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Show This Week Gross Last Week Gross Diff $ Potential Gross Gross % Potential Average Ticket Top Ticket Seats Total Per This Week Last Week Diff % 1776 (GERSHWIN $366,108 $537,899 $-171,791 $869,277 42.12% $32.82 $75.00 11,154 15,192 8 73.4% 72.3% 1.1% A VIEW FROM THE BRIDGE 1997-1998 (CRITERION $159,248 $175,056 $-15,808 $192,115 82.89% $40.04 $55.00 3,977 3,992 8 99.6% 98.7% 0.9% BEAUTY AND THE BEAST (PALACE $548,855 $791,909 $-243,054 $735,726 74.60% $44.54 $70.00 12,322 13,920 8 88.5% 95.7% -7.2% BRING IN DA NOISE BRING IN DA FUNK (AMBASSADOR $359,652 $478,906 $-119,254 $511,130 70.36% $47.69 $70.00 7,542 8,512 8 88.6% 102.3% -13.7% CATS (WINTER GARDEN $354,526 $671,440 $-316,914 $717,669 49.40% $42.92 $70.00 8,260 11,856 8 69.7% 98.2% -28.5% CHICAGO (SHUBERT $690,356 $719,262 $-28,906 $649,630 106.27% $58.84 $70.00 11,732 11,680 8 100.4% 101.7% -1.3% Forever Tango 1997-1998 (WALTER KERR $247,160 $299,496 $-52,336 $459,477 53.79% $36.51 $75.00 6,770 7,424 8 91.2% 75.4% 15.8% JACKIE: AN AMERICAN LIFE (BELASCO $86,241 $118,384 $-32,143 $360,741 23.91% $38.06 $67.50 2,266 8,080 8 28.0% 32.5% -4.5% JEKYLL AND HYDE (PLYMOUTH $441,468 $549,316 $-107,848 $550,486 80.20% $55.36 $75.00 7,974 8,520 8 93.6% 99.5% -5.9% LES MISÉRABLES - ORIGINAL (IMPERIAL $470,746 $718,889 $-248,143 $604,476 77.88% $42.04 $75.00 11,198 11,304 8 99.1% 99.2% -0.1% MISS SAIGON (BROADWAY $470,903 $698,977 $-228,074 $629,523 74.80% $37.67 $75.00 12,502 13,944 8 89.7% 91.3% -1.6% PROPOSALS (BROADHURST $145,495 $155,262 $-9,767 $433,543 33.56% $34.75 $65.00 4,187 9,488 8 44.1% 35.6% 8.5% RAGTIME 1997-2000 (FORD CENTER $758,777 $900,402 $-141,625 $892,172 85.05% $58.37 $75.00 13,000 14,504 8 89.6% 95.1% -5.5% RENT (NEDERLANDER $563,653 $605,164 $-41,511 $528,739 106.60% $58.57 $75.00 9,624 9,448 8 101.9% 101.9% 0.0% Show This Week Gross Last Week Gross Diff $ Potential Gross Gross % Potential Average Ticket Top Ticket Seats Total Per This Week Last Week Diff % SMOKEY JOE'S CAFE (VIRGINIA $332,648 $459,857 $-127,209 $611,820 54.37% $37.06 $75.00 8,975 9,696 8 92.6% 85.6% 7.0% STREET CORNER SYMPHONY (BROOKS ATKINSON $61,035 $115,306 $-54,271 $352,712 17.30% $11.04 $70.00 5,530 8,296 8 66.7% 56.6% 10.1% THE CAPEMAN (MARQUIS $396,147 $647,988 $-251,841 $558,223 70.97% $53.05 $67.50 7,467 9,534 6 78.3% 86.8% -8.5% THE DIARY OF ANNE FRANK (MUSIC BOX $244,889 $345,880 $-100,991 $411,747 59.48% $44.27 $60.00 5,532 7,880 8 70.2% 94.1% -23.9% THE KING AND I (NEIL SIMON $329,937 $551,001 $-221,064 $605,497 54.49% $43.58 $75.00 7,570 10,512 8 72.0% 95.9% -23.9% THE LAST NIGHT OF BALLYHOO (HELEN HAYES $147,806 $207,477 $-59,671 $259,695 56.92% $47.94 $55.00 3,083 4,776 8 64.6% 83.6% -19.0% THE LIFE (ETHEL BARRYMORE $318,457 $441,776 $-123,319 $592,224 53.77% $43.36 $75.00 7,344 8,608 8 85.3% 86.2% -0.9% THE LION KING (NEW AMSTERDAM $800,239 $850,663 $-50,424 $796,540 100.46% $57.06 $75.00 14,024 13,960 8 100.5% 101.2% -0.7% THE OLD NEIGHBORHOOD (BOOTH $143,976 $222,082 $-78,106 $304,596 47.27% $35.41 $55.00 4,066 6,200 8 65.6% 85.5% -19.9% THE PHANTOM OF THE OPERA (MAJESTIC $715,589 $879,864 $-164,275 $738,581 96.89% $60.68 $80.00 11,792 12,872 8 91.6% 101.6% -10.0% THE SCARLET PIMPERNEL (MINSKOFF $350,708 $541,871 $-191,163 $832,827 42.11% $44.93 $75.00 7,806 13,680 8 57.1% 72.0% -14.9% THE SUNSHINE BOYS (LYCEUM $203,401 $246,576 $-43,175 $346,680 58.67% $38.52 $60.00 5,280 7,312 8 72.2% 80.1% -7.9% TITANIC (LUNT-FONTANNE $662,929 $782,287 $-119,358 $715,255 92.68% $57.07 $75.00 11,617 11,800 8 98.4% 100.0% -1.6%
Show This Week's Gross Last Week's Gross Diff $ Potential Gross Gross % of Potential Average Ticket Top Ticket Seats Total Per This Week % Last Week % Diff %
TOTAL FOR WEEK $10,370,949
Avg: $384,109
vs. Last Week: $13,712,990
$-3,342,041 $15,261,101
65.44%
$44.52 $70.00 222,594 272,990 214 80.46% 86.24% -5.78%
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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League. .
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