THE PHANTOM OF THE OPERA Equity Chorus Call Singers - Majestic Theatre Auditions

PROUCTION- chorus

THE PHANTOM OF THE OPERA

– Equity Chorus Call / Singers

Broadway / Production Contract; $1653/week minimum

Producer: Cameron Mackintosh and The Really Useful Company

Music: Andrew Lloyd Webber. Lyrics: Charles Hart

Book: Richard Stilgoe and Andrew Lloyd Webber

Director: Harold Prince

Choreographer: Gillian Lynne

Production Supervisor: Peter Von Mayrhauser

Production Musical Supervisors: risten Blodgette and David Caddick

Production Dance Supervisor: Denny Berry

Casting: Tara Rubin Casting

Equity Chorus Call / SINGERS

Thursday, July 21, 2011 at Pearl Studios

10 AM – Equity male singers 500 Eighth Avenue, #410 (4^th floor)

2 PM – Equity female singers New York, NY

Prepare a brief song from legit musical theatre / standard opera or operetta repertoire, preferably in English. Do not sing pop or rock music. Please bring your book of music in case you are asked to sing a second selection. Bring sheet music in correct key; accompanist provided but may not transpose.

Bring picture and resume, stapled together.

Seeking future replacements for the Broadway Company of THE PHANTOM OF THE OPERA.

Ensemble Singers:

Women should be sopranos (lyric or coloratura), mezzo sopranos, or contraltos, with strong legit musical theatre or opera voices. Men should be strong legit musical theatre or opera tenors, baritones, or basses. Two of the basses in the chorus must sing to low F.

Out of the ensemble, also seeking the following chorus specialty parts:

Don Attilio/Passarino:

Excellent small specialty role. 30s – 40s. Bass or Bass baritone with a solid and legitimate low F. Should be a physically interesting character man with a good sense of comedy.

Wardrobe Mistress/Confidante:

Excellent small specialty role. 30s – 40s. Contralto or low mezzo. Physically interesting character woman. Short and round or tall and thin.

Monsieur Reyer:

Excellent small specialty role. 30s – 40s. Tenor. Character role. The repetiteur (vocal coach) of the Paris Opera. An agitated, finicky, meticulous fellow. A strict disciplinarian. . always on the verge of hysteria.

Casting for The Phantom of the Opera is interracial. Dancers of all ethnic backgrounds and races are encouraged to attend.