Actor Burt Grinstead may have a short theatrical resume at this stage, but he has been working consistently over the past couple of years essaying plays in New York, Pennsylvania and Massachusetts. Since coming back to LA last summer, he has been in the highly successful Esther's Moustache at Sidewalk Studio Theatre this past fall and is currently treading the boards once more in the all new critically acclaimed production of Deathtrap at the Gay and Lesbian Center in Hollywood. In our chat he discusses Deathtrap and the other roles he's played, his focus as an actor, and those actors who have had the most influence on him.
Tell me where you're from and how the whole acting thing got started.I'm was born in the Worchester area of Massachusetts, and then I grew up here in Thousand Oaks. From 10-16 in school I started doing plays, and then it started branching out into that whole entertainment world; I started doing commercials and going out on auditions for movies, soap operas, and then I hit puberty and it flatlined. I moved back east to Massachusetts again, and fell out of the acting world in my high school years and into the whole sports thing.
Yes. I did the two year program and graduated from there. I decided against auditioning for their company. I just went out into the world of New York and tried to book as much theatre as I could.
What did you end up doing?It went really well. Coming right out I did A Midsummer Night's Dreamwith a great little company called the Pulse Ensemble Theatre, headed by Alexa Kelly. She had strong faith in me and always kept bringing me back. I also did a great murder thriller called Ladies in Retirement at the Mint Theatre. Then in Pennsylvania I did Julius Caesar for a Shakespeare company that tours high schools. Then in Boston at the Speak Easy Stage I did Neil LaBute's Reasons to Be Pretty, in which I played the ultimate jerk. All the reviews said Burt Grinstead is the biggest douche bag. He plays the most chauvinistic male. It was definitely an intense experience to play that. My testicles got stomped on at the end of the play; that was the defining climax. Every time the other character would do that, he got a standing ovation. I played such a jerk.
It was incredible. Laurel Ollstein is the writer/director of it. It was a fun experience, a very comedic, farcical kind of play but with real family issues. I played a German messenger that would deliver cartoons to the magazine...it's a complex story, and I became an Orthodox Jew by the end of it because I was so in love with the main character. I got a chance to do a very intense German accent, so it was great fun.
How did Deathtrap come about?I auditioned for Ken (Sawyer) and Jon Imparato. It hasn't been produced in LA for years, and Jon really wanted this to be successful...and Brian (Foyster) has been involved from square one too. It is so easy to act with him on stage; it's one of the easiest things I've ever done.
There's not one slouch in that cast and what a great set by Joel Daavid!Yes and no. Every play I've done, I've definitely had to be shirtless. I guess they use what they have, but this was the first time I've had to be fully nude.
Does it bother you as it does some actors?No, I mean...one of my focuses is to be comfortable with who I am, and I think that's something that a whole lot of actors have trouble with. You have to be comfortable with yourself. Good and that shows in your performance! Who are your acting idols?http://laglc.convio.net/site/PageServer?pagename=TE_ON_OUR_STAGES
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