by Mary Lincer — Sep 15, 2022
What did our critic think of AIN'T NO MO' at Woolly Mammoth?Thanks to Barack Obama's presidency but, alas, because of Rachel Dolezal's wannabe caper, American drama requires some updated, Black-originated satire; Jordan E. Cooper obliges with Ain't No Mo', his 100 minute whupping of white privilege, supremacy, and presumptive cultural majority at Woolly Mammoth through October 9. Cooper follows the late Douglas Turner Ward and George C. Wolfe whose Day of Absence (1965) and The Colored Museum (1986) lampooned white dominance with comedy both uproarious and bitter, and so does this show. It's good to have the real, live, three-dimensional exchange that only theatre provides. No disrespect, Dear White People, Get Out, Sorry to Bother You, and the canon of Spike Lee.