THE PRODUCERS Submission - Riverside Theatre Auditions

THE PRODUCERS – Photo / Resume Request

Riverside Theatre Vero Beach, FL LORT C; $696/week minimum

Director: Allen Cornell

Choreographer: Patrick Boyd

Musical Director: Ken Clifton

Casting: Wojcik-Seay Casting

1^st rehearsal: 1/27/11. Runs: 2/24 - 3/20/11

NYC auditions will be held during the week of November 14^th, by appointment only.

Seeking submissions from Actors' Equity Members only for these particular auditions.

For consideration, mail cover letter, picture and resume to:

Wojcik - Seay Casting

247 West 38th Street 10th Floor

New York, NY 10018

Please mark the outside of your envelope to the attention of:

“The PRODUCERS – NYC appointments – AEA Member self submit”

Important note: You must also include which role you are interested in.

Deadline for submissions: November 3.

Seeking:

Max Bialystock:

40s to 50s. A formerly successful Broadway producer who now fleeces wealthy elderly women to support his failing business. Loud, pushy, fast talking, and always one step ahead of getting caught ‘in the act.’ New York born and bred, Jewish, shrewd, intelligent and a dirty old man. Must be able to sing well (baritone/tenor up to a G) and must be a world-class comic actor.

Leo Bloom:

Late 20s – 40s. Timid by-the-book accountant turned Broadway producer. He lived a monotonous and uneventful life until his ‘business venture’ with Max. New York born and bred. An extremely likable loser who eventually comes into his own, and gets the girl. Must sing reasonably well (baritone/tenor, up to G) and must dance or at least move very well.

Franz Liebkind:

The author of ‘Springtime For Hitler’, 30s – 40s. Strong character/comedic actor. High Baritone voice (up to F). Must move well. Born and raised in Milwaukee (of German descent). He is slightly deranged and under the delusional belief that he served under Hitler as a soldier of the Third Reich.

Roger Debris:

40s - 50s. The director who goes on to play Hitler in ‘Springtime For Hitler.’ Former Broadway chorus dancer turned unsuccessful director/choreographer. Larger than life, flamboyant, self-involved, delusional with a bent towards the grandiose. Must be played by a bold and comically gifted actor. High baritone (up to G). Must move well.

Carmen Ghia:

The assistant of Roger De Bris. 20s – 30s. Excellent comedy required. High baritone/tenor (up to A-flat with strong falsetto).

Ulla:

The Swedish Bombshell and assistant to Bialystock and Bloom. Sexy, voluptuous, very attractive. Minimum height 5'9. Comedic actress who can fake a Swedish accent. Great belt voice. Strong dance ability, including tap and splits.

Character Man:

Versatile Male 40s – 50s to play a multitude of character parts including but not limited to : Mr. Marks, Sergeant O’Brien, Kevin the costume designer and Jason Green. Must sing and dance.