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Show This Week Gross Last Week Gross Diff $ Potential Gross Gross % Potential Average Ticket Top Ticket Seats Total Per This Week Last Week Diff % 42ND STREET (FORD CENTER $609,225 $639,220 $-29,995 $1,069,078 56.99% $53.94 $101.10 11,294 14,504 8 77.9% 76.3% 1.6% AIDA (PALACE $479,724 $572,809 $-93,085 $920,819 52.10% $53.60 $180.00 8,950 13,560 8 66.0% 77.9% -11.9% AS LONG AS WE BOTH SHALL LAUGH (AMERICAN AIRLINES $32,277 $19,830 $12,447 $0 N/A $27.03 $65.00 1,194 1,480 2 80.7% 0.0% 80.7% BEAUTY AND THE BEAST (LUNT-FONTANNE $463,791 $602,699 $-138,908 $837,408 55.38% $53.32 $95.00 8,699 12,072 8 72.1% 88.1% -16.0% CABARET (STUDIO 54 $320,157 $356,904 $-36,747 $560,680 57.10% $48.71 $180.00 6,573 7,360 8 89.3% 95.1% -5.8% CHICAGO (AMBASSADOR $496,856 $518,889 $-22,033 $687,460 72.27% $58.81 $180.00 8,449 8,640 8 97.8% 99.5% -1.7% DEF POETRY JAM (LONGACRE $123,260 $115,756 $7,504 $399,477 30.86% $32.72 $76.25 3,767 8,752 8 43.0% 39.4% 3.6% FLOWER DRUM SONG (VIRGINIA $288,393 $276,174 $12,219 $837,440 34.44% $52.46 $240.00 5,497 9,712 8 56.6% 52.1% 4.5% FRANKIE AND JOHNNY IN THE CLAIRE DE LUNE (BELASCO $147,012 $143,223 $3,789 $504,126 29.16% $48.55 $81.25 3,028 8,120 8 37.3% 38.6% -1.3% HAIRSPRAY (NEIL SIMON $931,769 $993,844 $-62,075 $967,679 96.29% $84.68 $360.00 11,003 11,424 8 96.3% 101.2% -4.9% LA BOHÈME (BROADWAY $674,002 $752,548 $-78,546 $992,159 67.93% $81.54 $101.25 8,266 13,640 8 60.6% 67.3% -6.7% LES MISÉRABLES - ORIGINAL (IMPERIAL $684,353 $773,753 $-89,400 $894,755 76.48% $69.95 $100.00 9,784 11,336 8 86.3% 95.4% -9.1% MA RAINEY'S BLACK BOTTOM (ROYALE $265,359 $260,730 $4,629 $584,169 45.43% $55.72 $81.25 4,762 8,592 8 55.4% 55.0% 0.4% MAMMA MIA! (CADILLAC WINTER G $855,737 $988,372 $-132,635 $1,033,311 82.82% $83.57 $125.00 10,240 11,984 8 85.4% 96.5% -11.1% Show This Week Gross Last Week Gross Diff $ Potential Gross Gross % Potential Average Ticket Top Ticket Seats Total Per This Week Last Week Diff % MAN OF LA MANCHA (MARTIN BECK $449,849 $479,390 $-29,541 $928,305 48.46% $67.52 $240.00 6,662 11,376 8 58.6% 58.5% 0.1% MOVIN' OUT (RICHARD RODGERS $578,022 $682,095 $-104,073 $824,208 70.13% $74.09 $240.00 7,802 10,576 8 73.8% 79.3% -5.5% RENT (NEDERLANDER $270,763 $350,729 $-79,966 $528,739 51.21% $44.93 $180.00 6,027 9,448 8 63.8% 77.1% -13.3% SAY GOODNIGHT GRACIE (HELEN HAYES $137,607 $144,606 $-6,999 $296,500 46.41% $43.03 $66.25 3,198 4,744 8 67.4% 69.3% -1.9% TAKE ME OUT (WALTER KERR $169,566 $160,984 $8,582 $495,036 34.25% $48.21 $80.00 3,517 7,360 8 47.8% 48.8% -1.0% THE GRADUATE (PLYMOUTH $158,595 $238,736 $-80,141 $569,143 27.87% $46.66 $250.00 3,399 8,600 8 39.5% 57.6% -18.1% THE LION KING (NEW AMSTERDAM $980,740 $1,117,580 $-136,840 $1,011,858 96.92% $76.10 $240.00 12,887 14,344 8 89.8% 100.8% -11.0% THE PHANTOM OF THE OPERA (MAJESTIC $416,731 $486,243 $-69,512 $1,002,310 41.58% $53.48 $100.00 7,793 12,856 8 60.6% 79.6% -19.0% THE PRODUCERS (ST. JAMES $878,353 $975,298 $-96,945 $1,042,163 84.28% $84.47 $480.00 10,399 13,648 8 76.2% 85.5% -9.3% THOROUGHLY MODERN MILLIE (MARQUIS $584,055 $722,859 $-138,804 $994,201 58.75% $63.72 $240.00 9,166 12,624 8 72.6% 90.0% -17.4% URBAN COWBOY (BROADHURST $58,766 $0 $58,766 $290,306 20.24% $58.47 $96.25 1,005 3,480 3 28.9% 0.0% 0.0% URINETOWN (HENRY MILLER $242,704 $268,808 $-26,104 $386,346 62.82% $65.21 $85.00 3,722 5,048 8 73.7% 85.5% -11.8% VINCENT IN BRIXTON (Golden $140,241 $120,472 $19,769 $376,452 37.25% $34.07 $71.25 4,116 6,368 8 64.6% 57.3% 7.3%
Show This Week's Gross Last Week's Gross Diff $ Potential Gross Gross % of Potential Average Ticket Top Ticket Seats Total Per This Week % Last Week % Diff %
TOTAL FOR WEEK $11,437,907
Avg: $423,626
vs. Last Week: $12,762,551
$-1,324,644 $19,034,128
53.24%
$57.95 $160.55 181,199 261,648 205 67.48% 74.87% -7.39%
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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League. .
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