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NIGHT OVER ERZINGA Equity Principal Audition - Golden Thread Productions Auditions

Posted March 17, 2011
This audition closed on April 1, 2011. View current auditions →
NIGHT OVER ERZINGA - Golden Thread Productions

Night Over Erzinga
Golden Thread Productions | San Francisco, CA





Call Type
Equity Principal

Date of Audition
3/31/2011

Location
Theater Artaud
450 Florida St.
San Francisco, CA 94110
Street Parking, ring door bell

Time(s)
Thursday, March 31st
2-6pm

Friday, April 1st
4-7pm

· A monitor will not be provided. The producer will run all aspects of this audition.

Appointments

gtpauditions@gmail.com

Contract
Bay Area Theatre
$337/wk

Seeking
Men 50+
Women 50+
Woman 30's
Man 30's

Preparation
2 min monologue or improvised movement with song. You may be asked to read sides.

Other Dates
First rhearsal August 15, Opening September 18, Closes October 9

Other

www.goldenthread.org

Personnel
Written by Adriana Sevahn Nichols
Directed by Daniella Topol

Breakdown

Ardavazt Oghidanian: Quiet sturdy Armenian man. Great resources of inner strength. Survives the loss of both of his families, without losing his heart. Unwilling to talk about the past. Must be able to play from 18-40.

Aristides: Charismatic. Hot. Gorgeous. Sexy. Dominican singer. Speaks with heavy Domincan accent. Authentic Caribbean rhythms very important. Velvety voiced. Extremely emotional. Volatile temper. Has the talent but not the courage to be a successful opera singer. 30’s.

Older Ardavazt: An older wiser Ardavazt. Time and all he has endured has softened, not hardened, him and he now seeks to connect with his daughter Jan. 60’s.

Alice’s Mother: A robust firecracker of a woman. Uses humor and melodrama to distract herself from how disappointed by life she is. Loves her daughter Alice fiercely and sees her as her hope for joy fulfilled. A real “old county” Mama. 50’s.

Older Alice/ Act II: An older and wiser Alice. Free from the constraints of “reality,” she is no longer trying to be sane. Hoping to “get it right with this time” with her daughter, even if it is in the realm of spirit. Able to portray a goddess like presence- as her appearances are surreal. 50’s- 60’s.


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