The book was the worst part of the show -- songs, performances, design, Choreography, etc., etc. were terrific. But the book was a drag. Having said that, and partcularly after the Clear Day disaster, I don't have too much faith in any rewrites. What I would like to see is have some venturesome label put out a complete recording of the entire show -- maybe with Lupone and Stokes-Mitchell as the leads.
"maybe with Lupone and Stokes-Mitchell as the leads."
LuPone did the show for Encores. While she was good, I felt her "I Love Paris" was too forceful. She lost the subtle beauty of the song. It's not a song to be belted.
"While she was good, I felt her "I Love Paris" was too forceful"
You were the only one. She stopped the show dead in it's tracks with the song and rightfully so. She was amazing and I don't think I've ever heard that song sung with so much heart. I can't see this show being done without her and quite frankly, I wouldn't want to see it if it is.
"They will need a star, a big name for this to sell. Not even LuPones name I don't think could make this a hit again for a big commercial run."
If that's true it really shows how bad Broadway audiences have become. It means a show like "Nice Work" can sell on the name of Matthew Broderick, an actor mainly remembered for a movie he did years ago, but has become a bad triple threat (can't act, can't sing, can't dance) and has played the same character for the last twenty years.
Meanwhile a truly talented actress like Patti Lupone (can sing, can dance, can act) can't sell a show? That would be very sad if it's true.
I'd love to see Patti do the part, too, but I wonder if she's enough of a draw to sell this rather arcane property to a quantity of tourists sufficient to make it pay off.
joined:5/3/03
Posted: 1/17/13 at 08:42am