Might as Well Live

Director Glenn Kelman is to be commended for taking on the challenge of coordinating twenty cast members moving scenery and set pieces into place to create 22 set changes in 14 locations on such a small stage, as well as setting the timing of each Ameri-News video projection to forward the story. And to Music Director Jared Scott for doing his best to get so many non-singers to harmonize on-key, and Choreographer Kylie Christensen for diligently doing her best to mold what should be a big musical production into a space better suited for a small cast play.

Berkeley Repertory Theatre has revealed the Summer Residency Lab participants of The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work.

Triple Fringe First Award winners Xhloe and Natasha will premiere their new absurdist two-hander at Summerhall Arts as part of Soho Theatre's Edinburgh Fringe season, featuring a nine-foot puppet and a story set in a flood-ravaged 1990s Appalachian town.

The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the novel and memorable film moments, whilst breathing in new voices and new scenes that add different layers to these familiar characters.

xThe LA Phil has unveiled the 2026 season at The Ford, its hillside open-air venue, running from May 8 to October 31. The 2026 season brings together a multidisciplinary mix of music, dance, film, theater, comedy and spoken word.

Perhaps the most well-known instance of a show changing titles during the development process belongs to the groundbreaking 1943 phenomenon, Oklahoma! The Rodgers and Hammerstein musical that changed the art form in terms of subject matter, integration of elements, and more was originally titled Away We Go! when it went out of town for a New Haven tryout. Oklahoma! is far from the only instance where a musical changed its title along the development road.

Musicals and plays based on movies? Many. Based on books? Also plentiful. Based on true stories? Of course. But musicals and plays based on or inspired by magazine articles? These are a rare breed. One recently opened on Broadway at the August Wilson Theatre.

Dissecting how local paranoia is manufactured and the intoxicating pull of conspiracy culture, triple Fringe First Award winners Xhloe and Natasha's new show delves into the dark side of American mythos and the theatre of mass distraction.

HEAVY IS THE CROWN, power to the songs that set you free. A story from far away that hits very close to home

Next month, 54 Below will present some of the brightest stars from Broadway, cabaret, jazz, and beyond for Women's History Month, including Linda Eder, Kate Baldwin, Jenn Colella and more. 

Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.

Current star of Masquerade Telly Leung discusses with Jennifer Ashley Tepper playing the Phantom in the immersive production, the full circle from Rent fan to Rent actor, Gavin Creel’s leadership during a production that never was, and much more. 

Those who attend the Columbus stop of THE MOON, THE WALL AND BEYOND tour at the Palace Theatre might be checking to make sure this is Brit Floyd instead of the actual Pink Floyd, which last played together with singer Roger Waters July 2, 2005, at the Live 8 Concert.

The festival runs from 25 February to 8 March in Glasgow.

While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.

The Broadway production of Ragtime was a glorious accomplishment, a riveting testament to the original American musical and to all that America itself could be. The show ran for 834 performances at the Ford Center, closing in the final year of the 20th century. It was nominated for 13 Tony Awards, taking home four.

The Tony Award-winning Best Musical Comedy Monty Python’s SPAMALOT is now on its North American Tour. Read the reviews and learn more about the show here!

While different tryout theaters have different relationships to the development of new shows, it’s worth looking at both which commercial rental theaters and which non-profit theaters have had the most Best Musical Tony Award winners come from their stages.

The first four-actor stage adaptation of The 39 Steps was written by Corble and Dimon and first premiered in 1966. It was subsequently rewritten by Patrick Barlow in 2005. It is a favorite for community theatres around the world, but it first began its life as a 1915 novel by John Buchan, which was adapted by Alfred Hitchcock for his 1935 spy thriller film.

See some of the biggest stars of the stage, screen, jazz, cabaret & Broadway performing at cabaret venues this month at a range of budget points. Tickets to these shows are limited and likely to sell out

A powerful double-bill. 'Josephine' is a stunning mini-biography of a great star; 'Pagliacci' is an overpoweringly passionate step into verismo opera.

This past season contained a higher than usual amount of Broadway shows involving death; in fact, Operation Mincemeat and Dead Outlaw both specifically revolved around transporting a corpse! And Death Becomes Her leans into the hilarity as two women become gorgeous living corpses before our very eyes, thanks to a touch of magic. But plays and musicals about death and its attendant macabre topics have been a part of the theatre landscape for many decades...

This Week's New Classified Listings on BroadwayWorld for 7/10/2025 include new jobs for those looking to work in the theatre industry.

Just In Time’s origin story as well as overall conceit has much in common with one of Broadway’s very first jukebox musicals, which was ahead of its time. In 1985, Leader of the Pack, telling the story of pop singer-songwriter Ellie Greenwich, opened at the Ambassador on Broadway. Learn all about pop music bio-musicals here!