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Show This Week Gross Last Week Gross Diff $ Potential Gross Gross % Potential Average Ticket Top Ticket Seats Total Per This Week Last Week Diff % 42ND STREET (FORD CENTER $479,155 $885,485 $-406,330 $1,069,078 44.82% $52.83 $101.20 9,070 14,504 8 62.5% 93.4% -30.9% AIDA (PALACE $497,285 $849,615 $-352,330 $920,819 54.00% $56.87 $100.00 8,745 13,560 8 64.5% 88.2% -23.7% ANNA IN THE TROPICS (ROYALE $167,289 $199,156 $-31,867 $579,530 28.87% $46.99 $81.25 3,560 8,624 8 41.3% 48.8% -7.5% AVENUE Q (Golden $403,971 $493,129 $-89,158 $451,718 89.43% $66.81 $91.25 6,047 6,368 8 95.0% 98.9% -3.9% BEAUTY AND THE BEAST (LUNT-FONTANNE $469,654 $986,950 $-517,296 $837,408 56.08% $55.22 $95.00 8,505 12,072 8 70.5% 95.4% -24.9% CAT ON A HOT TIN ROOF 2003-2004 (MUSIC BOX $373,810 $514,894 $-141,084 $593,281 63.01% $69.66 $86.25 5,366 8,152 8 65.8% 84.4% -18.6% CHICAGO (AMBASSADOR $500,766 $675,326 $-174,560 $716,419 69.90% $67.88 $240.00 7,377 8,640 8 85.4% 96.1% -10.7% GOLDA'S BALCONY (HELEN HAYES $181,582 $200,039 $-18,457 $449,403 40.41% $53.87 $81.25 3,371 4,712 8 71.5% 79.5% -8.0% GYPSY 2003-2004 (SHUBERT $459,666 $779,698 $-320,032 $941,395 48.83% $62.08 $101.25 7,405 11,576 8 64.0% 89.8% -25.8% HAIRSPRAY (NEIL SIMON $855,697 $1,012,400 $-156,703 $967,679 88.43% $86.26 $240.00 9,920 11,424 8 86.8% 101.2% -14.4% HENRY IV (VIVIAN BEAUMONT $509,232 $599,860 $-90,628 $604,205 84.28% $72.27 $85.00 7,046 7,329 7 96.1% 99.5% -3.4% I AM MY OWN WIFE (LYCEUM $186,047 $198,140 $-12,093 $397,577 46.80% $41.43 $85.00 4,491 5,632 8 79.7% 74.2% 5.5% LITTLE SHOP OF HORRORS (VIRGINIA $396,068 $684,636 $-288,568 $832,878 47.55% $58.42 $240.00 6,780 9,680 8 70.0% 94.1% -24.1% MAMMA MIA! (CADILLAC WINTER G $935,786 $1,102,780 $-166,994 $1,033,311 90.56% $81.45 $100.00 11,489 11,984 8 95.9% 102.2% -6.3% Show This Week Gross Last Week Gross Diff $ Potential Gross Gross % Potential Average Ticket Top Ticket Seats Total Per This Week Last Week Diff % MOVIN' OUT (RICHARD RODGERS $568,131 $834,753 $-266,622 $824,208 68.93% $69.92 $240.00 8,126 10,576 8 76.8% 98.2% -21.4% NEVER GONNA DANCE (BROADHURST $350,598 $496,208 $-145,610 $798,446 43.91% $64.12 $101.25 5,468 9,392 8 58.2% 75.0% -16.8% RENT (NEDERLANDER $338,780 $541,655 $-202,875 $528,739 64.07% $48.85 $85.00 6,935 9,448 8 73.4% 98.2% -24.8% TABOO (PLYMOUTH $281,334 $364,010 $-82,676 $760,058 37.01% $64.16 $101.25 4,385 8,744 8 50.1% 62.5% -12.4% THE BOY FROM OZ (IMPERIAL $701,543 $920,846 $-219,303 $955,655 73.41% $76.48 $101.25 9,173 11,480 8 79.9% 91.1% -11.2% THE LION KING (NEW AMSTERDAM $1,106,482 $1,274,664 $-168,182 $1,182,800 93.55% $77.02 $100.00 14,366 14,344 8 100.2% 101.7% -1.5% THE PHANTOM OF THE OPERA (MAJESTIC $499,199 $844,454 $-345,255 $1,002,310 49.80% $50.39 $100.00 9,906 12,856 8 77.1% 97.3% -20.2% THE PRODUCERS (ST. JAMES $1,372,735 $1,600,243 $-227,508 $1,042,163 131.72% $99.56 $480.00 13,788 13,648 8 101.0% 100.1% 0.9% THE RETREAT FROM MOSCOW (BOOTH $164,786 $179,051 $-14,265 $442,303 37.26% $47.52 $81.25 3,468 6,312 8 54.9% 53.6% 1.3% THOROUGHLY MODERN MILLIE (MARQUIS $471,067 $784,117 $-313,050 $994,201 47.38% $54.20 $240.00 8,692 12,624 8 68.9% 88.4% -19.5% URINETOWN (HENRY MILLER $271,211 $365,309 $-94,098 $386,346 70.20% $64.96 $95.00 4,175 5,048 8 82.7% 98.7% -16.0% WICKED (GERSHWIN $1,018,069 $1,188,937 $-170,868 $1,130,121 90.08% $75.07 $240.00 13,561 14,184 8 95.6% 100.0% -4.4% WONDERFUL TOWN (AL HIRSCHFELD $519,829 $734,435 $-214,606 $949,032 54.77% $76.18 $95.00 6,824 11,496 8 59.4% 79.4% -20.0%
Show This Week's Gross Last Week's Gross Diff $ Potential Gross Gross % of Potential Average Ticket Top Ticket Seats Total Per This Week % Last Week % Diff %
TOTAL FOR WEEK $14,079,772
Avg: $521,473
vs. Last Week: $19,310,790
$-5,231,018 $21,391,083
63.52%
$64.46 $140.28 208,039 274,409 215 75.08% 88.51% -13.43%
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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League. .
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