foundation decided upon the appointment of Dima Slobodeniouk. Prior to the decision, the Board heard personnel groups of the Finnish National Opera and Ballet.
Cincinnati Opera announced GOOD BONES, a new opera from Pulitzer Prize-winning composer Michael Abels and playwright James Ijames, as the third work in The Black Opera Project trilogy, set to premiere at Cincinnati Music Hall.
Broadway actress Gina Ferrall, whose stage credits included Mamma Mia!, She Loves Me, Beauty and the Beast, and Les Misérables, has died following a battle with uterine sarcoma.
Violist Paul Neubauer and conductor JoAnn Falletta will lead the world premiere of Ellen Taaffe Zwilich's Viola Concerto with the Brevard Sinfonia, followed by performances with the Buffalo Philharmonic.
An Evening With Isabel Leonard and Friends has been cancelled at Carnegie Hall's Zankel Hall due to personal family reasons. The performance will not be rescheduled this season.
The Philadelphia Orchestra honored bassist Nathaniel West with the 2026 C. Hartman Kuhn Award, while three retiring musicians with 115 combined years of service and two 50-year veterans were also recognized.
Chelsea Music Festival's Festival Chamber Orchestra, conducted by Ken-David Masur, will present SHELTERS IN THE DESERT at St. Paul's German Lutheran Church in NYC, featuring works by five living composers.
Paper Pianos, the Pulitzer Prize finalist work co-created by Mary Kouyoumdjian and Nigel Maister, will receive its world premiere recording on Friday, August 7, 2026. Paper Pianos' third movement, All Good Things, is now available as a single.
Chelsea Music Festival's Festival Chamber Orchestra, conducted by Ken-David Masur, will present an evening of five works by living composers united by themes of water, memory, and transformation at St. Paul's German Lutheran Church in NYC.
The Hawaii Symphony Orchestra is presenting a reimagined season finale after Renée Fleming withdrew due to illness, replacing the program with violinist Simone Porter, and more.
Bravo! Vail Music Festival (Bravo! Vail) will present the return of Mexico's Sinfónica de Minería (the Orchestra) for a four-concert residency, opening its 40th Anniversary Festival season.
Violinist and violist Patrick Yim is set to release Bamboo Grove on PENTATONE, an album of world premiere recordings created in close collaboration with Chen Yi and Zhou Long
Concert Theatre Works' theatrical concert COPLAND & TWAIN, directed by Bill Barclay, will blend Aaron Copland's incidental music with Mark Twain's writings at Open Jar Studios, conducted by Ken-David Masur.
Voices of Ascension announced its 37th season, The Radiant Depths, featuring programs spanning Renaissance masterworks to newly commissioned works, including a Nico Muhly commission written for organist James McVinnie.
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