GREAT AMERICAN MOUSICAL Submission - Goodspeed Musicals Auditions

GREAT AMERICAN MOUSICAL

- Submit Photo / Resume for NYC Appointments

Goodspeed Musicals (East Haddam, CT) LORT D; $566/week minimum

Produced by: Goodspeed Musicals, Michael Price, Executive Director

Based on the book by Julie Andrews Edwards & Emma Walton Hamilton

Directed by Julie Andrews

Choreographed by Christopher Gattelli

Music by Zina Goldrich

Lyrics by Marcy Heisler

Book by Hunter Bell

Musical Direction by Andy Einhorn

Scenic & costume design by Tony Walton

Lighting design by Richard Pillbrow & Michael Gotleib

Casting by Telsey + Company, Rachel Hoffman

First rehearsal: October 9, 2012

First performance: November 8, 2012

Closing: December 12, 2012

NYC auditions will be held on a date TBD by appointment only.

Seeking submissions from Actors' Equity Members only for these auditions.

For consideration, email or mail picture and resume to:

mousicalcasting@gmail.com

And include the NAME of the CHARACTER for which you are submitting in the subject line, along with your AEA status.

Below the bright lights of Broadway, in the depths of the historic Sovereign Theatre, a troupe of musical-making mice rehearse a new show. When the theatre is threatened by demolition and their diva Adelaide disappears, it will take all paws on deck to fulfill the time-honored tradition: the show must go on!

[Adelaide]

Female, 40s-50s, any ethnicity, a leading lady diva, once a great star and still thinking of herself as such, although truthfully moving more toward character roles now. High maintenance. Alto, with a few higher tricks up her sleeve

[Wendy]

Female, 20s, any ethnicity, an adorable, ingénue, very talented though still very innocent. Soprano.

[Rose]

Female, 30s-early 40s, any ethnicity, a sassy soubrette with a heart of gold; been around, seen it all. She’s had a long, on-again, off-again relationship with Sky, but she still loves him. Tap dancing a plus, belt with a good mix.

[Fritz]

Female, 20s-30s, any ethnicity, a dry stage manager. No nonsense, a real techie. Been around, knows her job. Belt with a good mix

[Pippin]

Male, mid- to late teens, any ethnicity, a wide-eyed new intern; a country boy, new to the city and totally stage struck. Tenor.

[Harold]

Male, 50s-60s, any ethnicity, a Shakespeare-quoting, spirit nipping, veteran of the stage. English, or an anglophile. Falstaffian, an orator, a little grand. Baritone

[Curly]

Male 20s, any ethnicity, a song & dance man; a sweet-faced, gentle-hearted comedian. In love with Wendy. Tenor.

[Hysterium]

Male, 20s-40s, an ethnicity, a sassy, sardonic costumer/wig designer. Harried, wry, panics easily. Could be Asian or African American. A show queen. Tenor

[Henry]

Male, 40s-50s, any ethnicity, (doubles as Dad), Love interest to match Adelaide, a gentle book-smart, honest mouse. Professorial. Lives a solitary existence outside the theatre. Has never known glamour until Adelaide sweeps into his life. Bari-tenor.

[Sky]

Male (doubles as Scud the Rat), 30s-40s, any ethnicity, a handsome leading man. A rake and a rogue, smooth as silk. Baritone.

[Emil]

Male, 30s-40s, any ethnicity, director of the Mousical Theatre Company. Erudite, elegant, a little over the top. Tenor or bari-tenor.