the story i have in mind can't be told here. but you'll get the drift if i tell you it involves miss merman in her dressing room with a hand mirror, and the arrival of a young assistant stage manager... "five minutes, miss merman..."
My favorite was a quote that appeared in the book "Broadway Day and Night". Merman visited Harvey Firestein in his dressing room after a performance of TORCH SONG TRILOGY and he asked her what she thought of the play.
MERMAN: I thought it was a piece of sh*t but everyone around me was screaming and laughing so what the f*ck do I know?
"If people could do what I do, they'd be up here doing it."
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
My favorite (toher 2 youngs kids as they walked around Central Park) "You don't want to go to the zoo, you don't want to play on the swings, what the fcuk DO you want to do?"
No good can possibly come from using this vast wasteland of error and deliberate deceit. You should get off of it and warn others away. You should make sure your children and grandchildren know what a corrupt and morally bankrupt institution it truly is.
Regarding a young actress who was late for her entrances in ANNIE GET YOUR GUN, Merman wanted her fired. When the stage manager mentioned that the actress was a protege of Richard Rodgers (the producer) Merman replied, "I don't give a damn--tell him to go fu*k himself! I want her fired!"
And when she summoned Jerry Orbach to her dressing room during the Granny Get Your Gun revival, demanding to know what he was "doing" upstage of her during one of her scenes.
"Nothing, Miss Merman," he protested.
"You are too, Orbach. I got eyes in the back of my head."
"Honest, Miss Merman," he pleaded. "All I'm doing is reacting."
"I knew it!" Merman crowed. "Let's make a deal--you don't react to ME and I won't react to YOU. Deal?"
Not a quote, but a funny Merman story- There was the time when Donna McKechnie was on tour with her in some show (Call Me Madam?). It was her last night and she began to cluck in the middle of a scene and make rather odd faces. Donna thought she was having a stroke. Turns out it was an old vaudeville tradition. On a performer's last night, someone would try to get them to go up on stage.
Ethel once went on a talk show and sang I've Got Rhythm with peanut brittle in her mouth.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Funny Face - What jv92 meant is that, one someone's last night they would try to get them to "go up on their lines", or to make them forget their lines.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
Elaine Stritch was covering Merman in CALL ME MADAM on Broadway and appearing as Melba, who sings "Zip", in PAL JOEY in New Haven simultaneously. One day, during a snowstorm and on a two-show day, Elaine had to check in with Merman (who, of course, never missed) and then get up to New Haven to make her own curtain during the second act of PAL JOEY. Stritch was apprehensive, so Merman said, "Elaine, just go to New Haven and sing the f'ing song!" She told the story in ELAINE STRITCH AT LIBERTY. I hope I remembered it accurately.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
joined:6/29/05
Posted: 7/15/07 at 11:47pm