She's teenage angst personified. Nearly everyone believes they know what unrequited love feels like: putting everything on the line for a revolution? Not so much.
It's quite obvious why women are so anxious to play Eponine. If you're of that age, the role is far more exciting and intricate than Cosette's, and she gets one of the most famous solos in the musical, "On My Own." "A Little Fall of Rain" isn't half bad either.
back in the prehistoric days of the internet - the mid-1990's - I used to visit AOL's Playbill Online Chat Room. I swear there must have been at least two dozen teenaged girls with "Eponine", followed by a number or something, as their screenname. They all identified with her unrequited love for some cute boy (who, in their cases, being into high school drama, usually turned out to be gay). Ten years later, their Broadway character role model was (and perha[ps still is) Elphaba.
She's a doormat who basically screams, "wipe whatever you picked up on the street all over me," and then gets to wait for Randy Jackson to say "Dawg, I wasn't feelin' it." The role requires wet eyes, a big ol' voice, and an affinity for despair: i.e. an adolescent sensibility with talent. I get it. I do. I also hope to never hear That Song again.
When I was a small girl and would lock the door and lip-synch to the cast album alone in my room, I would always perform as Enjolras. Forget 'Ponine, Enjolras is where it's at.
Her whole part could be cut from the show and nothing (story-wise, plot-wise) would change, except timing. She's a very odd remnant from the book. I thought the would take some liberty and give her back some of the character from the book. Instead we get an extra singing a really BIG song about BIG emotions nobody cares about.
I would have probably given that song to Jean val-jean and created some unrequited love for him.
I always thought "Cosette" sounded like a feminine hygeine product: "Honey, could you run down to the drug store and pick up a box of Cosettes for me?"
"Eponine" = a medication; "Nurse - 20 cc's of Eponine - stat!"
"Thernardier" = an appliance: "The damn Thernarider is on the fritz again!"
"Enjolras" = a green vegetable: "Our salad tonight is Enjolras, roasted beets and walnuts in a raspberry vinaigrette."
It's the angst and "On My Own". I swear that and "Defying Gravity" are the two go-to songs for tween girl auditions. It doesn't help that they're usually sung in a horrible, nasally whine, too. I'd rather never hear those songs again unless someone can bring something interesting to them (which most of these girls can't).
Really, none of the female parts in the show are anything spectacular. Say what you want about her, but it took Anne Hathaway's performance for me to finally appreciate "I Dreamed A Dream" as something more than a belty power ballad. I gotta give her props for that. She turned it into a heartbreaking tour de force.
If i was a girl i Would want to Play Fantine over eponine.But i undersand the eponine fetish. When My HS did Les Mis 90% of the girls sang "on my own" for auditions...
If the title of the show and the title of the novel are "Les Miserables", how is Eponine the "least important"? Valjean may be the axis, but the story itself is supposed to represent a cross-section of a post-Revolution French society. Very much in the same way Ragtime uses Coalhouse Walker.
joined:7/17/07
Posted: 1/22/13 at 06:17pm