BroadwayWorld is following along as Passport to Broadway does student workshops in China! Tune in for daily photos, videos, and more! In today's LIVE video, watch the students rehearse Facade!
Perspective of the Music Director - Seth Weinstein
Blog #1- June 18, 2017
Two days after Typhoon Merbok descended on Guangdong province, three theatre professionals from New York descended on the American International School of Guangzhou to begin a ten-day intensive program for twenty-nine students from the fourth to the twelfth grade. In our first three days, we cast each participant and taught all the music and half the staging and choreography for our hour-long show. Much like the rain, our pace was strong and driving, and much like the ninety-degree temperatures, our energy was high and sweat-inducing.
The program began the day after school let out for the summer. When we all met, Amy asked the students why they had joined the program and what they hoped to achieve during our time together. "I want to be a part of something exciting." "I want to be on Broadway someday." "I like dancing and acting, but I don't like singing so much." (He's coming around.)
Our quick teaching methods are designed to evoke the focus and commitment required of Broadway actors. The pace was a bit of a jolt for the students, who erupted in a frenzy of chat messaging after our first day. "Do we have to wear the T-shirt and pants?" "Will the bus be in the same place tomorrow?" "I can't find the recordings on my phone." ("Look harder!" replied the school's tech guru, who had helped to load each cast member's individual voice parts onto his or her listening device.)
The students are highly motivated and soon adapted to our process. We rehearse for nine hours a day and then expect the students to practice at night. Having realized the urgency of putting on a show in ten days, they arrive before our 8:15 a.m. warmups to practice, they help each other find their places, they keep dancing while waiting for their rides, and-ever technologically inclined-they film Jeff's movements on their phones for home review. They're a polite, respectful bunch with excellent English skills. A few are a bit shy onstage, but they're working to overcome that and become bold actors with big voices.
Our performance is in just one week. We're confident that it will be a success and that we will all learn from the process-students and teachers alike.
Perspective of the Head of Visual and Performing Arts at AISG - Betty Lin
Blog #1- June 18, 2017
What an amazing experience personally, professionally, and for our students! This is Day Three of the ten-day intensive summer program with Students Live, Passport to Broadway. It is such a pleasure to see professionals Amy Weinstein, Seth Weinstein, and Jeff Moulton working with our students and for me to hone my skills in directing through personal involvement and observations.
I couldn't be prouder of our students. Initially it was a very steep learning curve for them especially when they need to learn such a lot of materials (singing, acting and dancing) in such a short time. Today, I see real progress and also see some of the students growing in confidence in their roles. There were times in the rehearsals when I felt the musical coming together.
I can't wait to see what the next stage looks like. I think this is the beginning of a monumental journey for all of us participating at school. It will definitely be one of the experiences the students will remember for the rest of their lives!
Betty Lin
Head of Visual and Performing Arts
AISGZ faculty
Perspective of a Student - Zoe Cheng
Blog #1- June 18, 2017
It was a long and eventful day. Did I find an American penny in China? Uh... no, nor did the Hamilton cast suddenly appear in front of our school one day (one day, one day...). No, it was Passport to Broadway. Yes, Passport to Broadway happened. This is a pretty big deal. Don't know what Passport to Broadway is? Well, what kind of rock are you living under? This is a Broadway education program where we have 10 days to rehearse before putting on the most unique, expressive, and moving show you've ever seen. Special thanks to Betty Lin, Amy Weinstein, Seth Weinstein and Jeff Moulton. Seriously, if you happen to see one of these folks, tell them that they are awesome. Because they are.
Also, come and watch our show, it's called "One Moment". It's on June 25th and it's going to be great.
Ok, here's life lesson number one:
Quoting my mom, "If you never tried something, do not criticize or see it less than what it really is."
I did not see Broadway as any less than anything, because first of all, why would you do that? Second of all, actors and actresses work extremely hard to get a part on a show, to underestimate that is just like saying evolution doesn't exist.
But I did not expect to learn all of the choreography in lightning speed. It was so fast that our crew could put the Flash to shame. Oh no, this isn't just any flimsy, low budget play you play around with, this is the real deal.
Life lesson two: practice makes perfect. This is pretty self-explanatory. The "Just Do It" Shia LaBeouf meme applies very well here.
Amy, our director, Seth, our music director and Jeff, our choreographer, are so passionate about musical theatre that it is infectious.
Well, we got 7 days before the finale, may hard work and perseverance aid us to put on an excellent show, and may all of us break a leg.
Amy requested only egg whites, but before she knew it the breakfast staff were frying up the yolks. The incident was still on her mind when we began our rehearsal yesterday.
The students had been singing like choir members, with lovely, angelic voices and no guts. Singing is just heightened speech, we told them. Conveying the meaning and passion of the lyrics is more important than getting the notes right or sounding pure.
To illustrate this, Amy and I improvised a cantata describing her morning. The saga of the egg was dramatized first with limp voices and then with theatrical voices. The exercise made an impression.
"It was a small event, but it meant the world to me at the moment," Amy told our cast. "You need to sing and act everything like it's a life-or-death situation." Every step onstage, even a simple entrance or exit, has purpose. Every glance is a reaction to something and causes its own reaction. Even counting the choreography beats should be done with attitude.
Little by little, the small moments in our show began to come to life. For students used to learning things to get them correct, rather than learning things to develop a character, this was a challenge. They know the goal, but carrying it out is not yet intuitive; they have to trust that we'd rather they tell the story than focus on getting the moves right. They must realize that they cease to be students and instead become characters who are free to love, yearn, and be aggressive or silly.
Sustaining a character's energy can be difficult at the end of a long day of rehearsal. "This is the hardest thing I've ever done, but it's the most exciting," one student commented. "This is exhausting," said another.
Yet they are rising to the high standard admirably. They continue to practice at night, during lunch breaks, and before rehearsals if they arrive early. The murmur that follows a work-through of a section of choreography is a discussion of the matter at hand rather than idle chitchat.
After five days, we've finished teaching the music and staging and had one run-through. It's a relief to experience the scope of the show, and now we can begin to color it in.
Perspective of the Head of Visual and Performing Arts at AISG - Betty LinDay 5! It's half way through the intensive course! Performance looming in the same number of days! Wow! I can't believe the kids have learnt the choreography and all the songs. Now we can concentrate on making the whole show even better. What have been the best moments for me so far were when I saw times of great learning akin to the 'light bulb "aha" moments' on the faces of the students. It has been so beautiful to see glimpses of the transformation of some students from quiet and reserve to confident, eager, and engaged!
Tonight, after the students went home, we got into the theater to do some lights cue to cue. It was so exciting to be looking at the stage awash with different colors and to imagine the students performing on it. I can't wait for the practice to start on stage, so that the students can feel the full impact of the stage which will aid their motivation to perform better! Betty LinPerspective of the Student Assistant Director - Gloria Huang
Blog #2- June 20, 2017
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