I have no experience with either version. I have read about how Lippa's version had a smaller cast and the score is not as dependent on the plot while LaChiusa's can't really be taken out of context. I also read about numerous differences in the book. I was wondering which version people preferred.
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I've only seen press reels of each but I know each cast recording pretty well. I think both versions have songs that can be taken out of context and also songs that can't.
As for which one is better? They're very different because LaChiusa's uses generally one genre of music while Lippa's score is all over the place. Both casts are phenomenal. I love both recordings pretty equally. However, it took me longer to enjoy the LaChiusa version, but once I got there, it was very very good.
I have always preferred LaChiusa's version. The music fits the tone of the piece stylistically and sounds far more authentic to a story taking place in the 20's. Toni Collette is a fantastic Queenie, and Eartha Kitt's performance alone was worth the price of admission.
While this has been discussed several times at length, I cannot help but respond... LaChiusa wins hands down. That show should have won several TONY awards, it was brilliant. While neither production was 100% faithful to Joseph Moncure March's poem, LaChuisa's version resonates along the lines of the piece so much better than Lippa's.
"For me, THEATRE is an anticipation, an artistic rush, an emotional banquet, a jubilant appreciation, and an exit hopeful of clearer thought and better worlds."
~ an anonymous traveler with Robert Burns
I'd say LaChiusa, it only for Toni Collete, who gives a stunning performance on the CD.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
I made a point of reading the book, brushing up on items dealing with both approaches. Both casts were fine (except Eartha didn't have enough to do, but that's another story), but ---
Ugh, not again. There are about a million threads on this. They're two totally separate entities. Just because they're based on the same thing doesn't mean we have to compare them and choose which one is "better."
"This table, he is over one hundred years old. If I could, I would take an old gramophone needle and run it along the surface of the wood. To hear the music of the voices. All that was said." - Doug Wright, I Am My Own Wife
Possibly unfairly, because I've never listened to all of Lippa's. I have it on cassette and just have never bothered/wanted to flip the cassette over to listen to the rest of it. Though, I love Alix Korey's "Old Fashioned Love Story"!
"A coherent existance after so many years of muddle" - Desiree' Armfelt, A Little Night Music
"Life keeps happening everyday, Say Yes" - 70, Girls, 70
"Life is what you do while you're waiting to die" - Zorba
ohhhh wow a Wild party thread. Has it been 2 months already? Hmmm well LaChiusa gets my vote for the one preferred, that is not to say that Lippa's isn't lovely and worthwhile and extremely fun. I'd rather DO LaChiusa's. I might like Lippa's a little more if Taye and Idina weren't in it. I prefer Taye on TV and I prefer Idina singing in a LaChiusa piece...or lower...or not.
Lippa's WILD PARTY isn't bad, "Maybe I Like It This Way" is as good as anything in LaChiusa's version. And LaChiusa's isn't all perfect either. I feel Lippa's take is much more focused. However, I do prefer the Broadway version. George C Wolfe is a brilliant director/writer, LaChiusa does a good job in adapting the poem, and well, the cast in the OBCR is pretty brilliant. Toni Collette gives a pitch-perfect performance on the cast recording (it'd be fun to see her tackle Lippa's version and see what Murney does with LaChiusa's), underrated Tonya Pinkins is remarkable as Kate, and Mandy Patinkin's annoying self-indulgent scenery chewing performance style actually works wonders for Burrs. "People Like Us" is one of my all-time favorite showtunes.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
The score is so much more alive and vibrant. The vocals are ridiculously amazing.
And you think of all of the things you've seen, and you wish that you could live in between ,and you're back again only different than before...
After the Sky.
-Into the Woods (Jack)
Well, its sorta hard. Lippa's music is wonderful. His lyrics: amateurish. Embarrassingly so. La Chuisa's music, though at times pleasant is old LaChuisa tiresomeness...though much more intelligent lyrics. You can't compare the original stagings, George C Wolf's direction of LaChuisa's was amazing. The cast was older in LaChuisa's and much more seasoned. As talented as Idina is, she was still forming as an actress then, and without a great director she came off....well....badly. Even Taye was weak.
I won't go into my patronizing diatribe about how to choose which one you would like better, but it's available on about 10 previous threads on this subject.
I, too, have nothing new to contribute to the debate. But I really would love to hear Murney sing the LaChiusa score and Collette singing the Lippa score; that was an inspired suggestion, whoever threw that out there. Actually thinking about it, I'd love to hear Murney sing LaChiusa more than Collette sing Lippa; there's so much meat in Queenie's numbers in LaChiusa, it'd be great to hear Murney- who can act the hell out of a song- tackle that. I feel that Collette was so great on the recording that I don't...I don't know. Not to say it would be a downgrade, but thinking about it, the songs don't carry the same weight. But she'd still be fierce. Never mind. Yes, a switch.
"I'll cut you, Tracee Beazer!!!!
...Just kidding. I'd never cut anyone." -Tina Maddigan, 9/30/06, WS stage door
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I'm thinking about legally changing my name to Lizzie Curry...
And you'll get to hear my beloved Julia sing "Low-Down Down" at Joe's Pub this coming Sept. 8th---she did it at "The Girly Show" a few years back at Lincoln Center and brought the house down. Truly, the woman is remarkable and deserves an entire show (or two) written just for her!
I'm not familiar with LaChiusa's version so I don't have an opinion on it, but I've fallen madly in love with Lippa's version within the past few weeks. I'm completely addicted to it and I can't go a day without listening to it. Some of the songs aren't that great, but I love the overall tone and feel of the show.