Suny Cortland Announces 2026-2027 Season, Including CARRIE, THE LARAMIE PROJECT, and More
by Nicole Rosky - Aug 31, 2026
As a new year begins, the SUNY Cortland Performing Arts Department is looking ahead to a 2026-2027 season built on new leadership, new faces and four productions that showcase the range of its BFA Musical Theatre program. Professor Scott Holdredge begins his first year as department chair this season. A scenic designer who has taught technical theatre at SUNY Cortland for a number of years, Holdredge also serves as scenic and lighting designer for Franklin Stage Company each summer and has designed for Cortland Repertory Theatre, Syracuse Opera and Syracuse University, among others.
A NUMBER to Open at Madnani Theatre in Hollywood
by A.A. Cristi - Aug 24, 2026
Caryl Churchill's cloning drama A NUMBER will run at the Madnani Theater in Hollywood, starring Damien Midkiff and Michael Muniz Vodde under James Paradise's direction.
THE EXONERATED to Open Black Theatre Troupe's New Season
by Chloe Rabinowitz - Aug 12, 2026
Black Theatre Troupe will open its 2026-2027 season with The Exonerated, Jessica Blank and Erik Jensen's acclaimed documentary-style drama based on the true stories of six people who were wrongfully convicted.
AFTERMATH by David Zax to Make New York Premiere This Fall
by A.A. Cristi - Jul 28, 2026
A new play by journalist David Zax will make its New York premiere this fall, starring Danny Kornfeld and Tony nominee Steven Skybell in a limited engagement about a journalist's return home after captivity.
Review: THE ROOMMATE at Arizona Theatre Company
by Herbert Paine - Apr 14, 2026
Silverman's dark and witty script, Mason's incisive direction, and two beautifully calibrated performances make this one of the season's more provocative and entertaining productions.
Interview: AFTER REHEARSAL: A CONVERSATION WITH MARSHA MASON
by Robert Encila-Celdran - Mar 30, 2026
Marsha Mason has long been defined by her film work in the 1970s and ’80s, and by her storied marriage to the late Neil Simon. Their collaboration nurtured a distinct sensibility, shaping a kind of American comedy rooted in idiosyncratic behavior: how people talk, misread each other, and circle back.