SUNDAY IN THE PARK WITH GEORGE Submission - Repertory Theatre of St. Louis Auditions
Repertory Theatre of St. Louis
SUNDAY IN THE PARK WITH GEORGE
- Photo/Resume Request
Repertory Theatre of St. Louis St. Louis MO LORT $765/week minimum.
Artistic Dir: Steve Woolf
Music/Lyrics: Stephen Sondheim
Book: James Lapine
Dir: Rob Ruggiero
Choreo: Ralph Perkins
Mus Dir: Wade Russo
Casting: Rich Cole
1st reh: 12/6/11. Rehearsal ends early on 12/24. 12/25 & 12/26 are days off. Runs 1/6 – 1/29/12.
NYC appointment audition will be held on 9/26/11 (callbacks on 9/29).
FOR THESE AUDITIONS, SEEKING SUBMISSIONS FROM AEA MEMBERS ONLY.
To be considered, e-mail photo/resume ASAP to
Rich Cole
648 Broadway Ste 912
New York NY 10012
VERY IMPORTANT:
a) Be sure to put the show title and the role you’re interested in on the front of the envelope.
b) Submit by US Mail only. Absolutely no e-mails, calls or office visits/drop-offs!
Seeking the following only (read notice carefully; submit only if you are right for one or more these roles and you are free to work throughout the contract dates):
Casting Director’s note: “Some second act roles may change depending upon who's cast. These are the only roles we are casting out of New York.”
George:
Looks early - late 30s. Handsome, dark, brooding. Genius painter, struggling to find his voice. He is obsessive, somewhat self-absorbed, and has extraordinary passion and self-criticism. Seeking actor/singer (tenor/baritenor).
Dot / Marie:
Two-character track. Should read late 20s - mid 30s. Dot: Beautiful, sexy and very emotional. Hungers for connection and love. She is George’s muse, and is deeply in love with him. Tries to better herself in all aspects. Vivid and full of life and sexuality. Actress must play a very old lady in the second act. Seeking actor/singer (mezzo soprano legit/belt).
Nurse / Mrs. / Harriet Pawling:
Multi-character track. Should read mid 30s - 40ish. Role for a skilled comic character actress, but she must also have a sexuality that reveals itself. Actress plays Mrs. in Act I, and Harriet (an arts patron) in the Act II. Seeking actor/singer (legit soprano/belt).
Jules / Bob Greenberg:
Two-character track. Should read 40-50ish. Jules: Another artist; jealous of George’s talent, and this shows itself in his behavior. George’s mentor, who, deep inside, understands that his student is actually more talented than himself. Actor plays the museum director in Act II. Seeking actor/singer (baritone).
Yvonne / Naomi Eisen:
Two-character track. Should read late 30s - late 40s. Yvonne: Jule’s wife and protector. Strong, domineering person who is actually covering a deep vulnerability. Comic skill a plus – actress plays the quirky, lesbian composer in Act II. Seeking actor/singer (mezzo legit/belt).
Soldier / Alex:
Two-character track. Should read late 20s - early 30s. Soldier: Very handsome, strong, a bit still and controlled. “Lives” a soldier’s life. Dry charm. Actor plays an artist in Act II. Seeking actor/singer (baritone/baritenor).
Celeste #1 / Elaine:
Two-character track. Should read late 20s - mid 30s. Celeste: Flirty, manipulatively forward shop girl. Elaine: In Act II, George’s loving, honest, grounded ex-wife. Seeking actor/singer (legit soprano/belt).
Louis / Billy Webster:
Two-character track. Should read mid 30s – late 40s. Louis: In Act I, the kind, sweet, awkwardly handsome baker … “that’s the trouble, nothing’s wrong with him”. Billy: In Act II, Harriet Pawling’s somewhat judgmental and agreeable friend. Seeking actor/singer (baritone).
Franz / Lee Randolph:
Two-character track. Late 20s - late 30s. Franz: Servant to Jules and Yvonne. Married to Frieda. Secretly attracted to the Nurse. Comic actor needed, German dialect required. Lee: In Act II, the museum’s publicist. Seeking actor/singer (baritone).
Frieda / Betty:
Two-character track. Late 20s - late 30s. Frieda: Cook to Jules and Yvonne. Married to Franz. Secretly attracted to Jules, her boss … and they connect. Comic actor needed, German dialect required. Betty: An artist, in Act II. Seeking actor/singer (mezzo legit/belt).
SUNDAY IN THE PARK, Role of _____