She's teenage angst personified. Nearly everyone believes they know what unrequited love feels like: putting everything on the line for a revolution? Not so much.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
It's quite obvious why women are so anxious to play Eponine. If you're of that age, the role is far more exciting and intricate than Cosette's, and she gets one of the most famous solos in the musical, "On My Own." "A Little Fall of Rain" isn't half bad either.
Scratch and claw for every day you're worth!
Make them drag you screaming from life, keep dreaming
You'll live forever here on earth.
back in the prehistoric days of the internet - the mid-1990's - I used to visit AOL's Playbill Online Chat Room. I swear there must have been at least two dozen teenaged girls with "Eponine", followed by a number or something, as their screenname. They all identified with her unrequited love for some cute boy (who, in their cases, being into high school drama, usually turned out to be gay). Ten years later, their Broadway character role model was (and perha[ps still is) Elphaba.
She's a doormat who basically screams, "wipe whatever you picked up on the street all over me," and then gets to wait for Randy Jackson to say "Dawg, I wasn't feelin' it." The role requires wet eyes, a big ol' voice, and an affinity for despair: i.e. an adolescent sensibility with talent. I get it. I do. I also hope to never hear That Song again.
"I'm a comedian, but in my spare time, things bother me." Gary Shandling
She's the only character in the show that gets a nickname.
"But you will live 'ponine, Dear God above".
You don't see Fantine being called "teenee" or Jean Valjean being called "Valjee" or Cosette being called "sette"
PLUS
She gets to wear a cool raincoat and hat and lurk in the shadows
PLUS
She gets to die beautifully. Unlike Fantine who dies a toothless, hairless, consumptive whore's death.
PLUS
She gets to come back in the end (except in the movie) and harmonize with Fantine.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
When I was a small girl and would lock the door and lip-synch to the cast album alone in my room, I would always perform as Enjolras. Forget 'Ponine, Enjolras is where it's at.
Her whole part could be cut from the show and nothing (story-wise, plot-wise) would change, except timing. She's a very odd remnant from the book. I thought the would take some liberty and give her back some of the character from the book. Instead we get an extra singing a really BIG song about BIG emotions nobody cares about.
I would have probably given that song to Jean val-jean and created some unrequited love for him.
"In the book, Cosette's real name is Euphrasie, but her mother calls her Cosette."
No wonder Cosette doesn't have any songs. How can you put "Euphrasie" into a song?
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
All through the film I was waiting for Sacha Baron Cohen to finally go ahead and call her "Corvette."
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW
"Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick
My blog: http://www.roscoewrites.blogspot.com/
I always thought "Cosette" sounded like a feminine hygeine product: "Honey, could you run down to the drug store and pick up a box of Cosettes for me?"
"Eponine" = a medication; "Nurse - 20 cc's of Eponine - stat!"
"Thernardier" = an appliance: "The damn Thernarider is on the fritz again!"
"Enjolras" = a green vegetable: "Our salad tonight is Enjolras, roasted beets and walnuts in a raspberry vinaigrette."
It's the angst and "On My Own". I swear that and "Defying Gravity" are the two go-to songs for tween girl auditions. It doesn't help that they're usually sung in a horrible, nasally whine, too. I'd rather never hear those songs again unless someone can bring something interesting to them (which most of these girls can't).
Really, none of the female parts in the show are anything spectacular. Say what you want about her, but it took Anne Hathaway's performance for me to finally appreciate "I Dreamed A Dream" as something more than a belty power ballad. I gotta give her props for that. She turned it into a heartbreaking tour de force.
If i was a girl i Would want to Play Fantine over eponine.But i undersand the eponine fetish. When My HS did Les Mis 90% of the girls sang "on my own" for auditions...
If the title of the show and the title of the novel are "Les Miserables", how is Eponine the "least important"? Valjean may be the axis, but the story itself is supposed to represent a cross-section of a post-Revolution French society. Very much in the same way Ragtime uses Coalhouse Walker.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
joined:7/17/07
Posted: 1/22/13 at 06:17pm