Results for “G. Valmont Thomas”
The Oregon Shakespeare Festival will host its annual Juneteenth Celebration on Monday, June 18. The day's activities include a variety show, a play reading, a tribute to G. Valmont Thomas and a roundtable discussion. All events are free or pay what you can, though donations will be accepted for the Juneteenth Scholarship Fund and future Juneteenth celebrations.
The Oregon Shakespeare Festival invites audiences to enjoy two plays by William Shakespeare-plus one about saving his words and securing his legacy-under the stars when its flagship outdoor theatre opens the weekend of June 15-17, 2018. The Allen Elizabethan Theatre will feature Romeo and Juliet, directed by Damaso Rodriguez; Lauren Gunderson's The Book of Will, directed by Christopher Liam Moore; and Love's Labor's Lost, directed by Amanda Dehnert. Previews begin June 5, and all three shows will run through the weekend of October 12-14.
The Tony Award-winning Oregon Shakespeare Festival will launch its 83nd year with preview performances beginning on February 16. The 2018 season officially kicks off Friday night, February 23, in the Angus Bowmer Theatre with Shakespeare's Othello (director, Bill Rauch). On Saturday afternoon, Shakespeare's Henry V (director, Rosa Joshi) opens in the Thomas Theatre, and the West Coast premiere of Kate Hamill's adaptation of Jane Austen's novel Sense and Sensibility (director, Hana S. Sharif) opens that evening in the Angus Bowmer Theatre. On Sunday afternoon, Karen Zacarias's Destiny of Desire (director, Jose Luis Valenzuela) will be staged in the Angus Bowmer Theatre.
Gregory Valmont Thomas, a 14-season member of the Oregon Shakespeare Festival acting company, passed away early on Monday, Dec. 18, in Ashland after a battle with cancer. OSF's 2018 season will be dedicated to the man who worked under the name G. Valmont Thomas but was better known to his friends and colleagues as G. Val.
General ticket sales are underway for the Oregon Shakespeare Festival's (OSF) 83rd season, which begins with the first preview on Feb. 16 and continues through Oct. 28. The 2018 season features four plays by William Shakespeare, a re-imagined classic musical, two West Coast premieres, one U.S. premiere and two world premieres as well as a host of events and opportunities to further engage with the onstage works.
OSF's journey through Shakespeare's history tetralogy marches on with the second part of Henry IV joining the repertory, with previews beginning July 4. Once again, the Festival's intimate Thomas Theatre will play host to the political intrigue of early 15th-century England.
The Tony Award-winning Oregon Shakespeare Festival will launch its 82nd year with preview performances beginning on February 17, and the season officially kicks off Today night, February 24, in the Angus Bowmer Theatre with Shakespeare's Julius Caesar (director, Shana Cooper).
The 'large theater' productions of ACT Theatre's The Royale and The 5th Avenue Theatre's How to Succeed in Business Without Really Trying take top honors and the 'small theater' productions of ArtsWest's Death of a Salesman and Washington Ensemble Theatre's The Things Are Against Us take top honors - for most category wins!?
Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.
The Tony Award-winning Oregon Shakespeare Festival will launch its 82nd year with preview performances beginning on February 17, and the season officially kicks off Friday night, February 24, in the Angus Bowmer Theatre with Shakespeare's Julius Caesar (director, Shana Cooper).
Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.
Let me start, Dear Readers, by saying I have never had an appreciation for boxing. I've just never understood why it's important to find out who can beat up someone else the best or, alternatively, who can take a beating the best. Having said that, the current production of Marco Ramirez's stirring play "The Royale" at ACT is not about boxing. Sure the backdrop of the story is boxing but moreover it's about the choice to take personal groundbreaking victories even in the shadow of danger to your friends and family. And that is a much more interesting fight than who can punch who the hardest.
One of the reasons we love a good family drama is it appeals to that voyeur in us all. We love to peek inside someone else's world and see how it compares to our own. But as chaotic and messy as those lives may be they still speak more eloquently and at just the right moments than we could, being scripted and all. And while peeking in on the secrets and lies of the LeVay family in Lydia R. Diamond's “Sticky Fly”, now playing as part of the Intiman Theatre Festival, may be powerful and evocative it also lacked some of that ordered chaos as much of the pacing of the play and the timing of it all felt clunky and unfocused.
I'm perfectly fine when a play chooses to break the fourth wall and become self-referential. The ability for anything to be able to point out its own shortcomings is a sign of self-actualization. But when a play repeatedly does so and then pats itself on the back for its cleverness of doing so as does Aaron Posner's "Stupid F**king Bird", currently playing at ACT, then it becomes wearing almost to the point of insulting. And while Posner's play certainly has its funny moments, those repeated exposes onto itself started to feel like the play was flipping the audience the bird (and I don't mean a Seagull).
ACT - A Contemporary Theatre presents Stupid Fucking Bird by Aaron Posner, where Chekhov's story of love, art, and a hapless bird gets a remarkably contemporary face. On the grounds of a country estate, a battle between young and old ensues in this heartbreaking, hilarious, sort-of-adaptation of Anton Chekhov's The Seagull. Winner of the 2014 Helen Hayes Award for Outstanding New Play, Stupid Fucking Bird is about our longing to love and be loved.
A Contemporary Theatre announces the spring shows that will occur during the debut season of Artistic Director John Langs. Highlights include the haunting and hilarious musical Assassins, the sixth co-production with The 5th Avenue Theatre, is now running through May 8. ACT celebrates eight talented writers in the 2016 Young Playwrights Festival Mar 10-12 and the world premiere of Worse Than Tigers opens Mar 24. April brings the heartbreaking, hilarious, sort-of-adaptation of Anton Chekhov's The Seagull with Aaron Posner's Stupid Fucking Bird.
Artistic Director Kenny Leon and True Colors Theatre Company are proud to announce its production of the award winning drama AMERICAN BUFFALO by David Mamet.
Artistic Director Kenny Leon and True Colors Theatre Company are proud to announce its production of the award winning drama AMERICAN BUFFALO by David Mamet.
ACT - A Contemporary Theatre presents Stupid Fucking Bird by Aaron Posner, where Chekhov's story of love, art, and a hapless bird gets a remarkable contemporary face lift.
Broadway-bound new musical, Come From Away, presented by Seattle Repertory Theatre, wins four Gypsys, tying with another new musical, Lizard Boy, also produced by Seattle Repertory Theatreand also with four Gypsys, a company that has been known for years as a powerhouse dramatic straight-play playhouse!
