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Show This Week Gross Last Week Gross Diff $ Potential Gross Gross % Potential Average Ticket Top Ticket Seats Total Per This Week Last Week Diff % 42ND STREET (FORD CENTER $713,046 $694,438 $18,608 $1,069,078 66.70% $60.27 $101.10 11,830 14,504 8 81.6% 80.0% 1.6% AIDA (PALACE $701,377 $686,860 $14,517 $920,819 76.17% $59.40 $95.00 11,808 13,560 8 87.1% 85.7% 1.4% BEAUTY AND THE BEAST (LUNT-FONTANNE $590,979 $587,201 $3,778 $837,408 70.57% $58.60 $95.00 10,085 12,072 8 83.5% 84.2% -0.7% CABARET (STUDIO 54 $431,972 $414,715 $17,257 $560,680 77.04% $63.75 $180.00 6,776 7,360 8 92.1% 92.6% -0.5% CHICAGO (SHUBERT $438,976 $402,759 $36,217 $699,976 62.71% $55.88 $180.00 7,855 11,680 8 67.3% 64.2% 3.1% CONTACT (VIVIAN BEAUMONT $314,952 $289,591 $25,361 $656,080 48.01% $58.25 $90.00 5,407 8,536 8 63.3% 58.1% 5.2% FRANKIE AND JOHNNY IN THE CLAIRE DE LUNE (BELASCO $444,329 $415,496 $28,833 $496,678 89.46% $58.16 $76.25 7,640 8,320 8 91.8% 86.7% 5.1% HAIRSPRAY (NEIL SIMON $864,747 $804,820 $59,927 $908,864 95.15% $74.81 $240.00 11,560 11,424 8 101.2% 93.5% 7.7% I'M NOT RAPPAPORT (BOOTH $104,188 $112,970 $-8,782 $416,791 25.00% $40.03 $76.25 2,603 6,312 8 41.2% 48.4% -7.2% INTO THE WOODS (BROADHURST $434,537 $393,426 $41,111 $760,960 57.10% $63.03 $100.25 6,894 9,080 8 75.9% 69.0% 6.9% LES MISÉRABLES - ORIGINAL (IMPERIAL $359,044 $375,445 $-16,401 $604,476 59.40% $49.10 $90.00 7,313 11,336 8 64.5% 65.3% -0.8% MAMMA MIA! (CADILLAC WINTER G $1,051,072 $1,047,831 $3,241 $1,033,311 101.72% $86.12 $100.00 12,205 11,984 8 101.8% 101.8% 0.0% METAMORPHOSES (CIRCLE $206,487 $184,246 $22,241 $341,917 60.39% $49.64 $75.00 4,160 5,200 8 80.0% 72.4% 7.6% NOISES OFF (BROOKS ATKINSON $252,176 $213,875 $38,301 $522,566 48.26% $38.64 $75.00 6,526 8,408 8 77.6% 64.4% 13.2% Show This Week Gross Last Week Gross Diff $ Potential Gross Gross % Potential Average Ticket Top Ticket Seats Total Per This Week Last Week Diff % OKLAHOMA! (GERSHWIN $592,132 $592,024 $108 $1,013,585 58.42% $59.46 $95.00 9,958 13,368 8 74.5% 73.4% 1.1% PRIVATE LIVES 2002 (RICHARD RODGERS $387,051 $302,628 $84,423 $563,886 68.64% $52.02 $75.00 7,441 9,338 7 79.7% 66.4% 13.3% PROOF (WALTER KERR $229,725 $195,170 $34,555 $427,309 53.76% $47.76 $76.00 4,810 7,392 8 65.1% 56.8% 8.3% RENT (NEDERLANDER $425,269 $448,887 $-23,618 $528,739 80.43% $48.00 $90.00 8,860 9,448 8 93.8% 95.0% -1.2% THE BOYS FROM SYRACUSE (AMERICAN AIRLINES $260,141 $268,225 $-8,084 $504,680 51.55% $49.39 $90.00 5,267 5,824 8 90.4% 94.1% -3.7% THE GOAT OR WHO IS SYLVIA? (Golden $211,685 $165,060 $46,625 $399,908 52.93% $44.28 $76.25 4,781 6,432 8 74.3% 63.9% 10.4% THE GRADUATE (PLYMOUTH $367,723 $353,591 $14,132 $569,143 64.61% $57.27 $250.00 6,421 8,600 8 74.7% 71.9% 2.8% THE LION KING (NEW AMSTERDAM $1,105,076 $1,096,345 $8,731 $1,011,858 109.21% $76.20 $100.00 14,503 14,344 8 101.1% 101.1% 0.0% THE PHANTOM OF THE OPERA (MAJESTIC $564,209 $595,743 $-31,534 $878,723 64.21% $52.45 $90.00 10,758 12,856 8 83.7% 87.2% -3.5% THE PRODUCERS (ST. JAMES $1,121,419 $1,126,710 $-5,291 $1,042,163 107.60% $84.53 $480.00 13,266 13,648 8 97.2% 97.8% -0.6% THE TALE OF THE ALLERGIST'S WIFE (ETHEL BARRYMORE $271,886 $229,222 $42,664 $492,315 55.23% $45.80 $75.00 5,937 8,368 8 70.9% 61.1% 9.8% THOROUGHLY MODERN MILLIE (MARQUIS $849,473 $863,430 $-13,957 $994,201 85.44% $70.32 $240.00 12,080 12,624 8 95.7% 95.3% 0.4% URINETOWN (HENRY MILLER $338,520 $336,435 $2,085 $386,346 87.62% $68.55 $85.00 4,938 5,048 8 97.8% 97.3% 0.5%
Show This Week's Gross Last Week's Gross Diff $ Potential Gross Gross % of Potential Average Ticket Top Ticket Seats Total Per This Week % Last Week % Diff %
TOTAL FOR WEEK $13,632,191
Avg: $504,896
vs. Last Week: $13,197,143
$435,048 $18,642,460
69.53%
$58.21 $125.78 221,682 267,066 215 81.77% 78.80% 2.97%
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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League. .
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