Review: SWAN LAKE at San Francisco Ballet
What did our critic think of SWAN LAKE at San Francisco Ballet? BroadwayWorld reviews the smashing production of the all-time classic running through March 3rd at San Francisco's War Memorial Opera House.
SEATTLE CRITIC'S CHOICE AWARDS (JAY'S PICKS) 2022
Dear Readers, I don’t need to tell you, it’s been a crazy year. Many theaters just coming back to life or ramping up again post pandemic. But even with all the chaos, Seattle still comes up with some amazing shows from theaters large and small. Here’s a list of my personal picks for outstanding shows and performers from the past year, 2022.
Review: MR. DICKENS AND HIS CAROL at The Seattle Rep
Charles Dickens’ “A Christmas Carol” is an enduring classic. We all know this. It’s never been out of publication since its first publishing in 1843. It has spawned numerous movie, TV, and stage adaptations from the serious to the Muppets. Now the Seattle Rep has come along with a World Premiere of Samantha Silva’s “Mr. Dickens and His Carol”, based on her book of the same name. Taking a supposed look at the creation of this classic tale, this historical fiction is heavy on the fiction and light on the history, cutting a wide swath with its poetic license about the author and turning him into a pompous buffoon in a story and a production in desperate need of an editor.
Photo/Video: First Look At BRUCE At Seattle Rep
Bruce, the new musical based on Carl Gottlieb's The Jaws Log, a novel about the making of the iconic film, officially opened on June 8 at Seattle Rep,and played its final performance June 26th. Get a first look at photos and video from the production.
BWW Review: BRUCE at The Seattle Rep
Dear Readers, I need to ask you a question. Have you seen the movie “Jaws”? The original and first big summer blockbuster from 1975. Read our review.
Pacific Northwest Ballet at City Center
Pacific Northwest Ballet is and should always be welcomed in New York. It has a long history with the works of George Balanchine, so what better way to present its opening program than with three classic Balanchine works. Although we have seen these ballets millions of times in New York, what balletomane doesn't like to shop, compare, argue or discuss?